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"True, the concept of Britain dates back to Roman times, but it was James I that founded Britain in the modern sense. With his accession to the throne in 1603 for the first time Scotland, England, Wales and Ireland were united - with James bestowing on himself the title of 'King of Great Britain'. Before this time, Scots and Irishmen may have served in the English Army as mercenaries, but it was known as an English Army - but now the King's (or British) flag flew over the castles and forts throughout the land. The army raised by Charles I in 1625 for his war against Spain -and subsequently, with France - is most famous for its failure. However, it is one of the best-documented armies of the early 17th century. Using archival and archaeological evidence, the first half of the book covers the lives of the officers and men serving in the army at this time - as well as the women who accompanied them. The author discusses the origins of officers and why they decided to serve in the army - and how the men from England, Scotland and Ireland were recruited (as well as how they were clothed and what they ate; the medical care; and the tactics used by the army at this time). It also covers the hidden faction of tailors, armorers and merchants who helped to put the army into the field. The second half of the book covers not only the expeditions to Cadiz, the Isle de Rhe and the siege of La Rochelle, but also their effect on an England who feared a Spanish (and later a French) invasion. Also covered are the campaigns of Count Ernest von Mansfeldt's and Sir Charles Morgan's armies at this time, which fought at Breda, Dessau Bridge and against the forces of the Holy Roman Empire. The final chapter looks at what became of the soldiers and their widows once the army had been disbanded - therefore, the book will be essential reading for anyone interested in Early Modern History, including the English Civil War and the Thirty Years War." --Publisher description.
In 1603, the beginning of the Stuart reign, painting was of minor importance at the English court, where the elaborately designed masques of Inigo Jones served as the prime medium of royal representation. Only two decades later, their most celebrated performer, George Villiers, the First Duke of Buckingham had assembled one of the largest and most significant collections of painting in early seventeenth-century Europe. His career as the personal and political favourite of two succeeding monarchs – James I and Charles I – coincides with the commission of a number of highly ambitious portraits from the hands of Peter Paul Rubens and Anthony van Dyck that displayed his body in spectacular manner. As the first comprehensive study of Buckingham’s patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new grammar in the competing rhetorics of bodily self-fashioning, this recast notion of portraiture contributed to an epistemological change in perceptions of visual representation at the early modern English court, in the course of which painting advanced to the central art form in the aesthetics of kingship.
Reprint of the original, first published in 1875.
The story of the reign of Charles I - through the lives of his people. Prize-winning historian David Cressy mines the widest range of archival and printed sources, including ballads, sermons, speeches, letters, diaries, petitions, proclamations, and the proceedings of secular and ecclesiastical courts, to explore the aspirations and expectations not only of the king and his followers, but also the unruly energies of many of his subjects, showing how royal authority was constituted, in peace and in war - and how it began to fall apart. A blend of micro-historical analysis and constitutional theory, parish politics and ecclesiology, military, cultural, and social history, Charles I and the People of England is the first major attempt to connect the political, constitutional, and religious history of this crucial period in English history with the experience and aspirations of the rest of the population. From the king and his ministers to the everyday dealings and opinions of parishioners, petitioners, and taxpayers, David Cressy re-creates the broadest possible panorama of early Stuart England, as it slipped from complacency to revolution.
Reprint of the original, first published in 1875.