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Every family has in its kinship history an elderly hanger-on. He was the one who came for Thanksgiving dinner, built the fire at Hallowe'en, shared stories of derring-do with the children and who helped with the wood-pile, roto-tilling and snow removal. As the years go by, the tasks become harder to manage, stories are repeated, there are some little accidents, lapses are more frequent. "Mom, Dad, something's wrong with 'Uncle' John," say the children, now in young adult life. The relationship shifts from one of neighbourly engagement to one of deeper caring. The interruptions of the past, once so welcome, are now the central work of the family. This story is about that transition.
In A Late Encounter with the Civil War, Michael Kreyling confronts the changing nature of our relationship to the anniversary of the war that nearly split the United States. When significant anniversaries arrive in the histories of groups such as families, businesses, or nations, their members set aside time to formally remember their shared past. This phenomenon—this social or collective memory—reveals as much about a group's sense of place in the present as it does about the events of the past. So it is with the Civil War. As a nation, we have formally remembered two Civil War anniversaries, the 50th and 100th. We are now in the complicated process of remembering the war for a third time. Kreyling reminds us that we were a different “we” for each of the earlier commemorations, and that “we” are certainly different now, and not only because the president in office for the 150th anniversary represents a member of the race for whose emancipation from slavery the war was waged. These essays explore the conscious and unconscious mechanisms by which each era has staged, written, and thought about the meaning of the Civil War. Kreyling engages the not-quite-conscious agendas at work in the rituals of remembering through fiction, film, graphic novels, and other forms of expression. Each cultural example wrestles with the current burden of remembering: What are we attempting to do with a memory that, to many, seems irrelevant or so far in the past as to be almost irretrievable?
"An unnamed American city feeling the effects of a war waged far away and suffering from bad weather is the backdrop for this startling work of fiction. The protagonists are aimless young men going from one blue collar job to the next, or in a few cases, aspiring to middle management. Their everyday struggles--with women, with the morning commute, with a series of cruel bosses--are somehow transformed into storytelling that is both universally resonant and wonderfully uncanny. That is the unsettling, funny, and ultimately heartfelt originality of Saïd Sayrafiezadeh's short fiction, to be at home in a world not quite our own but with many, many lessons to offer us"--
Presenting an innovative, interdisciplinary approach to colonial America's best-known literary genre, Andrew Newman analyzes depictions of reading, writing, and recollecting texts in Indian captivity narratives. While histories of literacy and colonialism have emphasized the experiences of Native Americans, as students in missionary schools or as parties to treacherous treaties, captivity narratives reveal what literacy meant to colonists among Indians. Colonial captives treasured the written word in order to distinguish themselves from their Native captors and to affiliate with their distant cultural communities. Their narratives suggest that Indians recognized this value, sometimes with benevolence: repeatedly, they presented colonists with books. In this way and others, Scriptures, saintly lives, and even Shakespeare were introduced into diverse experiences of colonial captivity. What other scholars have understood more simply as textual parallels, Newman argues instead may reflect lived allegories, the identification of one's own unfolding story with the stories of others. In an authoritative, wide-ranging study that encompasses the foundational New England narratives, accounts of martyrdom and cultural conversion in New France and Mohawk country in the 1600s, and narratives set in Cherokee territory and the Great Lakes region during the late eighteenth century, Newman opens up old tales to fresh, thought-provoking interpretations.
After the end of the Second World War, Mrs. McIntyre, a farm owner, decides to hire a man displaced by the war as a farm hand, but jealousy from her other workers and racial issues soon complicate the arrangement. Written by Flannery O’Connor while visiting her mother’s farm, “The Displaced Person” has ties to the author’s own experiences of the O’Connor family’s hiring of a displaced person on their farm after the end of the war. “The Displaced Person” was originally published in O’Connor’s 1955 anthology, A Good Man Is Hard to Find. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
DIVAnalyzes cultural adaptation among aboriginal people in the Pacific Northwest, tracing the colonial origins and political implications of ideas about native "authenticity."/div
A play that traces a journey into the depths of the Amazon rainforest, incorporating innovative technology into a solo performance.
A surprising number of Jews lived, literally and figuratively, 'beyond the Pale' of Jewish Settlement in tsarist Russia during the half-century before the Revolution of 1917. This text reinterprets the history of the Russian-Jewish encounter, using long-closed Russian archives and other sources.
Examines how popular culture has shaped the ways Americans define their "interests" in the Middle East. Author McAlister argues that U.S. foreign policy, while grounded in material and military realities, is also developed in a cultural context. American understandings of the region are framed by narratives that draw on religious belief, news media accounts, and popular culture. This book skillfully weaves readings of film, media, and music with a rigorous analysis of U.S. foreign policy, race politics, and religious history.--From publisher description.
The award-winning, New York Times bestselling literary masterpiece of Shirley Hazzard—the story of two beautiful orphan sisters whose fates are as moving and wonderful, and yet as predestined, as the transits of the planets themselves A Penguin Classic Considered "one of the great English-language novels of the twentieth century" (The Paris Review), The Transit of Venus follows Caroline and Grace Bell as they leave Australia to begin a new life in post-war England. From Sydney to London, New York, and Stockholm, and from the 1950s to the 1980s, the two sisters experience seduction and abandonment, marriage and widowhood, love and betrayal. With exquisite, breathtaking prose, Australian novelist Shirley Hazzard tells the story of the displacements and absurdities of modern life. The result is at once an intricately plotted Greek tragedy, a sweeping family saga, and a desperate love story.