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DIVAfter his father’s sudden death, a college student seeks revenge/div DIVLadd Cunningham never felt comfortable in his father’s office. After high school he went to Stanford University rather than enter the family business, and he planned never to return. But then his father became ill, dying a slow, painful death, and Ladd was forced to come back./divDIV /divDIVLadd’s new stepfather David Crown presses him, trying to learn if Ladd plans to finish college or take the reins at Cunningham Company. Ladd says nothing, and Crown gives him a box of his father’s effects. Inside the dead man’s planner, Ladd finds a note implicating Crown in his father’s death. Murder is too good for a criminal. Ladd wants vengeance—slow, calculated, and irreversible./div

In the affluent suburbs of 1960s Los Angeles, David Crown steps into a world of hidden tensions when he marries the widow of his late friend, Hob Cunningham. As he takes the reins of Cunningham Company, David finds himself navigating not just a thriving business, but also the volatile emotions of his new stepson, Ladd. When a shocking accusation threatens to tear apart the community, David must confront the tangled web of relationships surrounding him. With his wife Abby caught between maternal devotion and marital loyalty, and neighbors harboring their own secrets, David struggles to uncover the truth while keeping his new family intact. A gripping exploration of family dynamics, mental health, and the weight of unspoken truths, A Little Less Than Kind delves into the complexities of love, loyalty, and the quest for understanding in the face of life-altering events. Charlotte Armstrong (1905-1969) was an acclaimed American mystery and suspense novelist. Born in Vulcan, Michigan, she began her writing career as a playwright before turning to fiction in the 1940s. Armstrong quickly established herself as a master of psychological suspense, crafting intricate plots and complex characters that earned her critical acclaim and a devoted readership.. Over her career, Armstrong published nearly 30 novels and won the Edgar Award for Best Novel in 1957 for A Dram of Poison>. Her work often explored themes of family dynamics, hidden motivations, and the darkness lurking beneath the surface of seemingly ordinary lives. Armstrong's keen insight into human nature and her ability to build tension through everyday situations made her a standout in the genre..

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This book establishes an analytical model for the description of existing translations in their historical context within a framework suggested by systemic concepts of literature. It argues against mainstream 20th-century translation theory and, by proposing a socio-cultural model of translation, takes into account how a translation functions in the receiving culture. The case studies of successive translations of "Hamlet" in France from the eighteenth century neoclassical version of Jean-Francois Ducis to the 20th-century Lacanian, post-structuralist stage production of Daniel Mesguich show the translator at work. Each chapter focuses on a different aspect of the changing theatrical and literary norms to which translators through the ages have been bound by the expectations both of their audiences and the literary establishment.