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Valete 1989 Phillip Deloughery Valete 1989 Daniel Dominguez.
A study of Germany between 1848 and 1890. It is designed to fulfil the AS and A Level specifications in place from September 2000. The two AS sections deal with narrative and explanation of the topic. The A2 section reflects the different demands of the higher level examination.
Imperial Germany focuses on the domestic political developments of the period, putting them into context through a balanced guide to the economic and social background, culture and foreign policy. This important study explores the tensions caused within an empire which was formed through war, against the prevailing liberal spirit of the age and poses many questions among them: * Was the desire to unify Germany the cause of the aggressive foreign policy leading to the First World War? * To what extent was Bismarck's Second Reich the forerunner of Hitler's Third? * Did Bismarck's authoritarian rule permanently hinder the political development of Germany? Recent debates raised by German scholarship are made accessible to English speaking readers, and the book summarises the important controversies and competing interpretations of imperial German history.
A highly topical analysis of European Nationalism from the French Revolution through to the aftermath of the First World War, when the nationalist issues and problems that dominate the political landscape of our own time were already fully established. Covering an enormous range of peoples -- from the Icelanders to the Gypsies, from Brittany to Wallachia -- the book presents a wealth of historical geopolitical information unavailable elsewhere. Essential as a reference work, it also provides a unique opportunity to survey systematically a crucial but fragmented subject in its full European context. For historians, political scientists, departments of European studies, and general readers.
The book traces the development of Germany from the Kaiser’s Reich in the 1870s to the reunited democratic state led by Helmut Kohl in the 1990s. The author begins by countering the popular view of Germany before 1914 as irredeemably reactionary, and after assessing Germany’s part in the First World War, he outlines the rise and fall of the Weimar Republic. The 12 years of Hitler’s destructive experiment are presented in a balanced way as part of the overall development of the country. Germany in defeat is then discussed, as is heer rebirth under Four Power occupation. The last chapters explore the two separate German states and the events leading up to the restoration of German unity.
Now covering the whole of Europe from the French Revolution to the present day, this major new edition has been completely revised and brought up-to-date. The approach embraces the whole continent from both national and regional perspectives, and combines political survey with grass roots 'people' history. Bringing this history vividly to life, the authors use a very broad range of sources including memoirs, archives, letters, songs and newspapers. In particular, there is new treatment of the following themes: Religion and the modern Papacy Immigration in Europe and relationships between minority and majority groups UNESCO The European Bill of Rights The seeds of conflict in Bosnia and Croatia Europe's relations with the wider world, with particular attention to the Middle East and Japan.
On June 28, 1919, the Peace Treaty was signed in the Hall of Mirrors at Versailles, five years to the day after the assassination of Archduke Franz Ferdinand in Sarajevo triggered Europe's precipitous descent into war. This war was the first conflict to be fought on a global scale. By its end in 1918, four empires had collapsed, and their minority populations, which had never before existed as independent entities, were encouraged to seek self-determination and nationhood. Following on from Haus’s monumental thirty-two Volume series on the signatories of the Versailles peace treaty, The Makers of the Modern World, 28 June looks in greater depth at the smaller nations that are often ignored in general histories, and in doing so seeks to understand the conflict from a global perspective, asking not only how each of the signatories came to join the conflict but also giving an overview of the long-term consequences of their having done so.
The story of Bletchley Park's codebreaking operations in the Second World War is now well known, but its counterparts in the First World War – Room 40 & MI1(b) – remain in the shadows, despite their involvement in and influence on most of the major events of that war. From the First Battle of the Marne, the shelling of Scarborough, the battles of Jutland and the Somme in 1916, to the battles on the Western Front in 1918, the German naval mutiny and the Zimmermann Telegram, this cast of characters – several of them as eccentric as anyone from Bletchley Park in the Second World War – secretly guided the outcome of the 'Great War' from the confines of a few smoke-filled rooms. Using hundreds of intercepted and decrypted German military, naval and diplomatic messages, bestselling author Paul Gannon reveals the fascinating story of British codebreaking operations. By drawing on many newly discovered archival documents that challenge misleading stories about Room 40 & MI1(b), he reveals a sophisticated machine in operation.
An economic analysis of the theory, modelling and history of international transfers.
At the beginning of the 20th century, Judas was characterised in film as the epitome of evil: the villainous Jew. Film-makers cast Judas in this way because this was the Judas that audiences had come to recognize and even expect. But in the following three decades, film-makers - as a result of critical biblical study - were more circumspect about accepting the alleged historicity of the Gospel accounts. Carol A. Hebron examines the figure of Judas across film history to show how the portrayal becomes more nuanced and more significant, even to the point where Judas becomes the protagonist with a role in the film equal in importance to that of Jesus'. Hebron examines how, in these films, we begin to see a rehabilitation of the Judas character and a restoration of Judaism. Hebron reveals two distinct theologies: 'rejection' and 'acceptance'. The Nazi Holocaust and the exposure of the horrors of genocide at the end of World War II influenced how Judaism, Jews, and Judas, were to be portrayed in film. Rehabilitating the Judas character and the Jews was necessary, and film was deemed an appropriate medium in which to begin that process.