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Drama is no stranger to Tiara James. When it felt like the world had finally changed the hand that she'd been dealt, reality continued to creep up on her. With a mom on the verge of becoming an alcoholic and an alcoholic crack-addicted father who use to beat her mom in front of her, who could blame Tiara for finding a family on the streets. Tiara's loyalty to her friends was undeniable. The crew consisted of, Tiara, Tamika, Shavon, Renee, Ke Ke and Karen. They jumped, robbed and fought other girls who stood in their way. When trouble surfaced, the crew had no problems with getting their hands dirty. Tiara was faithful to her crew handling any drama that presented itself. But when jealousy get's the best of friends, things continued to get ugly. With an older brother Tre James wrapped deeply into the streets becoming a drug dealer at 13, their younger brother Sharod had no choice but to admire both Tre and Tiara's lifestyle. Tragedy continued to hit home and Tiara's life continued to go down hill. She lost people who she loved and trusted the most to death, jail or betrayal. From welfare, section 8, jail, drugs, abusive relationships and lies, Tiara's future seems uncertain. Will she finally rise above the drama that meets her at every corner, or remain trapped in the jaws of the hood? Brace yourself as Tiara James takes you on a rollercoaster ride in her footsteps, in her hood, telling her story.
The whole gang is back in the highly anticipated sequel of It is What it is a Hood Love Story. Everyone has a past filled with secrets. The question is will the person you're with, love you the same when they find out your deepest and darkest secrets? This time around love will be entangled with hidden skeletons and everyone has them. Whose love is strong enough to overcome secrets and whose relationship will fall by the wayside? Carlos hasn't exactly been a choir boy; but no one can deny the love he has for Lucky. Is love really enough when his past indiscretions have left permanent scars on Lucky's heart that are now manifesting through distrust and insecurities? Can Lucky let his previous mistakes stay in the past or is she bound to let it ruin their future? When we last left off in an act of jealousy and mistrust Lucky set forward a chain of events that left both her and Los in handcuffs. Is this the last straw? Or can their love survive this test?Both Keema and Jah are living the life they'd always dreamed. Husband and wife are now parents to a bouncing baby boy and another blessing on the way. The newlyweds soon find out that life isn't as perfect as they thought it would be. When Keema is suddenly contacted by someone from her past, will she end up letting this individual sabotage her future?Ty and Nice are finally together and she couldn't be happier. With the honeymoon phase of their relationship over she's finding out that balancing her career and home life isn't all that easy. Especially, when outside forces seem to keep trying to pull them apart. With Mia creating Baby Mama drama in epic proportions and a dark secret threatening to ruin their relationship could their relationship survive?
An NPR Best Book of the Year Proudly introducing the Well-Read Black Girl Library Series, On Girlhood is a lovingly curated anthology celebrating short fiction from such luminaries as Rita Dove, Alice Walker, Toni Morrison, and more. Featuring stories by: Jamaica Kincaid, Toni Morrison, Dorothy West, Rita Dove, Camille Acker, Toni Cade Bambara, Amina Gautier, Alexia Arthurs, Dana Johnson, Alice Walker, Gwendolyn Brooks, Edwidge Danticat, Shay Youngblood, Paule Marshall, and Zora Neale Hurston. “When you look over your own library, who do you see?” asks Well-Read Black Girl founder Glory Edim in this lovingly curated anthology. Bringing together an array of “unforgettable, and resonant coming-of-age stories” (Nicole Dennis-Benn), Edim continues her life’s work to brighten and enrich American reading lives through the work of both canonical and contemporary Black authors—from Jamaica Kincaid and Toni Morrison to Dana Johnson and Alexia Arthurs. Divided into four themes—Innocence, Belonging, Love, and Self-Discovery—On Girlhood features fierce young protagonists who contend with trials that shape who they are and what they will become. At times heartbreaking and hilarious, the stories within push past flat stereotypes and powerfully convey the beauty of Black girlhood, resulting in an indispensable compendium for every home library. “A compelling anthology that . . . results in a literary master class.” —Keishel Williams, Washington Post “A beautiful and comforting patchwork quilt of stories from our literary contemporaries and foremothers.” —Ibi Zoboi, New York Times best-selling coauthor of Punching the Air
My name is Christianna Faith Leonard. I am named after a man of great honor. Yet, how deep I fall short from my namesake is immeasurable. From a distance, my life is a dream. My house in the suburbs is beautiful. Our picturesque family photo sits on the mantle of a fireplace looking as if it were ripped straight out of a magazine. I never miss choir rehearsal. My grades and volunteer work have earned me a scholarship to college. My polite manners are impeccable; quick to say please and thank you. I am the trusted neighborhood babysitter. But behind the facade of a good girl, I am a young woman covered in guilt, sin, and secrets. Shame is my childhood friend, never too far away like a loyal companion. Even still, my biggest dream is to just be loved and accepted for who I really am. You can call me Tianna or Ti for short. I am a good girl. I am a hood girl.My name is Bianca Williams. My mom chose my name. People call me Bi for short. I can't tell you how many times they call me that for a different reason altogether. It's annoying and kinda pisses me off. But I ain't letting nobody have power over me like that. If there is one thing I learned growing up in North Camden, is having tough skin. Can't let them see you sweatin' the small stuff. Can't show weakness or you'll get eaten up alive out here. Yet, a big, soft heart beats within me. I can't let it become hardened like these cold, crime-ridden streets. I have dreams and goals. My dad doesn't know it, but he needs me. I need to make my Mom proud. Don't get me wrong, I will throw hands up real quick because I am ain't scared of anyone or anything. Well, anything except being alone. That is a fear that a hood mentality can't seem to eradicate. Even still, I long to be loved and safe. I am a hood girl. I am a good girl.
