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A History of Riots is the result of a conference held by the London Socialist Historians Group in early 2012, designed to look again at the historical aspects of riots in the wake of the August 2011 riots in the UK. Many historians had thought that riots were a method of protest and revolt which had given way to more organised forms of expression, from trade unions to political parties, during the course of the nineteenth century. Events have proven this idea to be incorrect. Riots still take place around the world on a regular basis. The contributors to A History of Riots probe various aspects of riots in order to examine the historical issues and concerns that motivate them and dictate their course and to better understand why they take place in the current day. Sean Creighton looks at the Trafalgar Square riots in London in 1887, referred to as ‘Bloody Sunday’. Ian Birchall analyses how riots have been represented in fiction, while Neil Davidson reviews riotous activity around the Scottish Act of Union in 1707. Keith Flett looks at what is sometimes held to be the peak of British riot history, the Chartist period of the 1840s, while John Newsinger offers a different perspective: not a riot inspired by the crowd or the ‘mob’, as media commentators persist in naming protesters, but one driven by authority, a police riot in the US in the 1930s. There are editorial introductions and conclusions that place these specific historical studies of aspects of the history of riots in a wider methodological and theoretical framework, looking at the work of some of the foremost historians of riots, including George Rude, and more recent material by Adrian Randall, Andrew Charlesworth and others. The perspective of the book is clear. Riots are something which is an important part of history, but they also remain part of the present too. In this sense, understanding their history is an important task for historians and all those interested in how, and in what forms, protest develops. This book represents a contribution to, and promotes, a discussion of both the history of riots and how an examination of this can help provide a better understanding of riots today.
'Class lines between settlers and labourers had been drawn...What follows is a microhistory of collective revolt.' In 1843, the New Zealand Company settlement of Nelson was rocked by the revolt of its emigrant labourers. Over 70 gang-men and their wives collectively resisted their poor working conditions through petitions, strikes and, ultimately, violence. Yet this pivotal struggle went on to be obscured by stories of pioneering men and women 'made good'. The History of a Riot uncovers those at the heart of the revolt for the first time. Who were they? Where were they from? And how did their experience of protest before arriving in Nelson influence their struggle? By putting violence and class conflict at the centre, this fascinating microhistory upends the familiar image of colonial New Zealand.
" . . . a sweeping, analytical synethsis of collective violence from the colonial experience to the present." —American Studies "Gilje has written 'the book' on rioting throughout American history." —The Historian ". . . a thorough, illuminating, and at times harrowing account of man's inhumanity to man." —William and Mary Quarterly " . . . fulfills its title's promise as an encyclopedic study . . . an impressive accomplishment and required reading for anyone interested in America's contentious past." —Journal of the Early Republic "Gilje has written a thought-provoking survey of the social context of American riots and popular disorders from the Colonial period to the late 20th century. . . . a must read for anyone interested in riots." —Choice In this wide-ranging survey of rioting in America, Paul A. Gilje argues that we cannot fully comprehend the history of the United States without an understanding of the impact of rioting. Exploring the rationale of the American mob brings to light the grievances that motivate its behavior and the historical circumstances that drive the choices it makes. Gilje's unusual lens makes for an eye-opening view of the American people and their history.
This book examines how movements from below pose challenges to the status quo. The 2010s have seen an explosion of protest movements, sometimes characterised as riots by governments and the media. But these are not new phenomena, rather reflecting thousands of years of conflict between different social classes. Beginning with struggles for democracy and control of the state in Athens and ancient Rome, this book traces the common threads of resistance through the Middle Ages in Europe and into the modern age. As classes change so does the composition of the protestors and the goals of their movements; the one common factor being how groups can mobilise to resist unbearable oppression, thereby developing a crowd consciousness that widens their political horizons and demonstrates the possibility of overthrowing the existing order. To appreciate the roots and motivations of these so-called deviants the author argues that we need to listen to the sound of the crowd. This book will be of interest to researchers of social movements, protests and riots across sociology, history and international relations.
Newark’s volatile past is infamous. The city has become synonymous with the Black Power movement and urban crisis. Its history reveals a vibrant and contentious political culture punctuated by traditional civic pride and an understudied tradition of protest in the black community. Newark charts this important city's place in the nation, from its founding in 1666 by a dissident Puritan as a refuge from intolerance, through the days of Jim Crow and World War II civil rights activism, to the height of postwar integration and the election of its first black mayor. In this broad and balanced history of Newark, Kevin Mumford applies the concept of the public sphere to the problem of race relations, demonstrating how political ideas and print culture were instrumental in shaping African American consciousness. He draws on both public and personal archives, interpreting official documents - such as newspapers, commission testimony, and government records—alongside interviews, political flyers, meeting minutes, and rare photos. From the migration out of the South to the rise of public housing and ethnic conflict, Newark explains the impact of African Americans on the reconstruction of American cities in the twentieth century.
