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A Jamaican Family’s Saga 2 By: Leonard Archie Wilson A Jamaican Family’s Saga 2 is a continuation and climax of A Jamaican Family’s Saga, the original work by Leonard Archie Wilson, a fictionalized biography of the life of Althea Ulrica Richardson, his actual mother. The matriarch is portrayed by Ulrica Richards, from her birth to her death. The story resurrects a true incident in the life of Althea. In the 1940s in Jamaica, her youngest brother, Real, was either murdered or accidentally devoured by sharks off the coast of the island. In the fictionalized account, one of her sons and his wife pull off a Macmillan and Wife style investigation to almost solve this seventy-two-year-old mystery.
PEN/Hemingway Award For Debut Novel Finalist​ Shortlisted for the 2020 Center for Fiction First Novel Prize A “rich, ambitious debut novel” (The New York Times Book Review) that reveals the ways in which a Jamaican family forms and fractures over generations, in the tradition of Homegoing by Yaa Gyasi. Stanford Solomon’s shocking, thirty-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole the identity of his best friend. Stanford Solomon is actually Abel Paisley. And now, nearing the end of his life, Stanford is about to meet his firstborn daughter, Irene Paisley, a home health aide who has unwittingly shown up for her first day of work to tend to the father she thought was dead. These Ghosts Are Family revolves around the consequences of Abel’s decision and tells the story of the Paisley family from colonial Jamaica to present-day Harlem. There is Vera, whose widowhood forced her into the role of a single mother. There are two daughters and a granddaughter who have never known they are related. And there are others, like the houseboy who loved Vera, whose lives might have taken different courses if not for Abel Paisley’s actions. This “rich and layered story” (Kirkus Reviews) explores the ways each character wrestles with their ghosts and struggles to forge independent identities outside of the family and their trauma. The result is a “beguiling…vividly drawn, and compelling” (BookPage, starred review) portrait of a family and individuals caught in the sweep of history, slavery, migration, and the more personal dramas of infidelity, lost love, and regret.
Pioneer days of my ancestors were filled with struggles and hardships that tested their ingenuity, character and perseverance. Humor, love, compassion, loyalty, strong wills, and confidence to make decisions permeated my family lineage. Death of family members caused pain and demanded a resilience that is identified in the 'can do' attitude typical of my family. Migration during the Dust Bowl and Depression are highlighted their strength of character. Failure is not an option. The only way to fail is not to try.
Poof! By: Leonard Archie Wilson In June 2004, Leonard Archie Wilson underwent open heart surgery for heart failure, often referred to as a cabbage by the medical community, the kind of operation that leaves the patient with a zipper scar on the chest. The operation was successful, but while unconscious, Leonard had the first of many vivid dreams over a fourteen year period. This book is a compilation of those dreams. They range from the mundane to the mystical. At the urging of his daughter, Jacqueline, he kept a journal on his bedside table in which he wrote contemporaneously as he woke from each dream. This book cannot be accurately described as fiction nor is it biographical. They are real experiences, they are dreams. You will find that Poof! is a rollercoaster ride of mystical and imaginative events, buckle up and enjoy.
After attempting to kill his brother for his inheritance, twenty-three-year-old Hartley Fudges flees from England to Jamaica where he takes a job as an overseer at a sugar cane plantation during the height of the slave trade.
Yaard and Abroad is a beautiful collection of short stories which exemplify the Jamaican culture and its people, those living on the island and those residing overseas. The book begins with a story that depicts the genesis of the island's history - the coming of Christopher Columbus and the Spanish conquistadors, and continues with different stories that illustrate the Jamaican psyche and the uniqueness of Jamaica as an island, and the nature and attitudes of her people. Stories such as "Where is Jamaica?" and "Rent-a-Dreads" tell the reader what is good and bad about the island. In "Where is Jamaica" the island disappears into thin air and despite air and sea searches by the United States navy the island is nowhere to be found. Empty seas lie where the island of Jamaica used to be. With the disappearance of the island it is lamented that the world would have lost so much that is uniquely Jamaican; over-proof white rum, authentic reggae music, to mention a couple. "Rent-a-Dreads" on the other hand is about the harsh reality that tourists are sometimes preyed upon. The book contains a total of nineteen short stories which are set on the island of Jamaica (yaard) and in the United Kingdom (abroad). Each story depicts different topics that are true and reflective of the nature of Jamaica and Jamaicans. "Bun" describes the musings of a wife whose husband appears to be giving her "bun" which is the Jamaican vernacular for having an affair. "Vextation" gives a humorous look at a Jamaican domestic worker attempting to get a live-in job and constantly putting her foot in her mouth with the potential employer. This book will appeal to Jamaicans at home and abroad and can also be enjoyed by a world-wide audience.
In View from Mount Diablo, Class and racial privilege and the resentments they provoke underscore both turmoil in wider society and the relationships at the heart of the narrative, between Adam Cole, a dreamy white boy driven by personal tragedy to crusading journalism, squint-eyed Nellie Simpson, once a servant, then a political enforcer, and stuttering Nathan, gardener and groom turned cocaine baron. Beyond this trio is a dazzling array of real and fictitious characters. The annotated edition by John Lennard, Professor of British and American Literature at UWI - Mona in Kingston, allows the full scope of the verse-novel to emerge for readers unfamiliar with Jamaican history since the 1930s.
Since the mid-1990s, the black experience in Britain has begun to be (re)negotiated intensely, with a strong focus on history. Narrative Projections of a Black British History considers narratives that construct, or engage with, aspects of a black British history. Part I poses the question of what sort of narratives have emerged from, and in turn determine, key events (such as the iconic 'Windrush' moment) and developments and provides basic insights into theoretical frameworks. It also offers a large number of comparative readings, considering both 'factual' and 'fictional' forms of representation such as history books, documentary films, life writing, novels, and drama, and identifies main strands, 'official' narratives and countercurrents. Part II embarks on close readings and analyses of a selection of narratives that can be classed as reactions to the 'established' historical culture. Overall, the book draws attention to collective currents and individual positions, affirmative and critical approaches: Together, they form a representative image of a specific moment in the ongoing debate about a black British history.
Michelle Freeman: Strong-willed and opinionated: feisty, determined and independent. Knows what she wants and goes after it. Mavis: Michelles stepmother: lacks formal education but possesses a sharp intelligence and innate common sense. Grandma Miriam: Michelles maternal grandmother and matriarch of the Campbell family. Richard Armstrong: Tall, good-looking; dreadlocked. Entirely too sure of himself in Michelles opinion, but captures her heart anyway. Michelle Freeman, affectionately known as Shell or Shellie, was born in Jamaica but migrated to England with her parents at the age of three. At age thirteen her life is thrown into turmoil when she accidentally discovers that her fathers wife, whom she had always taken for granted as being her mother, is in fact, not. This shocking discovery leads her to begin a search for her biological mother. The search eventually takes her to Jamaica where she finds a large extended maternal family and develops a deep and abiding love for the island of her birth. After leaving school and university in London, where she studied journalism, Shellie decides to leave the UK and practise her profession in Jamaica. However, all is not plain sailing, as she encounters culture shock, prejudice and jealousy and comes to the realisation that her beloved island is not the idyllic paradise she had supposed it to be. Set in South London and on the beautiful island of Jamaica, the story spans seventeen years, following the fiery and feisty young woman through her teenage years, young love and tragedy, and into adulthood and more conflicts and clashes.