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Lose yourself in this grumpy/sunshine historical sapphic romance! A love story onstage And one waiting in the wings? Ruth Connell’s beloved theater is under threat! In desperation, she approaches reclusive playwright Artemis Goode. If Artemis can write a hit, Ruth can save her troupe from financial ruin. Yet it’s not just Ruth’s livelihood in need of saving, but Artemis’s shattered heart, too. As quickly as their personalities clash, their passion ignites! But while that leads their play toward success, it also leads Ruth closer to the end of her partnership with Artemis… From Harlequin Historical: Your romantic escape to the past.
Once called "America's greatest actress," renowned for the passion and power of her performances, Clara Morris (1847-1925) has been largely forgotten. A Spectacle of Suffering: Clara Morris on the American Stage is the first full-length study of the actress's importance as a feminist in the late nineteenth and early twentieth centuries. Detailing her daunting health problems and the changing tastes in entertainment that led to her retirement from the stage, Barbara Wallace Grossman explores Morris's dramatic reinvention as an author. During a second robust career, she published hundreds of newspaper and magazine articles and nine books—six works of fiction and three memoirs. Grossman draws on the fifty-four-volume diary that Morris kept from 1868 until 1924, as well as on the manuscript fragments and notes of journalist George T. MacAdam, who died in 1929 before completing the actress's biography. Grossman provides a dramatic account of Morris's life and work from her troubled early years, through an unhappy marriage, morphine addiction, and invalidism, to the challenges of touring, the decline of her artistic reputation, and the demands of the writing career she pursued so tenaciously. A Spectacle of Suffering reveals how Morris, even after experiencing blindness and the loss of her home, livelihood, and family, did not succumb to despair and found comfort in the small pleasures of her circumscribed life. A Spectacle of Suffering recovers an important figure in American theatre and ensures that Morris will be remembered not simply as an actress but as a respected writer and beloved public figure, admired for her courage in dealing with adversity. The book, which is enhanced by twenty-four illustrations, is the only published biography of Clara Morris. It is as much a tribute to the power of the human spirit as it is an effective means of exploring American theatre and society in the Gilded Age.
Succeeding her debut effort Reviews by Cat Ellington: The Complete Anthology, Vol. 1, the adroit wordsmith continues her journey through the analytical world of literary criticism with the second installment in the ongoing series, appropriately titled Reviews by Cat Ellington: The Complete Anthology, Vol. 2. Covering the years from 1996 through 2010, Ellington presents (50) insightful, articulate, witty, and sometimes amazingly humorous literary examinations that kick, push, and shove their way through the psyche from beginning to end. A storyteller in her own respect, Cat Ellington, regarded by many as being one of the best to ever pen a literary review, doles out one impressive critique after another in honor (or dishonor) of both the fictional and nonfictional dialogue alike. Included in Volume 2 of the standout Reviews by Cat Ellington book series are the author’s cleverly-written reviews of Another Country by James Baldwin, Boss: Richard J. Daley of Chicago by Mike Royko, Swan by Naomi Campbell, Fine Beauty by Sam Fine, The Picture of Dorian Gray by Oscar Wilde, The Judge by Steve Martini, The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed by Sara Gay Forden, The Mist by Stephen King, Along Came a Spider by James Patterson, and many more. So settle down, why don’t you, and prepare to lose yourself in the analytical creativity of its wondrously original, ever admired, undiluted, pleasantly fun-filled, and incredibly thought-provoking authorship. Reviews by Cat Ellington. A unique critique.
The lives and careers of Warner Brothers' screen legends Joan Blondell, Nancy Coleman, Bette Davis, Olivia de Havilland, Glenda Farrell, Kay Francis, Ruby Keeler, Andrea King, Priscilla Lane, Joan Leslie, Ida Lupino, Eleanor Parker, Ann Sheridan, Alexis Smith, and Jane Wyman are the topic of this book. Some achieved great success in film and other areas of show business, but others failed to get the breaks or became victims of the studio system's sometimes unpleasant brand of politics. The personal and professional obstacles that each actress encountered are here set out in detail, often with comments from the actresses who granted interviews with the author and from those people who knew them best on and off the movie set. A filmography is included for each of the fifteen.
