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As they examine three related themes of postwar history, the authors describe an ongoing historical process marked by unexpected changes, such as Japan's extraordinary economic growth, and unanticipated continuities, such as the endurance of conservative rule. --From publisher's description.
First Published in 1987. Japan’s surrender on 15 August 1945 was an unprecedented event in Japanese history. The shift from the life of hunger to the life of saturation that took place between 1945 and 1980 has brought about a great change in life style. The significance of this change will be a subject of reassessment for many years to come. This books presents an outline of such a change in the domain of mass culture, a sector of Japanese culture most indicative of the change after the defeat and the subsequent economic recovery.
Winner of the prestigious Yoshida Shigeru Prize 1999 for the best book in public history when it was published in its original Japanese, this book presents a comprehensive and up-to-date overview of Japan’s international relations from the end of the Pacific War to the present. Written by leading Japanese authorities on the subject, it makes extensive use of the most recently declassified Japanese documents, memoirs, and diaries. It introduces the personalities and approaches Japan’s postwar leaders and statesmen took in dealing with a rapidly changing world and the challenges they faced. Importantly, the book also discusses the evolution of Japan’s presence on the international stage and the important – if underappreciated role – Japan has played. The book examines the many issues which Japan has had to confront in this important period: from the occupation authorities in the latter half 1940s, to the crisis-filled 1970s; from the post-Cold War decade to the contemporary war on terrorism. The book examines the effect of the changing international climate and domestic scene on Japan’s foreign policy; and the way its foreign policy has been conducted. It discusses how the aims of Japan’s foreign relations, and how its relationships with its neighbours, allies and other major world powers have developed, and assesses how far Japan has succeeded in realising its aims. It concludes by discussing the current state of Japanese foreign policy and likely future developments.
The second edition of the book that provides a unique integrated analysis of Japan's social, political, and economic history from 1932 until the present day.
Japan and the United States became close political allies so quickly after the end of World War II, that it seemed as though the two countries had easily forgotten the war they had fought. Here Yoshikuni Igarashi offers a provocative look at how Japanese postwar society struggled to understand its war loss and the resulting national trauma, even as forces within the society sought to suppress these memories. Igarashi argues that Japan's nationhood survived the war's destruction in part through a popular culture that expressed memories of loss and devastation more readily than political discourse ever could. He shows how the desire to represent the past motivated Japan's cultural productions in the first twenty-five years of the postwar period. Japanese war experiences were often described through narrative devices that downplayed the war's disruptive effects on Japan's history. Rather than treat these narratives as obstacles to historical inquiry, Igarashi reads them along with counter-narratives that attempted to register the original impact of the war. He traces the tensions between remembering and forgetting by focusing on the body as the central site for Japan's production of the past. This approach leads to fascinating discussions of such diverse topics as the use of the atomic bomb, hygiene policies under the U.S. occupation, the monstrous body of Godzilla, the first Western professional wrestling matches in Japan, the transformation of Tokyo and the athletic body for the 1964 Tokyo Olympics, and the writer Yukio Mishima's dramatic suicide, while providing a fresh critical perspective on the war legacy of Japan.
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The Historical Dictionary of Historical Dictionary of Postwar Japan relates the history of postwar Japan through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on significant persons, events, places, organizations.
This book examines the emergence of women's history-writing groups in Japan in the decade following the end of World War II and the way in which these versions of history-writing went on to subsequently eclipse and outlive those being offered by Marxist historians.
Radical changes in the design of housing in post-war Japan had numerous effects on the Japanese people. Public policy toward housing provision and the effects of escalating land prices in Tokyo and a few other very large cities in the country from the mid- to late 1970s onward are examined, but it is dwellings themselves and the slow but steady shift from a floor-sitting to a chair-sitting housing culture in urban and suburban parts of the country that figure most prominently in the discussion. Central to the book is the author's translation of an account written by Kyoko Sasaki, an observant wife and mother, about the housing she and her growing family experienced during the 1960s, and subsequent chapters explore some of the issues that flow from her account. Chief among these are the small size and generally poor quality of the private-sector housing that Japanese of fairly ordinary means could afford to occupy in the early postwar years, the new design initiatives undertaken at about that time by public-sector housing providers and the diffusion of at least some of their initiatives to the housing sector as a whole, and the adjustments that the occupants of housing had to, or chose to, make as the dwellings available to them as renters or as owners changed in character. Attention is also paid to the structural requirements of dwellings and attitudes toward dwellings of diverse types in a country prone to earthquakes.
This is the first extensive English-language study of Yasukuni Shrine as a war memorial. It explores the controversial shrine’s role in waging war, promoting peace, honoring the dead, and, in particular, building Japan’s modern national identity. It traces Yasukuni’s history from its conceptualization in the final years of the Tokugawa period and Japan’s wars of imperialism to the present. Author Akiko Takenaka departs from existing scholarship on Yasukuni by considering various themes important to the study of war and its legacies through a chronological and thematic survey of the shrine, emphasizing the spatial practices that took place both at the shrine and at regional sites associated with it over the last 150 years. Rather than treat Yasukuni as a single, unchanging ideological entity, she takes into account the social and political milieu, maps out gradual transformations in both its events and rituals, and explicates the ideas that the shrine symbolizes. Takenaka illuminates the ways the shrine’s spaces were used during wartime, most notably in her reconstructions, based on primary sources, of visits by war-bereaved military families to the shrine during the Asia-Pacific War. She also traces important episodes in Yasukuni’s postwar history, including the filing of lawsuits against the shrine and recent attempts to reinvent it for the twenty-first century. Through a careful analysis of the shrine’s history over one and a half centuries, her work views the making and unmaking of a modern militaristic Japan through the lens of Yasukuni Shrine. Yasukuni Shrine: History, Memory, and Japan’s Unending Postwar is a skilled and innovative examination of modern and contemporary Japan’s engagement with the critical issues of war, empire, and memory. It will be of particular interest to readers of Japanese history and culture as well as those who follow current affairs and foreign relations in East Asia. Its discussion of spatial practices in the life of monuments and the political use of images, media, and museum exhibits will find a welcome audience among those engaged in memory, visual culture, and media studies.