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IN the earliest eras of historic Japan there existed a hereditary corporation of raconteurs (Katari-be) who, from generation to generation, performed the function of reciting the exploits of the sovereigns and the deeds of heroes. They accompanied themselves on musical instruments, and naturally, as time went by, each set of raconteurs embellished the language of their predecessors, adding supernatural elements, and introducing details which belonged to the realm of romance rather than to that of ordinary history. These Katari-be would seem to have been the sole repository of their country's annals until the sixth century of the Christian era. Their repertories of recitation included records of the great families as well as of the sovereigns, and it is easy to conceive that the favour and patronage of these high personages were earned by ornamenting the traditions of their households and exalting their pedigrees. But when the art of writing was introduced towards the close of the fourth century, or at the beginning of the fifth, and it was seen that in China, then the centre of learning and civilization, the art had been applied to the compilation of a national history as well as of other volumes possessing great ethical value, the Japanese conceived the ambition of similarly utilizing their new attainment. For reasons which will be understood by and by, the application of the ideographic script to the language of Japan was a task of immense difficulty, and long years must have passed before the attainment of any degree of proficiency.
American Historical Review is the oldest scholarly journal of history in the United States and the largest in the world. Published by the American Historical Association, it covers all areas of historical research.
A perennial best-seller, Sources of Japanese Tradition has long been a staple in classrooms and libraries, a handy and comprehensive reference for scholars and students, and an engaging introduction for general readers. Now in its long-awaited second edition, this classic volume remains unrivaled for its wide selection of source readings on history, society, politics, education, philosophy, and religion in the land of the rising sun.
A lively and fascinating narrative history about the birth of the modern world. Beginning in the heady days just after the First Crusade, this volume—the third in the series that began with The History of the Ancient World and The History of the Medieval World—chronicles the contradictions of a world in transition. Popes continue to preach crusade, but the hope of a Christian empire comes to a bloody end at the walls of Constantinople. Aristotelian logic and Greek rationality blossom while the Inquisition gathers strength. As kings and emperors continue to insist on their divine rights, ordinary people all over the world seize power: the lingayats of India, the Jacquerie of France, the Red Turbans of China, and the peasants of England. New threats appear, as the Ottomans emerge from a tiny Turkish village and the Mongols ride out of the East to set the world on fire. New currencies are forged, new weapons invented, and world-changing catastrophes alter the landscape: the Little Ice Age and the Great Famine kill millions; the Black Death, millions more. In the chaos of these epoch-making events, our own world begins to take shape. Impressively researched and brilliantly told, The History of the Renaissance World offers not just the names, dates, and facts but the memorable characters who illuminate the years between 1100 and 1453—years that marked a sea change in mankind’s perception of the world.
An updated edition of David Lu's acclaimed "Sources of Japanese History", this two volume book presents in a student-friendly format original Japanese documents from Japan's mythological beginnings through 1995. Covering the full spectrum of political, economic, diplomatic as well as cultural and intellectual history, this classroom resource offers insight not only into the past but also into Japan's contemporary civilisation. This volume covers from the late 18th century up to 1995. Three major criteria used in the document selection were that: the selection avoids duplication with other collections - 75% of the documents presented here are newly translated; a document accurately reflects the spirit of the times and the life-styles of the people; and emphasis is on the development of social, economic and political institutions.
This is the first work to deal comprehensively with the historical and physical aspects of the Nagaoka palace and capital, which were constructed in the eighth century at the order of Kanmu Tennō, but abruptly abandoned after only ten years. New research and the information yielded by decades of excavation made possible this fresh reassessment of conventional theories of the construction and layout of Nagaoka, as well as the life and reign of its founder. It also examines the motivations behind Nagaoka's establishment and abandonment within the context of Kanmu's reign and personal convictions. In broader terms, this volume deals with the process of capital building in late eighth-century Japan, and the links between the Nara and Heian capitals.
Covering the full spectrum of political, economic, diplomatic as well as cultural and intellectual history, this classroom resource offers insight not only into the past but also into Japan's contemporary civilisation. This is a combination of volumes one and two.
Covering the full spectrum of political, economic, diplomatic as well as cultural and intellectual history, this classroom resource offers insight not only into the past but also into Japan's contemporary civilization. This volume (the second of two) covers from the late 18th century up to 1995.