Ten years ago, the first edition of this book asked why there was such a low number of women filling leadership roles and outlined what it took for women to succeed in their careers. Since then, headline numbers have gone up but has there been real change? This new edition continues a deep investigation into underlying issues and coaching responses. Building on the first edition’s original research with the London School of Economics, the authors revisit all assumptions, adding millennials and beyond, as well as a broader selection of industry sectors. In this book, you will find: How to build a business case for coaching women specific to your organisation. Which areas of coaching are the most useful at which stage of long careers – not just age. Refreshed interviews with past and new women leaders. Specific tools and techniques to develop women leaders and build more women-friendly organisations. The original research clearly stands, so do the core elements of coaching that lead to success. This book will be of great interest to coaches, women leaders, professional managers and academics.
A latecomer continually hampered by government control and interference, the Russian theatre seems an unlikely source of innovation and creativity. Yet, by the middle of the nineteenth century, it had given rise to a number of outstanding playwrights and actors, and by the start of the twentieth century, it was in the vanguard of progressive thinking in the realms of directing and design. Its influence throughout the world was pervasive: Nikolai Gogol', Anton Chekhov and Maksim Gor'kii remain staples of repertories in every language, the ideas of Konstantin Stanislavskii, Vsevolod Meierkhol'd and Mikhail Chekhov continue to inspire actors and directors, while designers still draw on the graphics of the World of Art group and the Constructivists. What distinguishes Russian theater from almost any other is the way in which these achievements evolved and survived in ongoing conflict or cooperation with the State. This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.
Many studies of poetic modernism focus on the avatars of High Modernism, Eliot, Pound and Yeats, who created a critical coterie based on culture and class. A New Matrix for Modernism introduces a matrilineage for modernism that traces a distinct women's poetic voice from the Bronte sisters through Alice Meynell to modernists Charlotte Mew and Anna Wickham who combine feminist content with an innovative exploration of formalist prosody. Shifting emphasis from woman to child, mother to daughter, and urbs to suburb, relocating modernism's matrilingua to the boundaries of London society and culture, A NewMatrix for Modernism ranges widely among architecture, mental illness, Fabianism, Positivism, Theosophy, women's suffrage and education to a new house for modernism-a woman's place of secret joys and sorrows. Well researched yet passionate, this book will appeal to both the scholar and the generalist interested in modernism, poetry, feminism, culture and British literary history.
This reference book, containing the biographies of more than 1,100 notable British women from Boudicca to Barbara Castle, is an absorbing record of female achievement spanning some 2,000 years of British life. Most of the lives included are those of women whose work took them in some way before the public and who therefore played a direct and important role in broadening the horizons of women. Also included are women who influenced events in a more indirect way: the wives of kings and politicians, mistresses, ladies in waiting and society hostesses. Originally published as The Europa Biographical Dictionary of British Women, this newly re-worked edition includes key figures who have died in the last 20 years, such as The Queen Mother, Baroness Ryder of Warsaw, Elizabeth Jennings and Christina Foyle.
The Rise and Fall of the Femme Fatale in British Literature, 1790-1910 explores the femme fatale's career in nineteenth-century British literature. It traces her evolution--and devolution--formally, historically, and ideologically through a selection of plays, poems, novels, and personal correspondence. Considering well-known fatal women alongside more obscure ones, The Rise and Fall of the Femme Fatale sheds new light on emerging notions of gender, sexuality, and power throughout the long nineteenth century. By placing the fatal woman in a still-developing literary and cultural narrative, this study examines how the femme fatale adapts over time, reflecting popular tastes and socio-economic landscapes.