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A historian who has been an actor in the events which he narrates, has peculiar advantages and disadvantages. He can write with more minuteness of detail, and with a fresher and more life-like coloring. He can write with more confidence, and, drawing from his own experience and observation, is in this respect more trustworthy. On the other hand, he is more liable to be warped by prejudice, to see only the excellences and none of the defects of those with whom he has been identified, and only the defects and none of the excellences of those to whom he has been opposed, to be a partizan rather than a judge, and to make his narration little more than the reflection of his personal opinions or his personal sympathy and affection, hostility and spite. The Church History of Isaac Backus has all the above-named excellences. To a large extent he was an eye-witness of that which he describes; and where not an eye-witness, he placed himself in closest possible connection with it by personal acquaintance with the actors, and by immediate and most diligent and thorough examination of records and other evidence. While it may be too much to say that he absolutely avoided the defects above named, yet his sound judgment, his natural candor and honesty and his elevated Christian principle, have made him as nearly free from them as perhaps any author who has written in similar circumstances. --from the Editor's Preface
"A historian who has been an actor in the events which he narrates, has peculiar advantages and disadvantages. He can write with more minuteness of detail, and with a fresher and more life-like coloring. He can write with more confidence, and, drawing from his own experience and observation, is in this respect more trustworthy. On the other hand, he is more liable to be warped by prejudice, to see only the excellences and none of the defects of those with whom he has been identified, and only the defects and none of the excellences of those to whom he has been opposed, to be a partizan rather than a judge, and to make his narration little more than the reflection of his personal opinions or his personal sympathy and affection, hostility and spite. "The Church History of Isaac Backus has all the above-named excellences. To a large extent he was an eye-witness of that which he describes; and where not an eye-witness, he placed himself in closest possible connection with it by personal acquaintance with the actors, and by immediate and most diligent and thorough examination of records and other evidence. While it may be too much to say that he absolutely avoided the defects above named, yet his sound judgment, his natural candor and honesty and his elevated Christian principle, have made him as nearly free from them as perhaps any author who has written in similar circumstances." --from the Editor's Preface
Martyrs' Mirror examines the folklore of martyrdom among seventeenth-century New England Protestants, exploring how they imagined themselves within biblical and historical narratives of persecution. Memories of martyrdom, especially stories of the Protestants killed during the reign of Queen Mary in the mid-sixteenth century, were central to a model of holiness and political legitimacy. The colonists of early New England drew on this historical imagination in order to strengthen their authority in matters of religion during times of distress. By examining how the notions of persecution and martyrdom move in and out of the writing of the period, Adrian Chastain Weimer finds that the idea of the true church as a persecuted church infused colonial identity. Though contested, the martyrs formed a shared heritage, and fear of being labeled a persecutor, or even admiration for a cheerful sufferer, could serve to inspire religious tolerance. The sense of being persecuted also allowed colonists to avoid responsibility for aggression against Algonquian tribes. Surprisingly, those wishing to defend maltreated Christian Algonquians wrote their history as a continuation of the persecutions of the true church. This examination of the historical imagination of martyrdom contributes to our understanding of the meaning of suffering and holiness in English Protestant culture, of the significance of religious models to debates over political legitimacy, and of the cultural history of persecution and tolerance.