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This study shows that modernity has its origins in the advancement of knowledge, and not in the Scientific Revolution.
With this book I bring to a close the studies begun in The 'Dignity of Man.' Since the present work is a thematic and chronological extension of, if not precisely a sequel to, its predecessor, a common title might have served for both; however, here my subject is the deterioration, or at least the radical mutation, of the idea whose development I earlier tried to trace. More specifically, I am here concerned with the traditional and the emerging concepts of 'truth'--theological, scientific, political, and other--whose collision generated such heat and even such light in the age of Milton. I have tried to describe, at least in broad terms, the meshing of those inherited and newly formulated values which in my judgment gives the period its peculiar poignancy and relevance for the modern world. Between the birth and death of Milton English thought underwent a transformation whose consequences we perhaps do not fully understand even now. Yet in attempting to seek out the origins of this transformation in the early Renaissance and to sketch its progress through the earlier seventeenth century I have sought to indicate the intellectual and emotional pressures which shaped men's conception of 'truth' and of their capacity to attain it, and to suggest some of the consequences for literature. --from the Preface
The story of the beliefs and practices called 'magic' starts in ancient Iran, Greece, and Rome, before entering its crucial Christian phase in the Middle Ages. Centering on the Renaissance and Marsilio Ficino - whose work on magic was the most influential account written in premodern times - this groundbreaking book treats magic as a classical tradition with foundations that were distinctly philosophical. Besides Ficino, the premodern story of magic also features Plotinus, Iamblichus, Proclus, Aquinas, Agrippa, Pomponazzi, Porta, Bruno, Campanella, Descartes, Boyle, Leibniz, and Newton, to name only a few of the prominent thinkers discussed in this book. Because pictures play a key role in the story of magic, this book is richly illustrated.
Reprint of the original, first published in 1876.