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One of the few remaining men in the village of Santa Cecilia during the Second World War, Vito Leone falls in love with the daughter of the town's most powerful family despite their disapproval and seeks to prove himself when Germany seizes control.
It’s been fifty years since Antonio Grasso married Maddalena and brought her to America. That was the last time she saw her parents, her sisters and brothers—everything she knew and loved in the village of Santa Cecilia, Italy. Maddalena sees no need to open the door to the past and let the emotional baggage and unmended rifts of another life spill out. But Prima was raised on the lore of the Old Country. And as she sees her parents aging, she hatches the idea to take the entire family back to Italy—hoping to reunite Maddalena with her estranged sister and let her parents see their homeland one last time. It is an idea that threatens to tear the Grasso family apart, until fate deals them some unwelcome surprises, and their trip home becomes a necessary journey. All This Talk of Love is an incandescent novel about sacrifice and hope, loss and love, myth and memory.
“A moving evocation of the Italian-American experience, told with grace, compassion, and uncompromising honesty” from the author of A Kiss from Maddalena (Tom Perrotta, New York Times–bestselling author of The Leftovers). It’s 1953 in the tight-knit Italian neighborhood in Wilmington, Delaware. Maddalena Grasso has lost her country, her family, and the man she loved by coming to America; her mercurial husband, Antonio, has lost his opportunity to realize the American Dream; their new friend, Giulio Fabbri, a shy accordion player, has lost his beloved parents. In the shadow of St. Anthony’s Church, named for the patron saint of lost things, the prayers of these troubled but determined people are heard, and fate and circumstances conspire to answer them in unforeseeable ways. With great authenticity and immediacy, The Saint of Lost Things evokes a bittersweet time in which the world seemed more intimate and knowable, and the American Dream was simpler, nobler, and within reach. “Beautifully, and movingly, Castellani shows an uncanny empathy for the American immigrant experience.” —Julia Glass, National Book Award–winning author of Three Junes “A lovely novel filled with characters so fully realized that they . . . leave the fog of their breath on the page.” —Julia Alvarez, author of In the Time of Butterflies “Those who appreciate clear-eyed, unsentimental fiction will find its realism fresh and moving.” —Kirkus Reviews
An expansive yet intimate story of desire, artistic ambition, and fidelity, set in the glamorous literary and film circles of 1950s Italy In July of 1953, at a glittering party thrown by Truman Capote in Portofino, Italy, Tennessee Williams and his longtime lover Frank Merlo meet Anja Blomgren, a mysterious young Swedish beauty and aspiring actress. Their encounter will go on to alter all of their lives. Ten years later, Frank revisits the tempestuous events of that fateful summer from his deathbed in Manhattan, where he waits anxiously for Tennessee to visit him one final time. Anja, now legendary film icon Anja Bloom, lives as a recluse in present-day America, until a young man connected to the events of 1953 lures her reluctantly back into the spotlight after he discovers she possesses the only copy of an unknown play--Tennessee's last. What keeps two people together and what breaks them apart? Can we save someone else if we can't save ourselves? With emotional clarity and grace, Leading Men seamlessly weaves fact and fiction to navigate the tensions between public figures and their private lives. In an ultimately heartbreaking story about the burdens of fame and the complex negotiations of life in the shadows of greatness, Castellani creates an unforgettable leading lady in Anja Bloom and reveals the hidden machinery of one of the great literary love stories of the twentieth-century.
In a style that is writerly and audacious, Adam Phillips takes up a variety of seemingly ordinary subjects underinvestigated by psychoanalysis--kissing, worrying, risk, solitude, composure, even farting as it relates to worrying. He argues that psychoanalysis began as a virtuoso improvisation within the science of medicine, but that virtuosity has given way to the dream of science that only the examined life is worth living. Phillips goes on to show how the drive to omniscience has been unfortunate both for psychoanalysis and for life. He reveals how much one's psychic health depends on establishing a realm of life that successfully resists examination.
A writer may have a story to tell, a sense of plot, and strong characters, but for all of these to come together some key questions must be answered. What form should the narrator take? An omniscient, invisible force, or one--or more--of the characters? But in what voice, and from what vantage point? How to decide? Avoiding prescriptive instructions or arbitrary rules, Christopher Castellani brilliantly examines the various ways writers have solved the crucial point-of-view problem. By unpacking the narrative strategies at play in the work of writers as different as E. M. Forster, Grace Paley, and Tayeb Salih, among many others, he illustrates how the author's careful manipulation of distance between narrator and character drives the story. An insightful work by an award-winning novelist and the artistic director of GrubStreet, The Art of Perspective is a fascinating discussion on a subject of perpetual interest to any writer.
The American-born daughter of an immigrant plots to bring her entire family back to Santa Cecilia, Italy, so that her grandmother can make amends with her estranged sister in this new novel from the author of A Kiss from Maddelena. Original.
Cesare Zavattini: Selected Writings offers, for the first time in English, a substantive selection of the Italian screenwriter's writings across two volumes. Through translation and detailed cultural and contextual commentary, translator and editor David Brancaleone traces not only Zavattini's theory of the screen, but also his experimentation in new film practices, including the flash-film (film lampo), the inquiry film (film inchiesta), cinema as encounter (cinema d'incontro), the diary film (film diario), the confessional film (film-confessione), and the grass-roots community film (cinema insieme or cinema di tanti per tanti).
Examines how simians cope with aggression, and how they make peace after fights.
“A black tide of perversity, violence, and lush writing. I loved it.” —Joe Hill A Finalist for the 2019 Shirley Jackson Award! Debut author Jennifer Giesbrecht paints a darkly compelling fantasy of revenge in The Monster of Elendhaven, a dark fantasy about murder, a monster, and the magician who loves both. The city of Elendhaven sulks on the edge of the ocean. Wracked by plague, abandoned by the South, stripped of industry and left to die. But not everything dies so easily. A thing without a name stalks the city, a thing shaped like a man, with a dark heart and long pale fingers yearning to wrap around throats. A monster who cannot die. His frail master sends him out on errands, twisting him with magic, crafting a plan too cruel to name, while the monster’s heart grows fonder and colder and more cunning. These monsters of Elendhaven will have their revenge on everyone who wronged the city, even if they have to burn the world to do it. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.