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A History of Fort Worth in Black & White fills a long-empty niche on the Fort Worth bookshelf: a scholarly history of the city's black community that starts at the beginning with Ripley Arnold and the early settlers, and comes down to today with our current battles over education, housing, and representation in city affairs. The book's sidebars on some noted and some not-so-noted African Americans make it appealing as a school text as well as a book for the general reader. Using a wealth of primary sources, Richard Selcer dispels several enduring myths, for instance the mistaken belief that Camp Bowie trained only white soldiers, and the spurious claim that Fort Worth managed to avoid the racial violence that plagued other American cities in the twentieth century. Selcer arrives at some surprisingly frank conclusions that will challenge current politically correct notions.
In 1934, the year Calvin Littlejohn came to Fort Worth, the city was a sleepy little burg. This was the Jim Crow era, when mainstream newspapers wouldn't publish pictures of black citizens and white photographers wouldn't take pictures in black schools. In Fort Worth, Littlejohn began what would become a lifelong career of documenting the black community. And there would be nothing remotely related to the white culture's depictions of Amos 'n' Andy or black kids grinning over a slice of watermelon in Littlejohn's portrayal of his adopted home and the people he came to appreciate and love. Littlejohn's natural aptitude for drawing had been honed by correspondence courses in graphic design and a stint in a photo shop where he learned about the camera, lighting, and the use of shadows. When Littlejohn was assigned to be the official photographer at I. M. Terrell--the city's only black high school at the time--his professional career was launched. Unlike many segregated cities, where blacks lived only in one section, blacks in Cowtown lived in every quadrant of the city. There was a thriving black business district, with hotels, restaurants, a movie theater, a bank, and a major hospital, pharmacy, and nursing school. And of course, there were the schools and churches. All would eventually be seen through Littlejohn's lens. Although he never set out to be the documentarian of Fort Worth's black community, he did what he set out to do: to capture the best of a community, focusing on its good times. This book features more than 150 shots Littlejohn captured over the course of his career.
Fort Worth Stories is a collection of thirty-two bite-sized chapters of the city’s history. Did you know that the same day Fort Worth was mourning the death of beloved African American “Gooseneck Bill” McDonald, Dallas was experiencing a series of bombings in black neighborhoods? Or that Fort Worth almost got the largest statue to Robert E. Lee ever put up anywhere, sculpted by the same massive talent that created Mount Rushmore? Or that Fort Worth was once the candy-making capital of the Southwest and gave Hershey, Pennsylvania, a good run for its money as the sweet spot of the nation? A remarkable number of national figures have made a splash in Fort Worth, including Theodore Roosevelt while he was President; Vernon Castle, the Dance King; Dr. H.H. Holmes, America’s first serial killer; Harry Houdini, the escape artist; and Texas Guinan, star of the vaudeville stage and the big screen. Fort Worth Stories is illustrated with 50 photographs and drawings, many of them never before published. This collection of stories will appeal to all who appreciate the Cowtown city.
One of the most famous images in western history is a photograph of the Wild Bunch outlaw gang, also known as “The Fort Worth Five,” featuring Butch Cassidy, Sundance Kid, and three other members of the gang dressed to the nines and posing in front of a studio backdrop. This picture, taken by John Swartz in his Fort Worth studio in November 1900, helped bring the gang down when distributed around the country by the Pinkerton Agency. It may be seen today as a prominent marketing image for the Sundance Square development in downtown Fort Worth. John, David, and Charles Swartz, three brothers who moved from Virginia to Fort Worth in the late nineteenth century, captured not only the famous “Wild Bunch” image, but also a visual record of the people, places, and events that chronicles Fort Worth’s fin-de-siécle transformation from a frontier outpost to a bustling metropolis—the ingénue, the dashing young gentleman, the stern husband, the loving wife, the nuclear family, the solid businessman, and so on. Only occasionally does a hint of something different show up: an independent-looking woman, a spoiled child, a roguish male. In Photographing Texas: The Swartz Brothers, 1880–1918, historian and scholar Richard Selcer gathers a collection of some of the Swartz brothers’ most important images from Fort Worth and elsewhere, few of which have ever been assembled in a single repository. He also offers the fruits of exhaustive research into the photographers’ backgrounds, careers, techniques, and place in Fort Worth society. The result is an illuminating and entertaining perspective on frontier photography, western history, and life in Fort Worth at the turn of the nineteenth-to-twentieth centuries.
discusses each period of African-American history in terms of politics, violence, and legal status; labor and economic status; education; and social life. Black Texans includes the history of the buffalo soldiers and the cowboys on Texas cattle drives, along with the achievements of notable African-American individuals in Texas history, from Estevan the explorer through legislator Norris Wright Cuney and boxer Jack Johnson to state senator Barbara Jordan. Barr carries.
Fort Worth is an American city quintessentially founded upon change. From its birth to the present, Fort Worth has consistently built and reshaped its appearance, ideals, and industry. Through changing fortunes, Fort Worth has continued to grow and prosper by overcoming adversity and maintaining the strong, independent culture of its citizens. Historic Photos of Fort Worth captures this journey through still photography selected from the finest archives. From the Texas Spring Palace to Armour and Swift, the Carnegie Library to the Casa Manana and Frontier Centennial, Historic Photos of Fort Worth follows life, government, education, and events throughout the city's history. This volume captures unique and rare scenes through the lens of hundreds of historic photographs. Published in striking black and white, these images communicate historic events and everyday life of two centuries of people building a unique and prosperous city.
Although the details fade with time, our memory of the location doesn't change substantially - the way the place looked, our sense of how people used it or the feelings it evoked. In reality, though, things do change whether the alterations involve only minor details or major changes to the landscape and buildings.".
In 2003, over 160,000 fans watched professional baseball in downtown Fort Worth's near north side. Baseball, which had been played in this north side area since 1911, had returned after a near 40-year absence. Fort Worth's rich tradition of professional baseball dates back to the start of the Texas League of Professional Baseball Clubs in 1888 and includes many players who continued to impact our national pastime at the major league level. Presenting over 170 photographs, programs, and maps this volume documents not only the play on the field, but the fun and excitement off the field as well. The book contains a chapter on Fort Worth's black baseball history, which dates back to the turn of the 20th century, and includes the new discovery of a forgotten ballpark dedicated to the black players and leagues of the early 1900s. Though the details are difficult to trace, this chapter showcases the pride the players demonstrated at the local level and the force they became in the national Negro leagues.
Customers also found a stunning array of goods - fur coats and canned tuna, pianos and tractors - and an environment that combined the spectacular with the familiar. But the story of Leonards goes beyond the store and the man who made it. For Marvin Leonard, downtown Fort Worth and Leonards were always intertwined. Leonards gave Fort Worth a special identity, a distinctiveness, and an attraction to the city's center. When Tandy bought Leonards and later sold it to Dillard's, Fort Worth's image and character changed.
From the humble beginnings of a frontier army camp, Fort Worth transformed into a city as cattle drives, railroads, oil and national defense drove its economy. During the tremendous growth, the landscape and cultural imprint of the city changed drastically, and much of Cowtown was lost to history. Witness the birth of western swing music and the death of a cloud dancer. See mansions of the well-heeled and saloons of the well-armed. Meet two gunfighters, one flamboyant preacher, one serial killer and one very short subway carrying passengers back in time to discover more of Fort Worth. Author Mike Nichols presents a colorful history tour from the North Side to the South Side's Battle of Buttermilk Junction.