The Story Girl is an enchanting novel by Lucy Maud Montgomery, the renowned Canadian author best known for Anne of Green Gables. This story follows the adventures of Sara Stanley, a young girl with a gift for storytelling. Set against the picturesque backdrop of Prince Edward Island, The Story Girl introduces readers to Sara Stanley, whose enchanting tales captivate everyone around her. Sara also appears in Montgomery's The Golden Road, and this novel features many of the same, beloved characters. Together with her cousins, including Beverley, Felix, Cecily, and others, Sara embarks on a series of delightful adventures, weaving her stories into their everyday lives. Originally published in 1911, this novel offers a charming glimpse into the life and culture of the period. Montgomery's rich characterisation and engaging narrative make The Story Girl a timeless read, filled with humour, warmth, and the enduring appeal of childhood innocence.
The eleven contributors to The Girl's Own explore British and American Victorian representations of the adolescent girl by drawing on such contemporary sources as conduct books, housekeeping manuals, periodicals, biographies, photographs, paintings, and educational treatises. The institutions, practices, and literatures discussed reveal the ways in which the Girl expressed her independence, as well as the ways in which she was presented and controlled. As the contributors note, nineteenth-century visions of girlhood were extremely ambiguous. The adolescent girl was a fascinating and troubling figure to Victorian commentators, especially in debates surrounding female sexuality and behavior. The Girl's Own combines literary and cultural history in its discussion of both British and American texts and practices. Among the topics addressed are the nineteenth-century attempt to link morality and diet; the making of heroines in biographies for girls; Lewis Carroll's and John Millais's iconographies of girlhood in, respectively, their photographs and paintings; genre fiction for and by girls; and the effort to reincorporate teenage unwed mothers into the domestic life of Victorian America.
This work provides scholars, instructors, and students with influential essays that have defined the field of American girls' history and culture. Covering girlhood and the relationships between girls and women, the volume tackles pivotal themes such as education, work, play, sexuality, consumption, and the body.
Hard Core Logo is an epistolary novel that portrays a punk rock band reunited for one last shot at glory. Adapting a scrapbook approach, consisting of monologues, conversations, letters, interviews, photographs, and related paraphernalia (including posters, invoices and contracts), Hard Core Logo tells the story of Joe Dick, an unrepentant, true-blue punk rocker, whose no-holds-barred approach to music was severely undermined by the breakup of his band, Hard Core Logo, done in by changing times and fortunes. However, when he and the band are asked by a longtime fan to reunited for an environmental benefit, his passions are once again stirred, and he convinces his band mates to turn the one-time reunion into an actual tour. The book provides a fascinating, warts-and-all glimpse into the life and times of a rock band, and the dichotomy between the grim realities of life on the road, and the rock-n-roll spirit that inspired them in the first place. Hard Core Logo was made into a feature film by director Bruce McDonald, debuting at the Cannes Film Festival in 1996 to rave reviews. Hard Core Logo has also been adapted for radio; a stage version will debut in Vancouver in 2010.
" ONCE when the Emperor Charles V was traveling in the country, he saw a convent, and in passing by a little door he read this strange inscription: "Here you live without a care." The Emperor was very surprised and could scarcely believe his eyes. "It seems to me an impossibility," he thought; "does some one really exist on earth who is free from care? As Emperor I am overwhelmed with troubles, while here in this convent, which is a little kingdom in itself, one would have nothing to worry about. I cannot believe it." Immediately on setting foot in the village inn, the Emperor sent the hostess to fetch the Abbot of this singular convent. You can imagine what a state of mind the latter was in when he heard he was summoned to the Emperor's presence. "What have I done to displease him?" he asked himself. On the way he examined his conscience over and over again, and he could think of no fault of which he was guilty. "I am in troubled waters; I must steer my way through," he said. When he was in the Emperor's presence, the latter expressed his astonishment of what he had read. The Abbot now knew why he had been summoned, and smiled. "Sir," said he, "does that astonish you? However, it is very simple; we eat, we drink, we sleep, and worry over nothing." "Well, Reverend Abbot, that state of things must come to an end," said the Emperor, "and in order that you may have your share of trouble, I command you to bring me to-morrow the answers to the three following questions: "First, What is the depth of the sea? "Secondly, How many cows' tails would it take to measure the distance between the earth and the sun?"