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Reprint of the original, first published in 1881.
This lavishly illustrated volume, featuring 170 images, offers a comprehensive and original survey of a fascinating collection of images of the lower orders of London. The London Cries is a body of graphic art produced between the sixteenth and nineteenth centuries that provided continually changing representations of the tradesmen and street hawkers that roamed London from its beginnings right up to the present. Analyzing prints, drawings, lithographs, and paintings done during this time period, Sean Shesgreen traces portraits of ordinary men and women who made their living on the streets of this bustling city; characters include milkmaids, cheapjacks, beggars, prostitutes, Merry Andrews, religious fanatics, and other colorful figures of their stripe. Images of the Outcast examines the Cries in relationship to the historical actualities of street trading, bourgeois attitudes toward the poor, and other forms of art. Through a lively discussion of the prints, drawings, sketches and oils of artists, from the anonymous craftsmen of the sixteenth century to Theodore Gericault and others, Shesgreen provides an important overview of this significant genre. Many of the riveting images the author discusses have never been published or analyzed before.
Collection of poems about London, organized chronologically from John Gower (14th century) to Ahren Warner (1986-)
The Cries of London
An extraordinary city, London grew from a backwater in the Classical Age into an important medieval city and significant Renaissance urban center to a modern colossus--full of a free people ever evolving. Roy Porter touches the pulse of his hometown and makes it our own, capturing London's fortunes, people, and imperial glory with vigor and wit. 58 photos.
Exactly 150 years after the Norman Conquest of England in 1066, history came extremely close to repeating itself when another army set sail from the Continent with the intention of imposing foreign rule on England. This time the invasion force was under the command of Louis the Lion, son and heir of the powerful French king Philip Augustus. Taking advantage of the turmoil created in England by the civil war over Magna Carta and by King John’s disastrous rule, Prince Louis and his army of French soldiers and mercenaries allied with the barons of the English rebel forces. The prize was England itself.The invasion was one of the most dramatic episodes of British history. This is the first ever book on the subject. Blood Cries Afar tells a dramatic and violent but overlooked story, with a broad appeal to those interested in the history of England and France, the Middle Ages and war in an age of kings, knights, castles, battles and brutality.
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
A century before Jack the Ripper there was the London Monster, whose knife attacks on women caused unprecedented alarm, terror, and uproar. Through chance combined with vigilante effort, a young Welshman, Rhynwick Williams, was arrested as the Monster and committed to prison after a sensational trial at the Old Bailey. However, doubts about Williams' guilt persisted, and some writers asserted that there never was a Monster at all. Over 200 years later, Bondeson (author of A Cabinet of Medical Curiosities and The Feejee Mermaid and Other Essays in Natural and Unnatural History) unearthed new clues to this fascinating case, which lies somewhere between fact and urban legend. Annotation copyrighted by Book News Inc., Portland, OR