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When dapper Aslam, an aspiring writer, who is recovering from a broken relationship, accidently meets Jessica, an activist and an actor in the adult entertainment industry from Los Angeles, they fall hopelessly in love with each other. The novel is about these two unlikely characters and their journeys in the backdrop of the rise of right-wing political forces in India. It takes you to the Indian hinterlands to bring to light George Orwell's deep connection with Motihari, a small town in the northern part of Bihar from where Gandhi Ji experimented with Satyagraha for the first time.
In this award-winning novel, Tharoor has masterfully recast the two-thousand-year-old epic, The Mahabharata, with fictional but highly recognizable events and characters from twentieth-century Indian politics. Nothing is sacred in this deliciously irreverent, witty, and deeply intelligent retelling of modern Indian history and the ancient Indian epic The Mahabharata. Alternately outrageous and instructive, hilarious and moving, it is a dazzling tapestry of prose and verse that satirically, but also poignantly, chronicles the struggle for Indian freedom and independence.
The essential backstory to the creation and meaning of one of the most important novels of the twentieth century—and now the twenty-first. Since its publication nearly seventy years ago, George Orwell’s 1984 has been regarded as one of the most influential novels of the modern age. Politicians have testified to its influence on their intellectual identities, rock musicians have made records about it, TV viewers watch a reality show named for it, and a White House spokesperson tells of “alternative facts.” The world we live in is often described as an Orwellian one, awash in inescapable surveillance and invasions of privacy. On Nineteen Eighty-Four dives deep into Orwell’s life to chart his earlier writings and key moments in his youth, such as his years at a boarding school, whose strict and charismatic headmaster shaped the idea of Big Brother. Taylor tells the story of the writing of the book, taking readers to the Scottish island of Jura, where Orwell, newly famous thanks to Animal Farm but coping with personal tragedy and rapidly declining health, struggled to finish 1984. Published during the cold war—a term Orwell coined—Taylor elucidates the environmental influences on the book. Then he examines 1984’s post-publication life, including its role as a tool to understand our language, politics, and government. In a climate where truth, surveillance, censorship, and critical thinking are contentious, Orwell’s work is necessary. Written with resonant and reflective analysis, On Nineteen Eighty-Four is both brilliant and remarkably timely. Praise for On Nineteen Eighty-Four “A lively, engaging, concise biography of a novel.” —Kirkus Reviews “The fascinating origins and complex legacy of this enduring masterwork are chronicled in [this] arresting new book.” —BookPage “Brisk [and] focused. . . . Taylor here covers the highlights, giving both an overview of Orwell’s career and a survey of his greatest literary achievement.” —Wall Street Journal “Taylor is an accomplished literary critic and he illuminates Orwell’s work in the context of his life, elegantly and expertly charting his course from Grub Street to bestsellerdom.” —TheGuardian
Homage to Catalonia is George Orwell's personal account of his experiences and observations fighting for the POUM militia of the Republican army during the Spanish Civil War. The war was one of the defining events of his political outlook and a significant part of what led him to write in 1946, "Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for Democratic Socialism, as I understand it." The first edition was published in the United Kingdom in 1938. The book was not published in the United States until February 1952, when it appeared with an influential preface by Lionel Trilling. The only translation published in Orwell's lifetime was into Italian, in December 1948. A French translation by Yvonne Davet-with whom Orwell corresponded, commenting on her translation and providing explanatory notes-in 1938-39, was not published until five years after Orwell's death. Book Summary: Orwell served as a private, a corporal (cabo) and-when the informal command structure of the militia gave way to a conventional hierarchy in May 1937-as a lieutenant, on a provisional basis, in Catalonia and Aragon from December 1936 until June 1937. In June 1937, the leftist political party with whose militia he served (the POUM, the Workers' Party of Marxist Unification, an anti-Stalinist communist party) was declared an illegal organisation, and Orwell was consequently forced to flee. Having arrived in Barcelona on 26 December 1936, Orwell told John McNair, the Independent Labour Party's (ILP) representative there, that he had "come to Spain to join the militia to fight against Fascism." He also told McNair that "he would like to write about the situation and endeavour to stir working class opinion in Britain and France." McNair took him to the POUM barracks, where Orwell immediately enlisted. "Orwell did not know that two months before he arrived in Spain, the [Soviet law enforcement agency] NKVD's resident in Spain, Aleksandr Orlov, had assured NKVD Headquarters, 'the Trotskyist organisation POUM can easily be liquidated'-by those, the Communists, whom Orwell took to be allies in the fight against Franco."
