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In I Love You, Miss Huddleston we are transported to 1970's Danville, Indiana, the everyone-knows-your-business town where Philip Gulley still lives today, to witness the uproarious story of young life, including an infatuation with his comely sixth grade teacher, his dalliance with sin - eating meat on Friday and in the private activities with a mannequin named Ginger- and his checkered start with organized religion.
1912. Considered by many to be his best work, the novel examines Indiana society and politics at the turn of the century. The book begins: Sylvia was reading in her grandfather's library when the bell tinkled. Professor Kelton had few callers, and as there was never any certainty that the maid-of-all-work would trouble herself to answer, Sylvia put down her book and went to the door. Very likely it was a student or a member of the faculty, and as her grandfather was not at home Sylvia was quite sure that the interruption would be the briefest.
When his archaeologist parents go missing in Central America, fourteen-year-old Max embarks on a wild adventure through the Mayan underworld in search of the legendary Jaguar Stones, which enabled ancient Mayan kings to wield the powers of living gods. Includes cast of characters, glossary, facts about the Maya cosmos and calendar, and a recipe for chicken tamales.
This finely crafted art portfolio includes twenty-two black & white illustrations and two color illustrations by David Palladini. The artwork originally appeared in the trade edition of The Eyes of the Dragon by Stephen King. This edition includes an exclusive afterword by David Palladini which is letterpress printed. The lettered edition is limited to twenty-six copies and measures 12" x 18". The text and illustrations are printed on 100% cotton paper and are housed in a custom clamshell box covered in Japanese book cloth over wood boards. The edition includes a previously unpublished illustration as well as a reproduction of the only extant copy of the original title page illustration hand-colored by David Palladini. The lettered edition includes a signed limited photogravure print which has been hand-pulled on Somerset Velvet 100% cotton mould made paper with deckled edges from St. Cuthbert's Mill, England. The portfolio is signed by artist David Palladini.
As the first volume of a multi-volume set, this short collection of essays, entitled Edifying Justice: A Wellspring of Healing, describes the changes by which the Criminal Judicial System might serve the whole scope of justice effectively. With the Criminal Judicial System as its object of change, this collection of essays explores the logic and historical precedents behind the idea of complementing the Criminal Judicial System with a counter-balancing judicial arm. It explains why the current judicial arm, though suitable to the task of investigating crime and dispensing punishment, is hardly suitable to the task of investigating civilness and dispensing reward nor to the task of adjudicating a certain category of offenses. While intended for a general audience, this collection of essays figuratively places readers in the role of jurists and legislators who are tasked to transform the abstract concept of a balanced, two-armed Criminal Judicial System into concrete action. Given how distant is the completion of that epic task, the essays more immediate aim is to persuade readers to value the full scope of justice and to prize the fairer half.