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Born and raised Jewish, Stephen B. Shepard ceased to be observant by the time he entered college. He simply retreated into his own private diaspora: a Jew in name only, a non-religious member of the tribe, linked only tenuously to the heritage, culture, and social values of Judaism. Yet he was aware that there was a flowering of Jewish writing in post-war America: and that many of the authors he was reading were Jewish. What, he wondered, did it mean to be a Jewish-American writer? Was there such a thing as a Jewish novel? Why did he care so much about these books? In this literary memoir, Shepard explores his encounters with a few writers who influenced his sense of Jewish identity: and his ultimate return to the fold. He describes the anti-Semitism directed at Saul Bellow; details the literary feud between Philip Roth and Bernard Malamud; muses about the "Jewish" John Updike; and contemplates anew the horror of the Holocaust in the work of Cynthia Ozick. Shepard writes as an enthusiastic reader, a fan watching his team play.
Journeys of dislocation and return, of discovery and conquest hold a prominent place in the imagination of many cultures. Wherever an individual or community may be located, it would seem, there is always the dream of being elsewhere. This has been especially true throughout the ages for Jews, for whom the promises and perils of travel have influenced both their own sense of self and their identity in the eyes of others. How does travel writing, as a genre, produce representations of the world of others, against which one's own self can be invented or explored? And what happens when Jewish authors in particular—whether by force or of their own free will, whether in reality or in the imagination—travel from one place to another? How has travel figured in the formation of Jewish identity, and what cultural and ideological work is performed by texts that document or figure specifically Jewish travel? Featuring essays on topics that range from Abraham as a traveler in biblical narrative to the guest book entries at contemporary Israeli museum and memorial sites; from the marvels medieval travelers claim to have encountered to eighteenth-century Jewish critiques of Orientalism; from the Wandering Jew of legend to one mid-twentieth-century Yiddish writer's accounts of his travels through Peru, Jews and Journeys explores what it is about travel writing that enables it to become one of the central mechanisms for exploring the realities and fictions of individual and collective identity.
Fifteen-year-old Nevaeh Levitz is torn between two worlds, passing for white while living in Harlem, being called Jewish while attending her mother's Baptist church, and experiencing first love while watching her parents' marriage crumble.
This book explores through literature the long and complex evolution of Jewish identity in Israel and the central role that language, ideology, memory, and culture have played in that journey. Language is possibly the most important component of any collective identity. Indeed, any nation can be better understood through its imaginative literature and never more so than in the case of Israeli literature, whose story runs in parallel with that of the State of Israel and with Zionism. The political task of nationalism directed the course of Israeli literature into a distinct national literature and in turn the literature participated in the formation of the nation. Language became inseparable from identity. But whose Hebrew is it? Through key texts by such authors as Y. H. Brenner, S. Y. Agnon, Nathan Shaham, Yoram Kaniuk, Aharon Appelfeld, A. B. Yehoshua, Gabriela Avigur-Rotem and Sami Michael, Risa Domb explores the connections between language, ideology, memory, culture, and identity, and asks whether ideology and identity are on an inescapable collision course.
The volume explores the fraught aftermath of the German Jewish conversionary experience through the medium of one family grappling with its fateful Jewish origins in a post-Holocaust, post-exilic milieu. Engaging contemporary scholarship to examine
A celebrated Israeli author explores the roots of the divide between religion and secularism in Israel today, and offers a path to bridging the divide "A thoughtful social, political, and philosophical examination of Judaism. . . . A cogent consideration of the place of religion in the modern world."--Kirkus Reviews Zionism began as a movement full of contradictions, between a pull to the past and a desire to forge a new future. Israel has become a place of fragmentation, between those who sanctify religious tradition and those who wish to escape its grasp. Now, a new middle ground is emerging between religious and secular Jews who want to engage with their heritage--without being restricted by it or losing it completely. In this incisive book, acclaimed author Micah Goodman explores Israeli Judaism and the conflict between religion and secularism, one of the major causes of political polarization throughout the world. Revisiting traditional religious sources and seminal works of secularism, he reveals that each contains an openness to learn from the other's messages. Goodman challenges both orthodoxies, proposing a new approach to bridge the divide between religion and secularism and pave a path toward healing a society torn asunder by extremism.
Who should count as Jewish in America? What should be the relationship of American Jews to Israel? Can the American Jewish community collectively sustain and pass on to the next generation a sufficient sense of Jewish identity? The situation of American Jews today is deeply paradoxical. Jews have achieved unprecedented integration, influence, and esteem in virtually every facet of American life. But this extraordinarily diverse community now also faces four critical and often divisive challenges: rampant intermarriage, weak religious observance, diminished cohesion in the face of waning anti-Semitism, and deeply conflicting views about Israel. Can the American Jewish community collectively sustain and pass on to the next generation a sufficient sense of Jewish identity in light of these challenges? Who should count as Jewish in America? What should be the relationship of American Jews to Israel? In this thoughtful and perceptive book, Robert H. Mnookin argues that the answers of the past no longer serve American Jews today. The book boldly promotes a radically inclusive American-Jewish community -- one where being Jewish can depend on personal choice and public self-identification, not simply birth or formal religious conversion. Instead of preventing intermarriage or ostracizing those critical of Israel, he envisions a community that embraces diversity and debate, and in so doing, preserves and strengthens the Jewish identity into the next generation and beyond.
What makes a great Jewish book? In fact, what makes a book "Jewish" in the first place? Ruth R. Wisse eloquently fields these questions in The Modern Jewish Canon, her compassionate, insightful guide to the finest Jewish literature of the twentieth century. From Isaac Babel to Isaac Bashevis Singer, Elie Wiesel to Cynthia Ozick, Wisse's The Modern Jewish Canon is a book that every student of Jewish literature, and every reader of great fiction, will enjoy.
Over the last one hundred years, the story of Jews in the United States has been, by and large, one of successful and enthusiastic Americanization. Hundreds of thousands of Jews began the twentieth century as new arrivals in a foreign land yet soon became shapers and definers of American culture itself. One of the clearest expressions of this transformation has been the quick linguistic march of immigrant Jews and their children from Yiddish to English. In this book, Michael Weingrad presents a counter history of American Jewish culture, one that tells the story of literature written by a group whose core identity was neither American nor Jewish American. These writers were ardently and nationalistically Jewish and, despite adopting a new country, their linguistic and cultural allegiance was to the Hebrew language. Producing poetry, short fiction, novels, essays, and journals, these writers sought to express a Jewish cultural nationalism through literature. Weingrad explores Hebrew literature in the United States from the emergence of a group of writers connected with the Hebraist movement in the early twentieth century to the present. Radically expanding and challenging our conceptions of American and Jewish identities in literature, the author offers wide-ranging cultural analyses and thoughtful readings of key works. American Hebrew Literature restores a lost piece of the canvas of Hebrew literature and Jewish culture in the twentieth century and invites readers to reimagine Jewish American writers of our own time.
Gittel and her mother were supposed to immigrate to America together, but when her mother is stopped by the health inspector, Gittel must make the journey alone. Her mother writes her cousin’s address in New York on a piece of paper. However, when Gittel arrives at Ellis Island, she discovers the ink has run and the address is illegible! How will she find her family? Both a heart-wrenching and heartwarming story, Gittel’s Journey offers a fresh perspective on the immigration journey to Ellis Island. The book includes an author’s note explaining how Gittel’s story is based on the journey to America taken by Lesléa Newman’s grandmother and family friend.