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Excerpt from A History of the Four Georges, Vol. 2 of 4 While this volume was passing through the press, The English Historical Review published an interesting article by Prof. J. K. Laughton on the subject of Jenkins's Ear. Professor Laughton, while lately making some researches in the Admiralty records, came on certain correspondence which appears to have escaped notice up to that time, and he regards it as incidentally confirming the story of Jenkins's Ear, "which for certainly more than a hundred years has generally been believed to be a fable." The correspondence, in my opinion, leaves the story exactly as it found it. We only learn from it that Jenkins made a complaint about his ear to the English naval commander at Port Royal, who received the tale with a certain incredulity, but nevertheless sent formal report of it to the Admiralty, and addressed a remonstrance to the Spanish authorities to the Spanish authorities. But as Jenkins told his story to every one he met, it is not very surprising that he should have told it to the English admiral. No one doubts that part of one of Jenkins's ears was cut off; it will be seen in this volume that he actually at one time exhibited the severed part; but the question is, How did it come to be severed? It might have been cut off in the ordinary course of a scuffle with the Spanish revenue-officers who tried to search his vessel. The point of the story is that the severed part was flung in his face, with the insulting injunction to take that home to his king. Whether Jenkins told t he simple truth or indulged in a little fable is a question which the recently published correspondence does not in any way help us to settle. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A History of the Four Georges, Vol. 1 of 4 While Anne lies on that which is soon to be her death-bed, let us take a glance at the rival claimants of her crown and the leading English statesmen who were partizans on this side or on that, or who were still hesitating about the side it would be on the whole most prudent and profitable to choose. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Over 200 full-color pages highlight the magnificent career of artistic legend George Perez! From his early days at Marvel on such titles as Fantastic Four and The Avengers to DC Comics' landmark titles, New Teen Titans and Crisis on Infinite Earths, plus independent work for T.H.U.N.D.E.R. Agents and so many others, along with his own creations Sachs and ...
A significant expansion of the critically acclaimed first edition, Classics Illustrated: A Cultural History, 2d ed., carries the story of the Kanter family's series of comics-style adaptations of literary masterpieces from 1941 into the 21st century. This book features additional material on the 70-year history of Classics Illustrated and the careers and contributions of such artists as Alex A. Blum, Lou Cameron, George Evans, Henry C. Kiefer, Gray Morrow, Rudolph Palais, and Louis Zansky. New chapters cover the recent Jack Lake and Papercutz revivals of the series, the evolution of Classics collecting, and the unsung role of William Kanter in advancing the fortunes of his father Albert's worldwide enterprise. Enhancing the lively account of the growth of "the World's Finest Juvenile Publication" are new interviews and correspondence with editor Helene Lecar, publicist Eleanor Lidofsky, artist Mort Kunstler, and the founder's grandson John "Buzz" Kanter. Detailed appendices provide artist attributions, issue contents and, for the principal Classics Illustrated-related series, a listing of each printing identified by month, year, and highest reorder number. New U.S., Canadian and British series have been added. More than 300 illustrations--most of them new to this edition--include photographs of artists and production staff, comic-book covers and interiors, and a substantial number of original cover paintings and line drawings.