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A study of criminal homicide in America from precolonial times to the present, drawing on accounts of witnesses, official documents, physical remains, and private papers to reconstruct representative cases of the past and look for broader trends. Investigates why murder rates go up or down at different periods, how the justice system has dealt with murder, and the roles of economic difference, family structure, and media, seeking to explain why postindustrial America has the highest murder rate in the developed world. Annotation copyrighted by Book News, Inc., Portland, OR
This book offers a fascinating and insightful overview of seven centuries of murder in Europe. It tells the story of the changing face of violence and documents the long-term decline in the incidence of homicide. From medieval vendettas to stylised duels, from the crime passionel of the modern period right up to recent public anxieties about serial killings and underworld assassinations, the book offers a richly illustrated account of murder’s metamorphoses. In this original and compelling contribution, Spierenburg sheds new light on several important themes. He looks, for example, at the transformation of homicide from a private matter, followed by revenge or reconciliation, into a public crime, always subject to state intervention. Combining statistical data with a cultural approach, he demonstrates the crucial role gender played in the spiritualisation of male honour and the subsequent reduction of male-on-male aggression, as well as offering a comparative view of how different social classes practised and reacted to violence. This authoritative study will be of great value to students and scholars of the history of crime and violence, criminology and the sociology of violence. At a time when murder rates are rising and public fears about violent crime are escalating, this book will also interest the general reader intrigued by how our relationship with murder reached this point.
Drawing on hundreds of newly available, top-secret KGB and party Central Committee documents, historian Matthew E. Lenoe reexamines the 1934 assassination of Leningrad party chief Sergei Kirov. Joseph Stalin used the killing as the pretext to unleash the Great Terror that decimated the Communist elite in 1937–1938; these previously unavailable documents raise new questions about whether Stalin himself ordered the murder, a subject of speculation since 1938.The book includes translations of 125 documents from the various investigations of the Kirov murder, allowing readers to reach their own conclusions about Stalin’s involvement in the assassination.
This book is about elements that kill. Mercury, arsenic, antimony, lead, and thallium can be lethal, as many a poisoner knew too well. Emsley explores the gruesome history of these elements and those who have succumbed to them in a fascinating narrative that weaves together stories of true crime, enduring historical mysteries, tragic accidents, and the science behind it all. The colourful cast includes ancient alchemists, kings, leaders, a pope, several great musicians, and amotley crew of murderers. Among the intriguing accounts is that of the 17th century poet Sir Thomas Overbury, who survived four attempts to poison him with mercury but died when given the poison in enema form - under whose direction remains uncertain. Here, too, is detailed the celebrated case of FlorenceMaybrick, convicted of poisoning her violent husband James with arsenic, but widely believed at the time to be innocent. The question of her guilt is still disputed.Threaded through the book alongside the history is the growing understanding of chemistry, and the effects of different chemical substances on the human body. Thousands suffered the ill effects of poisonous vapours from mercury, lead, and arsenic before the dangers were realized. Hatters went mad because of mercury poisoning, and hundreds of young girls working in factories manufacturing wallpaper in the 19th century were poisoned by the arsenic-based green pigments used for the leaves of thepopular floral designs. Even in the middle of the 20th century, accidental mercury poisoning caused many deaths in Minamata Bay, while leaded petrol poisoned the whole planet, and arsenic still continues to poison millions is Asia.Through vividly told stories of innocent blunders, industrial accidents, poisoners of various hues - cold, cunning, desperate - and deaths that remain a mystery, Emsley here uncovers the dark side of the Periodic Table.
"Superb... Flanders's convincing and smart synthesis of the evolution of an official police force, fictional detectives, and real-life cause célèbres will appeal to devotees of true crime and detective fiction alike." -Publishers Weekly, starred review In this fascinating exploration of murder in nineteenth century England, Judith Flanders examines some of the most gripping cases that captivated the Victorians and gave rise to the first detective fiction Murder in the nineteenth century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama-even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other-the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell. In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder in Great Britain, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare's bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London's East End. Through these stories of murder-from the brutal to the pathetic-Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain. With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.
When the winter ice melted in April 1850, residents of Saco, Maine, made a gruesome discovery: the body of a young girl submerged in a stream. Thanks to evidence left at the scene, a local physician was arrested and tried for the death of Mary Bean, the name given to the unidentified young girl; the cause of death was failed abortion. Garnering extensive newspaper coverage, the trial revealed many secrets: a poorly trained doctor, connections to an unsolved murder in New Hampshire, and the true identity of Mary Bean - a young Canadian mill worker named Berengera Caswell, missing since the previous winter. The Murder of Mary Bean and Other Stories examines the series of events that led Caswell to become Mary Bean and the intense curiosity and anxiety stimulated by this heavily watched trial. these events through a wide-angle lens exploring such themes as the rapid social changes brought about by urbanization and industrialization in antebellum nineteenth-century society, factory work and the changing roles for women, unregulated sexuality and the specter of abortion, and the sentimental novel as a guidebook. She posits that the real threat to women in the nineteenth century was not murder but a society that had ambiguous feelings about the role of women in the economic system, in education, and as independent citizens. of Mary Bean and Other Stories features two reprinted accounts of Caswell's death, both fictional and originally printed in the 1850s, as well as an introduction that places these salacious accounts in a historical context. This book serves not simply as true crime but, rather, presents a seamy side of rapid industrial growth and the public anxiety over the emerging economic roles of women.
Why is it so much fun to read about death and dismemberment? In Murder Book, lifelong true-crime obsessive and New Yorker cartoonist Hilary Fitzgerald Campbell tries to puzzle out the answer. An unconventional graphic exploration of a lifetime of Ann Rule super-fandom, amateur armchair sleuthing, and a deep dive into the high-profile murders that have fascinated the author for decades, this is a funny, thoughtful, and highly personal blend of memoir, cultural criticism, and true crime with a focus on the often-overlooked victims of notorious killers.
Finalist for the 2022 Cheiron Book Prize​ An Organ of Murder explores the origins of both popular and elite theories of criminality in the nineteenth-century United States, focusing in particular on the influence of phrenology. In the United States, phrenology shaped the production of medico-legal knowledge around crime, the treatment of the criminal within prisons and in public discourse, and sociocultural expectations about the causes of crime. The criminal was phrenology’s ideal research and demonstration subject, and the courtroom and the prison were essential spaces for the staging of scientific expertise. In particular, phrenology constructed ways of looking as well as a language for identifying, understanding, and analyzing criminals and their actions. This work traces the long-lasting influence of phrenological visual culture and language in American culture, law, and medicine, as well as the practical uses of phrenology in courts, prisons, and daily life.