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Caroline Elizabeth Sarah Norton (1808–1877) was an English author and social reformer. After Norton left her husband in 1836, he sued her friend and Prime Minister Lord Melbourne for adultery. Though the claim was thrown out of court, Norton was denied a divorce and access to her children. In response to this, Norton campaigned vehemently, which eventually led to the passing of the Custody of Infants Act 1839, the Matrimonial Causes Act 1857, and the Married Women's Property Act 1870. This volume contains a letter sent by Norton to Queen Victoria of England in 1856, petitioning the queen to help expedite Lord Chancellor Cranworth's Marriage and Divorce Bill which would furnish women with more rights within marriage. A fascinating piece of English history not to be missed by those with an interest in the struggle for women's rights. Other notable works by this author include: “The Dandies Rout” (1825), “The Wife, and Woman's Reward” (1835), and “Stuart of Dunleath” (1851). Read & Co. Books is republishing this historic letter now in a new edition complete with a specially-commissioned new biography of the author.
A description of the legal position of married women in 1855, and a plea for reform.
Excerpt from A Letter to the Queen on Lord Chancellor Cranworth's Marriage and Divorce Bill Madam, On Tuesday, June 13th, of last session, Lord Chancellor Cranworth brought forward a measure for the reform of the Marriage laws of England; which measure was afterwards withdrawn. In March, 1855, in this present session, the Solicitor General stated, that a bill on the same subject was "nearly prepared," and would be brought forward "immediately after the Easter recess." On May 10th, being pressed to name a time, he stated that it would be proposed "as soon as the House had expressed an opinion on the Testamentary Jurisdiction Bill." That time has not arrived: and meanwhile, - as one who has grievously suffered, and is still suffering, under the present imperfect state of the law, - I address your Majesty on the subject. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Bridging the fields of political theory and history, this comprehensive study of Victorian reforms in marriage law reshapes our understanding of the feminist movement of that period. As Mary Shanley shows, Victorian feminists argued that justice for women would not follow from public rights alone, but required a fundamental transformation of the marriage relationship.
"In Problem Novels, Anna Maria Jones argues that, far from participating "invisibly" in disciplinary regimes, many Victorian novels articulate sophisticated theories about the role of the novel in the formation of the self. In fact, it is rare to find a Victorian novel in which questions about the danger or utility of novel reading are not embedded within the narrative. In other words, one of the stories that the Victorian novel tells, over and over again, is the story of what novels do to readers. This story occurs in moments that call attention to the reader's engagement with the text." "In chapters on Wilkie Collins, Anthony Trollope, and George Meredith, Jones examines "problem novels" - that is, novels that both narrate and invite problematic reading as part of their theorizing of cultural production. Problem Novels demonstrates that these works posit a culturally embedded, sensationally susceptible reader and, at the same time, present a methodology for critical engagement with cultural texts. Thus, the novels theorize, paradoxically, a reader who is both unconsciously interpellated and critically empowered. And, Jones argues, it is this paradoxical construction of the unconscious/critical subject that re-emerges in the theoretical paradigms of Victorian cultural studies scholarship. Indeed, as Problem Novels shows, Victorianists' attachments to critical "detective work" closely resemble the sensational attachments that we assume shaped Victorian novel readers."--BOOK JACKET.