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The widow lady and the shoemaker are true characters with a fictional storyline. The Bog holds a lot of facts about nature. It is full of wildlife and heritage.
Mythical Ireland embodies the search for a soul among Ireland's ancient ruins, and is an attempt to retrieve something of deeper import from 5,000-year-old megalithic monuments and their associated myths. The book represents a fascinating and engaging journey through time, landscape and the human spirit. Dealing with archaeology, interpretive mythography, cosmology and cosmogony, the book attempts to grapple with a core meaning, something beyond the functional interpretations of academia. In this revised and expanded edition, Anthony Murphy delves further into the many enthralling aspects of this journey. Just how much knowledge did locals have of the secrets of Newgrange before it was excavated? Who is the Cailleach, the ancient hag goddess whose image is ubiquitous in the ancient landscape? What happened to make Ireland's Stonehenge disappear from the landscape? Who were the first kings of Tara? What were the indigenous Irish myths about the Milky Way? Did someone try to steal the Tara Brooch? Why are there myths in Ireland about flooded towns and cities? Lavishly illustrated with exquisite photographs of the Irish landscape and ancient monuments, Mythical Ireland represents a personal and yet universal journey, a quest to reimagine the shrines as empowering and transformative sacred places. Murphy invokes the druids and poets of the Boyne and thus the sídhe of the ancient texts are reawakened for a modern and turbulent world.
The Ancient Books of Ireland describes precious manuscripts that have survived for centuries. Slavin reveals not only their fascinating contents but their intriguing histories. Among the most important manuscripts described are :
The perfect gift for parents this Father’s Day: a beautiful, gut-wrenching memoir of Irish identity, fatherhood, and what we owe to the past. “A heartbreaking and redemptive book, written with courage and grace.” –J.D. Vance, author of Hillbilly Elegy “…a lovely little book.” –Ross Douthat, The New York Times The child of an Irish man and an Irish-American woman who split up before he was born, Michael Brendan Dougherty grew up with an acute sense of absence. He was raised in New Jersey by his hard-working single mother, who gave him a passion for Ireland, the land of her roots and the home of Michael's father. She put him to bed using little phrases in the Irish language, sang traditional songs, and filled their home with a romantic vision of a homeland over the horizon. Every few years, his father returned from Dublin for a visit, but those encounters were never long enough. Devastated by his father's departures, Michael eventually consoled himself by believing that fatherhood was best understood as a check in the mail. Wearied by the Irish kitsch of the 1990s, he began to reject his mother's Irish nationalism as a romantic myth. Years later, when Michael found out that he would soon be a father himself, he could no longer afford to be jaded; he would need to tell his daughter who she is and where she comes from. He immediately re-immersed himself in the biographies of firebrands like Patrick Pearse and studied the Irish language. And he decided to reconnect with the man who had left him behind, and the nation just over the horizon. He began writing letters to his father about what he remembered, missed, and longed for. Those letters would become this book. Along the way, Michael realized that his longings were shared by many Americans of every ethnicity and background. So many of us these days lack a clear sense of our cultural origins or even a vocabulary for expressing this lack--so we avoid talking about our roots altogether. As a result, the traditional sense of pride has started to feel foreign and dangerous; we've become great consumers of cultural kitsch, but useless conservators of our true history. In these deeply felt and fascinating letters, Dougherty goes beyond his family's story to share a fascinating meditation on the meaning of identity in America.
Edited by Joseph O'Connor (author of Star of the Sea and Ghost Light) New Irish Short Stories is a stunning collection from a fascinating variety of writers, both new and established. Featuring, among many others, William Trevor and Roddy Doyle, Rebecca Miller and Richard Ford, Christine Dwyer Hickey and Colm Toibin, it shows the short story to be a vibrant, thriving form and one that should continue to be celebrated and encouraged. This collection follows the two acclaimed editions David Marcus edited for Faber in 2004-5 and 2006-7.
In the fourth book from the Agatha Award nominated writing team of D.E. Ireland, famous literary characters Eliza Doolittle and Henry Higgins find they may have brought trouble with them when they attend a country house party in With A Little Bit of Blood. Eliza is not happy when Higgins buys a snazzy roadster. Her misgivings prove correct when he becomes injured in a motor car crash. Forced to play nursemaid, Eliza is thrilled to accept an invitation to a house party from Lord Ashmore and his bride, the former Clara Eynsford-Hill. But upon their arrival at Banfield Manor, Eliza is dismayed to see her sweetheart Freddy arm in arm with a beautiful actress. Higgins is shocked to learn the woman who once stalked him is also attending the party. Things grow even worse when spiritualist Madame Evangeline arrives and warns of impending danger. Her prediction comes true when someone is killed during the following day's shoot in the forest. Higgins and Eliza suspect it wasn't an accident, but murder. Every guest hides a dark secret that involved the dead man. But who hated him more? The French aviator, the American cinema actress, a lady novelist, the Austrian count, or a knighted explorer of the Amazon? Madame Evangeline's séance may reveal what is really going on. But her cryptic words deepen the mystery, especially after another guest turns up dead. Who is behind these murders? And has Higgins himself been targeted? As the day of the fox hunt begins, it seems likely that more than the fox will die. Before that happens, Eliza and the Professor must discover who may have a little bit of blood on their hands.
And so it was that when he met Aoife, a stranger to those parts, he was struck by her beauty and blind to her evil.
This powerful analysis of the wise women healer from the oral traditions of Ireland's rural communities is unique in its depth and perspective. Stories, told and retold, embedded in the texture of culture and community, collected and studied for many decades, are here translated and made available to the general reader for the first time. The figure of the wise woman, the hag, the Cailleach, or the Red Woman are part of an oral tradition which has its roots in pre-Christian Ireland. In the hands of Gearoid O Crualaich, these figures are subtly explored to reveal how they offered a complex understanding of the world, of human psychology and its predicaments: the thematic structure of the book brings to the fore universal themes such as death, marriage, childbirth, and healing, and invites the reader to see the contemporary relevance of the stories for themselves.
'You've had some pretty crazy ideas in your life, Newby, but this is the craziest.' Grandmother Wanda Newby was exasperated after continuous rain, snow, and gales that knocked from her bike. Twice.