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The Speaker of the House of Representatives is the most powerful partisan figure in the contemporary U.S. Congress. How this came to be, and how the majority party in the House has made control of the speakership a routine matter, is far from straightforward. Fighting for the Speakership provides a comprehensive history of how Speakers have been elected in the U.S. House since 1789, arguing that the organizational politics of these elections were critical to the construction of mass political parties in America and laid the groundwork for the role they play in setting the agenda of Congress today. Jeffery Jenkins and Charles Stewart show how the speakership began as a relatively weak office, and how votes for Speaker prior to the Civil War often favored regional interests over party loyalty. While struggle, contention, and deadlock over House organization were common in the antebellum era, such instability vanished with the outbreak of war, as the majority party became an "organizational cartel" capable of controlling with certainty the selection of the Speaker and other key House officers. This organizational cartel has survived Gilded Age partisan strife, Progressive Era challenge, and conservative coalition politics to guide speakership elections through the present day. Fighting for the Speakership reveals how struggles over House organization prior to the Civil War were among the most consequential turning points in American political history.
Freedom did not solve the problems of the Proctor family. Nor did money, recognition, or powerful supporters. As free blacks in eighteenth- and nineteenth-century America, three generations of Proctor men were permanently handicapped by the social structures of their time and their place. They subscribed to the Western, middle-class value system that taught that hard work, personal rectitude, and maintenance of family life would lead to happiness and prosperity. But for them it did not—no matter how hard they worked, how clever their plans, or how powerful their white patrons. The eldest, Antonio, born a Spanish slave, became a soldier for three nations and received government recognition for his daring and his skills as a translator. His son, George, an entrepreneur, achieved material success in the building trade but was so hampered by his status as a free black that he eventually lost not only his position in the community but his family. John, George's son, seized the opportunity proffered by Reconstruction and spent ten years in the Florida state legislature before segregation forced him to return to the life of a tradesman. Warner describes the Proctor men as "inarticulate." They left no personal papers and no indication of their attitudes toward their hardships. As a result, this work relies heavily on local government documents and oral history. Inference and intimation become vital tools in the search for the Proctors. In important ways the author has produced a case study of nontraditional methodology, and he suggests new ways of describing and analyzing inarticulate populations. The Proctors were not typical of the black population of their era and their location, yet the story of their lives broadens our knowledge of the black experience in America.
The U.S. Capitol abounds in magnificent art that rivals its exterior architectural splendor. The fine art held by the U.S. Senate comprises much of this treasured heritage. It spans over 200 years of history & contains works by such celebrated artists as Augustus Saint-Gaudens, Hiram Powers, Daniel Chester French, Charles Willson Peale, Gilbert Stuart, Walker Hancock, & Alexander Calder. This volume provides previously unpublished information on the 160 paintings & sculptures in the U.S. Senate. Each work of art -- from portraiture of prominent senators to scenes depicting significant events in U.S. history -- is illus. with a full-page color photo, accompanied by an essay & secondary images that place the work in historical & aesthetic context.