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A set of four visual inventories are proposed. They are designed to document scenic resources for varied scales of application, from regional and general to local and specific. The Northern Great Plains is used as a case study. Scenic analysis and identification of criteria extend earlier work. The inventory is based on (1) study of previously developed landscape analysis methods and their terminology; (2) examination of high altitude imagery and topographic maps as sources of visual information; and (3) field observations in the Northern Great Plains. Criteria include visual characteristics and patterns of land forms, vegetation cover, water, and land use.
A Landscape Inventory is a richly illustrated and elegantly designed manifesto on landscape experimentation, the work of the internationally renowned architect, Michel Desvigne. As an "anti-monograph," this publication is not comprehensive and projects are not discussed in depth. Instead, it features a composite view of elements such as tree pattern and density across scales, from diminutive urban courtyard to territory, to reveal the weight of planting and material choices in shaping landscapes, irrespective of design language. Highly idiosyncratic, A Landscape Inventory offers a broader reflection on how to present and represent landscapes, organized in two parts - equally casual and purposeful. The first discusses Desvigne's trajectory, influences, and design method; the second is an inventory of elements, a contact sheet of details to be assembled and reconfigured without prescribed order. Both focused and panoramic, Desvigne's antipathy for "recognizable design" is revealed with his ambition to resist political shifts and master planning with a panoply of landscape strategies such as pilot, demonstration garden, and prototype. Intended to be of great interest to those concerned with the shaping of the environment, this publication can be used as a thesaurus of landscape components - a quick reference to trigger the design imagination of students and other curious individuals.
In Kelly Ann Jacobson's An Inventory of Abandoned Things, winner of the 2020 Split/Lip Press Fiction Chapbook Contest, there are cockroaches in the walls and anoles trapped in the doors. Squirrels roll across the attic rafters, and red ants patrol the car floor. A lazy gopher tortoise chews lettuce in the neighbor's butterfly garden. At once the story of a pregnant graduate student separated from her wife and an inventory of the Florida panhandle, this book of linked stories questions what it means to fight the land for a place in it-and whether, in the fighting, there can be a bond between human and landscape formed that is stronger than love.
A call for landscape architects to leave the office and return to the garden. Addressing one of the most repressed subjects in landscape architecture, this book could only have been written by someone who is both an experienced gardener and a landscape architect. With Overgrown, Julian Raxworthy offers a watershed work in the tradition of Ian McHarg, Anne Whiston Spirn, Kevin Lynch, and J. B. Jackson. As a discipline, landscape architecture has distanced itself from gardening, and landscape architects take pains to distinguish themselves from gardeners or landscapers. Landscape architects tend to imagine gardens from the office, representing plants with drawings or other simulations, whereas gardeners work in the dirt, in real time, planting, pruning, and maintaining. In Overgrown, Raxworthy calls for the integration of landscape architecture and gardening. Each has something to offer the other: Landscape architecture can design beautiful spaces, and gardening can enhance and deepen the beauty of garden environments over time. Growth, says Raxworthy, is the medium of garden development; landscape architects should leave the office and go into the garden in order to know growth in an organic, nonsimulated way. Raxworthy proposes a new practice for working with plant material that he terms “the viridic” (after “the tectonic” in architecture), from the Latin word for green, with its associations of spring and growth. He builds his argument for the viridic through six generously illustrated case studies of gardens that range from “formal” to “informal” approaches—from a sixteenth-century French Renaissance water garden to a Scottish poet-scientist's “marginal” garden, barely differentiated from nature. Raxworthy argues that landscape architectural practice itself needs to be “gardened,” brought back into the field. He offers a “Manifesto for the Viridic” that casts designers and plants as vegetal partners in a renewed practice of landscape gardening.
Modern landscape research uses a panoply of techniques to further our understanding of our changing world, including mathematics, statistics and advanced simulation techniques to combine empirical observations with known theories. This book identifies emerging fields and new challenges that are discussed within the framework of the ‘driving forces’ of Landscape Development. the book addresses all of the ‘hot topics’ in this important area of study and emphasizes major contemporary trends in these fields.