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In 1800 entries this valuable reference work covers texts and records of dramatic activity for about 400 sites in Britain from Roman times to 1558. Grouped in sections – Texts listed chronologically; Records of England, Wales, Scotland, Ireland and Other, classified by county, site, and date; and Doubtful Texts and Records – the entries summarize the contents of each record and give bibliographic information. Professor Lancashire presents a comprehensive survey of almost every type of literary and historical record, document, and work: civic, church, guild, monastic and royal court minutes and financial accounts; national records – Chancery, Parliament, Privy Council, Exchequer; royal proclamations; wills; local court rolls; jest-books, poems, prose treatises, sermons; archaeological remains, artifacts, illustrations. He brings together works in several normally unrelated fields: Roman theatre in Britain; medieval drama as such, including the Corpus Christi play and the moral play; court revels of the Tudors and of their predecessors in England and Scotland; and finally Latin and Greek drama as played in Oxford and Cambridge colleges. An introduction outlines the history of early drama in Britain. Appendixes include indexes of about 335 towns or patrons with travelling players, complete with rough itineraries; about 180 playwrights; and about 320 playing places and buildings. There are illustrations, four maps and a large general subject and name index
Often viewed as theologically conservative, many theatrical works of late medieval and early Tudor England nevertheless exploited the performative nature of drama to flirt with unsanctioned expressions of desire, allowing queer identities and themes to emerge. Early plays faced vexing challenges in depicting sexuality, but modes of queerness, including queer scopophilia, queer dialogue, queer characters, and queer performances, fractured prevailing restraints. Many of these plays were produced within male homosocial environments, and thus homosociality served as a narrative precondition of their storylines. Building from these foundations, On the Queerness of Early English Drama investigates occluded depictions of sexuality in late medieval and early Tudor dramas. Tison Pugh explores a range of topics, including the unstable genders of the York Corpus Christi Plays, the morally instructive humour of excremental allegory in Mankind, the confused relationship of sodomy and chastity in John Bale’s historical interludes, and the camp artifice and queer carnival of Sir David Lyndsay’s Ane Satyre of the Thrie Estaitis. Pugh concludes with Terrence McNally’s Corpus Christi, pondering the afterlife of medieval drama and its continued utility in probing cultural constructions of gender and sexuality
From ca. 1300 a new genre developed in European literature, Neo-Latin drama. Building on medieval drama, vernacular theatre and classical drama, it spread around Europe. It was often used as a means to educate young boys in Latin, in acting and in moral issues. Comedies, tragedies and mixed forms were written. The Societas Jesu employed Latin drama in their education and public relations on a large scale. They had borrowed the concept of this drama from the humanist and Protestant gymnasia, and perfected it to a multi media show. However, the genre does not receive the attention that it deserves. In this volume, a historical overview of this genre is given, as well as analyses of separate plays. Contributors include: Jan Bloemendal, Jean-Frédéric Chevalier, Cora Dietl, Mathieu Ferrand, Howard Norland, Joaquín Pascual Barea, Fidel Rädle, and Raija Sarasti Willenius.
This important new study of the English mystery plays has a twofold purpose. It is concerned to investigate the antecedents of the four extant cycles and to demonstrate the dramatic value of the plays themselves The opening and concluding chapters place the plays in their historical context by discussing on the one hand the emergence and achievements of genuine religious drama (as opposed to liturgical drama) in the twelfth century and on the other the changes in taste that threw the plays into disrepute in the sixteenth century. The man part of the book analyzes the plays in detail, considering the iconographic and theological traditions that guided the dramatists in their treatment of biblical subject-matter, and also looking at the Continental drama of the time to find out what other dramatic possibilities were open to writers in the Middle Ages. -- From publisher's description.
This collection of eleven original essays each by a different scholar outlines the rich body of imaginative and devotional literature which has the biblical poet-warrior-king as its subject or primary focus, showing David to have as strong an imaginative appeal for Western writers as such better-known mythic heroes as Orpheus, Oedipus, Samson, and Ulysses. The introduction to the volume surveys the development of the David myth particularly in British and American literature. The essays represent a variety of critical approaches to the myth as literature, treating in detail such works as Shakespeare's Hamlet, Cowley's Davideis, Christopher Smart's A Song to David, and Faulkner's Absalom, Absalom! and examining the complex uses made of David in the Midrash, Talmud, and Patristic writings; medieval sermons and Reformation devotional treatises; and American Puritan sermons.
Aspects of Lincoln, is the first in the widely acclaimed Aspects series to feature the City of Lincoln. However the Aspects series now extends from the east and west Midlands, up to Lancaster in the north-west and the north Yorkshire coast in the east.Aspects of Lincoln, is a multi author book containing 12 pinpoint historical essays covering such diverse subjects as: Cinemas and Cinema Going in 20th Century Lincoln, Getting Drunk in 17th Century Lincoln, the story of Emily Gilbert, motoring pioneer and first woman sheriff of Lincoln. No story of Lincoln would be complete without Royal Air Force Bomber Command during World War 2, and here, we examine the social impact of the airfields and their staff on both City and County. In a more peaceful vein, we study the work of artist Peter de Wint and the importance of his works, now held in the Usher Gallery. Elsewhere we encounter the development of technical education in the City and remember the plight of those imprisoned in Lincoln's jails during the eighteenth and nineteenth centuries. These and much much more are to be found between the covers of Aspects of Lincoln. A treasury of history, both for the armchair historian and the student alike.
This volume, first published in 1974, offers a selection of modern perspectives on Seneca, covering his prose treatises, his letters and his tragedies. For centuries literary and philosophical circles had to take Seneca seriously, even if they could not always respect him, and although his reputation has fluctuated, there has been a revival of interest in his achievements. Accordingly, a large part of Seneca is devoted to this later influence at the deliberate expense of not covering all of Seneca’s less familiar works. The Moral Essays, the tragedies and the letters to Lucilius are examined by the contributors, who also discuss Seneca’s philosophical influence and the Senecan heritage in English and neo-Latin literature. Each essay contains insightful and sometimes controversial material, which is of value to the specialist as well as to students of Latin, English or French literature.