When shots ring out on the Grand Trunk Road in the fictional Pakistani city of Zamara, Nargis’s life begins to crumble around her. Soon her husband—and fellow architect—is dead and, under threat from a powerful military intelligence officer, she fears that a long-hidden truth about her past will be exposed. For weeks someone has been broadcasting people’s secrets from the minaret of the local mosque, and, in a country where even the accusation of blasphemy is a currency to be bartered, the mysterious broadcasts have struck fear in Christians and Muslims alike. A revelatory portrait of the human spirit, in The Golden Legend, Nadeem Aslam gives us a novel of Pakistan’s past and present—a story of corruption and resilience, of love and terror, and of the disguises that are sometimes necessary for survival.
A vivid, often surprising account of South Asia today by the author of An End to Suffering In his new book, Pankaj Mishra brings literary authority and political insight to bear on travels that are at once epic and personal. Traveling in the changing cultures of South Asia, Mishra sees the pressures—the temptations—of Western-style modernity and prosperity, and teases out the paradoxes of globalization. A visit to Allahabad, birthplace of Jawaharlal Nehru, occasions a brief history of the tumultuous post-independence politics Nehru set in motion. In Kashmir, just after the brutal killing of thirtyfive Sikhs, Mishra sees Muslim guerrillas playing with Sikh village children while the media ponder a (largely irrelevant) visit by President Clinton. And in Tibet Mishra exquisitely parses the situation whereby the Chinese government—officially atheist and strongly opposed to a free Tibet—has discovered that Tibetan Buddhism can "be packaged and sold to tourists." Temptations of the West is a book concerned with history still in the making—essential reading about a conflicted and rapidly changing region.
When Muhammad Iqbal first recited Shikwa (Taking Issue) in 1909, his audience was enraged by his effrontery. Iqbal, in his lament, took issue with Allah directly, audaciously implicating Him for the sorry state of Muslims worldwide and ruing the lost glory of Islam. In recompense, Iqbal composed Jawaab-e-Shikwa (Allah’s Answer) in 1913. Here, Allah responds to the poet, first berating his community, then offering hope for Islam in the world. Iqbal’s mellifluous words greatly assuaged those angered earlier. Over time, the poems have found their place in the canon of South Asian literature, and, through recitation, repetition and selective use, have forwarded a variety of agendas in the subcontinent. In this elegant translation by Mustansir Dalvi, these classics by the most influential poet of his generation come alive once again in a language that is contemporary and immediate.
‘God once told me life is absurd. How else can two boys land up in America and not find any girls?’ Karl and Kunal are just two ordinary Mumbai boys who like ordinary things: bunking class, films, food and pornography. Intent on attaining stardom they fly off to the legendary Lee Strasburg Acting Studio to sharpen their craft in acting and in chasing girls. They fail on both counts but come back with a jackpot: their maiden movie role. In Bollywood, they meet Yusuf Khan, who at forty-six is still the undisputed king of college romance. Being losers doesn’t get in their way and soon the trio become a hit team, churning out blockbuster after blockbuster. Before they know it, Karl and Kunal get their own spot boys, the defining moment in every Bollywood actor’s life, feature in an TV commercial with Leander Paes and Mahesh Bhupathi, and are even invited to meet Bill Clinton on his visit to India. But all this is not enough for Karl, who knows that it’s really politics which is the ultimate destination for all ‘great’ actors. As Pajama Party’s nominee from south Mumbai, Karl makes his debut as a politician. Will he hit the box office again? A novel about celebrities, Bollywood and politics, Karl, Aaj aur Kal is a hilarious novel from India’s best known funny man.
This is a dystopian social science fiction novel and morality tale. The novel is set in the year 1984, a fictional future in which most of the world has been destroyed by unending war, constant government monitoring, historical revisionism, and propaganda. The totalitarian superstate Oceania, ruled by the Party and known as Airstrip One, now includes Great Britain as a province. The Party uses the Thought Police to repress individuality and critical thought. Big Brother, the tyrannical ruler of Oceania, enjoys a strong personality cult that was created by the party's overzealous brainwashing methods. Winston Smith, the main character, is a hard-working and skilled member of the Ministry of Truth's Outer Party who secretly despises the Party and harbors rebellious fantasies.