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Celebrated connoisseur, drawings collector, print dealer, book publisher and authority on the art of antiquity, Pierre-Jean Mariette (1694-1774) was a pivotal figure in the eighteenth-century European art world. Focusing on the trajectory of Mariette?s career, this book examines the material practices and social networks through which connoisseurs forged the idea of art as an object of empirical and historical analysis. Drawing on significant unpublished archival material as well as on histories of science, publishing, collecting and display, this book shows how Mariette and his colleagues? practices of classification and interpretation of the graphic arts gave rise to new conceptions of artistic authorship and to a history of art that transcended the biographies of individual artists. To follow Mariette?s career through the eighteenth century is to see that art was consolidated as a specialized category of intellectual inquiry-and that style emerged as its structuring analytic device-in the overlapping spaces of the collector?s cabinet, the connoisseur?s portfolio and the dealer?s shop.
This richly illustrated book examines the making of one of the earliest modern catalogues--La galerie électorale de Dusseldorff. Published in 1778, the revolutionary two-volume publication showcases one of the most important European painting collections of the eighteenth century, reflecting a pivotal moment in the history of art as well as the history of the art museum. In two essays, the authors analyze the process by which the catalogue was produced and shed light on the historical and cultural context that gave rise to an innovative and didactic way of displaying paintings--and, by extension, to art history as a discipline. The volume accompanies an exhibition of the same name to be held at the Getty Research Institute from May 31 to August 21, 2011.
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
This book contributes significantly to book, image and media studies from an interdisciplinary, comparative point of view. Its broad perspective spans medieval manuscripts to e-readers. Inventive methodology offers numerous insights into visual, manuscript and print culture: material objects relate to meaning and reading processes; images and texts are examined in varied associations; the symbolic, representational and cultural agency of books and prints is brought forward. An introduction substantiates methods and approaches, ten chapters follow along media lines: from manuscripts to prints, printed books, and e-readers. Eleven contributors from six countries challenge the idea of a unified field, revealing the role of books and prints in transformation and circulation between varying cultural trends, ‘high’ and ‘low’. Mostly Europe-based, the collection offers book and print professionals, academics and graduates, models for future research, imaginatively combining material culture with archival data, cultural and reading theories with historical patterns.
Das altagyptische Totenbuch mit seinen etwa 200 Spruchen und dazugehorigen Illustrationen in immer neuen Zusammenstellungen auf verschiedenen Materialien (Papyri, Mumienbinden, Leichentucher, Sarge, Grabwande u.a.) stellt eine der bedeutendsten Quellen zur religiosen Literatur und Ikonographie des Alten Agypten dar. Im September 2005 richtete das Bonner Totenbuch-Projekt eine interdisziplinare Konferenz aus, deren Beitrage in diesem Band zusammengestellt sind. Die 27 oft reich bebilderten Aufsatze umfassen eine Vielfalt von Themen: Publikationen bislang unbekannter Handschriften auf den unterschiedlichsten Texttragern, Untersuchungen einzelner Texte oder Darstellungen aus dem Totenbuch, das Totenbuch als Quelle zu ausgewahlten religionswissenschaftlichen Themen, Beginn und Ende der Totenbuch-Uberlieferung und allgemeine Beobachtungen zum Totenbuch (zur Bezeichnung des Verstorbenen als Osiris, zur Palaographie, zur Anordnung der Vignetten, zu Totenbuch- Vignetten auf den Sargen der Dritten Zwischenzeit, zu Amulettpapyri). Daruber hinaus prasentieren funf Restaurierungswissenschaftler den aktuellen Forschungsstand zu sachgemasser Konservierung und Aufbewahrung von Papyri, zur Lesbarmachung stark nachgedunkelter Schrift, zu verwendeten Farben und moglichen Falttechniken.
Pankration Athlima, un art martial ancestral et un sport moderne. Le livre examine l'histoire de ce noble art martial, et offre une nouvelle discipline sportive qui lui est associée, en particulier pour les athlètes participant à WPAC / FILA compétitions, avec plus de 250 photographies et illustrations.