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From French coureurs de bois coursing through its waterways in the seventeenth century to the lumberjacks who rode logs down those same rivers in the late nineteenth century, settlers came to Wisconsin's frontier seeking wealth and opportunity. Indians mixed with these newcomers, sometimes helping and sometimes challenging them, often benefiting from their guns, pots, blankets, and other trade items. The settlers' frontier produced a state with enormous ethnic variety, but its unruliness worried distant governmental and religious authorities, who soon dispatched officials and missionaries to help guide the new settlements. By 1900 an era was rapidly passing, leaving Wisconsin's peoples with traditions of optimism and self-government, but confronting them also with tangled cutover lands and game scarcities that were a legacy of the settlers' belief in the inexhaustible resources of the frontier.
In American Little Magazines of the Fin de Siecle, Kirsten MacLeod examines the rise of a new print media form – the little magazine – and its relationship to the transformation of American cultural life at the turn of the twentieth century. Though the little magazine has long been regarded as the preserve of modernist avant-gardes and elite artistic coteries, for whom it served as a form of resistance to mass media, MacLeod’s detailed study of its origins paints a different picture. Combining cultural, textual, literary, and media studies criticism, MacLeod demonstrates how the little magazine was deeply connected to the artistic, social, political, and cultural interests of a rising professional-managerial class. She offers a richly contextualized analysis of the little magazine’s position in the broader media landscape: namely, its relationship to old and new media, including pre-industrial print forms, newspapers, mass-market magazines, fine press books, and posters. MacLeod’s study challenges conventional understandings of the little magazine as a genre and emphasizes the power of “little” media in a mass-market context.