Award winning poet Joshua Clover theorises the riot as the form of the coming insurrection Baltimore. Ferguson. Tottenham. Clichy-sous-Bois. Oakland. Ours has become an “age of riots” as the struggle of people versus state and capital has taken to the streets. Award-winning poet and scholar Joshua Clover offers a new understanding of this present moment and its history. Rioting was the central form of protest in the seventeenth and eighteenth centuries, and was supplanted by the strike in the early nineteenth century. It returned to prominence in the 1970s, profoundly changed along with the coordinates of race and class. From early wage demands to recent social justice campaigns pursued through occupations and blockades, Clover connects these protests to the upheavals of a sclerotic economy in a state of moral collapse. Historical events such as the global economic crisis of 1973 and the decline of organized labor, viewed from the perspective of vast social transformations, are the proper context for understanding these eruptions of discontent. As social unrest against an unsustainable order continues to grow, this valuable history will help guide future antagonists in their struggles toward a revolutionary horizon.
As the Civil War rages, another battle breaks out behind the lines. During a long hot July in 1863, the worst race riots the United States has ever seen erupt in New York City. Earlier that year, desperate for more Union soldiers, President Abraham Lincoln instituted a draft—a draft that would allow the wealthy to escape serving in the army by paying a $300 waiver, more than a year's income for the recent immigrant Irish. And on July 11, as the first drawing takes place in Lower Manhattan, the city of New York explodes in rage and fire. Stores are looted; buildings, including the Colored Foundling Home, are burned down; and black Americans are attacked, beaten, and murdered. The police cannot hold out against the rioters, and finally, battle-hardened soldiers are ordered back from the fields of Gettysburg to put down the insurrection, which they do—brutally. Fifteen-year-old Claire, the beloved daughter of a black father and Irish mother, finds herself torn between the two warring sides. Faced with the breakdown of the city—the home—she has loved, Claire must discover the strength and resilience to address the new world in which she finds herself, and to begin the hard journey of remaking herself and her identity. Addressing such issues as race, bigotry, and class head-on, Walter Dean Myers has written another stirring and exciting novel that will shake up assumptions, and lift the spirit.
In the uprisings of the Arab world, Alain Badiou discerns echoes of the European revolutions of 1848. In both cases, the object was to overthrow despotic regimes maintained by the great powers—regimes designed to impose the will of financial oligarchies. Both events occurred after what was commonly thought to be the end of a revolutionary epoch: in 1815, the final defeat of Napoleon; and in 1989, the fall of the Soviet Union. But the revolutions of 1848 proclaimed for a century and a half the return of revolutionary thought and action. Likewise, the uprisings underway today herald a worldwide resurgence in the liberating force of the masses—despite the attempts of the ‘international community’ to neutralize its power. Badiou’s book salutes this reawakening of history, weaving examples from the Arab Spring and elsewhere into a global analysis of the return of emancipatory universalism.
Portrays the race riot which left 38 dead, 537 wounded and hundreds homeless in Chicago during the summer of 1919.
On the occasion of its fiftieth anniversary, the most important moment in LGBTQ history—depicted by the people who influenced, recorded, and reacted to it. June 28, 1969, Greenwich Village: The New York City Police Department, fueled by bigoted liquor licensing practices and an omnipresent backdrop of homophobia and transphobia, raided the Stonewall Inn, a neighborhood gay bar, in the middle of the night. The raid was met with a series of responses that would go down in history as the most galvanizing period in this country's fight for sexual and gender liberation: a riotous reaction from the bar's patrons and surrounding community, followed by six days of protests. Across 200 documents, Marc Stein presents a unique record of the lessons and legacies of Stonewall. Drawing from sources that include mainstream, alternative, and LGBTQ media, gay-bar guide listings, state court decisions, political fliers, first-person accounts, song lyrics, and photographs, Stein paints an indelible portrait of this pivotal moment in the LGBT movement. In The Stonewall Riots, Stein does not construct a neatly quilted, streamlined narrative of Greenwich Village, its people, and its protests; instead, he allows multiple truths to find their voices and speak to one another, much like the conversations you'd expect to overhear in your neighborhood bar. Published on the fiftieth anniversary of the moment the first brick (or shot glass?) was thrown, The Stonewall Riots allows readers to take stock of how LGBTQ life has changed in the US, and how it has stayed the same. It offers campy stories of queer resistance, courageous accounts of movements and protests, powerful narratives of police repression, and lesser-known stories otherwise buried in the historical record, from an account of ball culture in the mid-sixties to a letter by Black Panther Huey P. Newton addressed to his brothers and sisters in the resistance. For anyone committed to political activism and social justice, The Stonewall Riots provides a much-needed resource for renewal and empowerment.