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Examines jewelry pieces from Australia and New Zealand, providing a background to the development of this art form, and places these works in the context of the fine arts.
A History of Contemporary Jewellery in Australia and New Zealand: Place and Adornment tells the remarkable story of how two countries, far from the jewellery centres of Europe and NorthAmerica, have managed to contribute to an international art form, transforming jewellery from an imitation of European taste into an original expression of place. In this richly illustrated book, the first comprehensive history of contemporary jewellery in Australasia, authors Damian Skinner and Kevin Murray bring together detailed analysis of objects and historical sources to show how contemporary jewellery offered a way to negotiate relationships between settler and indigenous cultures, to find beauty in humble materials, to appreciate the natural environment, and to test conventions of art, gender and identity.
Julie Blyfield is one of Australia's leading contemporary jewellers. Her work has consistently kept pace with investigations of location, identity and cross-cultural understanding, and involves an innovative engagement with traditional jewellery and metalwork techniques sourced from all over the world.
This definitive history of gold and silversmithing in Western Australia has been masterfully compiled by Dorothy Erickson, the first person to be awarded a PhD in Fine Arts from the University of Western Australia. Gold & Silversmithing tells the story of the Western Australia's many talented gold and silversmiths. It examines the stylistic, social, and economic milieu in which the works were created. Featuring over 500 full color photographs, Gold & Silversmithing is a beautiful coffee table book that merges fashion, history, and cultural identity.
This book focusses on the role of craft as a continuing cultural practice and the revival of disappearing skills in contemporary society. It includes twenty-five essays by highly regarded artisans, academics, technologists, entrepreneurs, businesspeople, curators, and researchers from many countries representing a wide range of global craft traditions and innovations. The authors explain their professional practices and creative pathways with knowledge, experience, and passion. They offer insightful analyses of their traditions within their culture and in the marketplace, alongside the evolution of technology as it adapts to support experimentation and business strategies. They write about teaching and research informing their practice; and they explain the importance of their tools and materials in function and form of the objects they make. The essays reveal a poignant expression of their successes, disappointments, and opportunities. This book offers case studies of how artisans have harnessed the traditions of the past alongside the latest design technologies. The authors reveal how global craft is not only a vehicle for self-expression and creativity, but also for being deeply relevant to the world of work, community and environmental sustainability. The book makes the vital link between skills, knowledge, education, and employment, and fills a much-needed niche in Technical, Vocational Education and Training TVET.
A History of Contemporary Jewellery in Australia and New Zealand: Place and Adornment tells the remarkable story of how two countries, far from the jewellery centres of Europe and North America, have managed to contribute to an international art form, transforming jewellery from an imitation of European taste into an original expression of place.
In The Persistence of Craft, contributors discuss the development of not only six specific crafts--glass, ceramics, jewelry, wood, textiles, and metal--but also the trends and movements that have helped shape their developments. Includes 180 full-color illustrations.
Outlining aspects of contemporary Australian craft and design, this book focuses on recent works in ceramics, glass, textiles, furniture, jewellery and metal.
A reflective book about international contemporary art jewellery that aims to open up new points of view about what art jewellery is or can be.
For more than 30 years, contemporary Australian jeweller and designer Barbara Heath has explored the complex connections between maker and wearer. Since 1990, Heath has assisted many clients on a journey to locate jewels that speak to them, leading her to assume the epithet 'Jeweller to the Lost'. Heath's talents find expression not just in wearables but also in jewellery 'off the body' - small sculptural objects, love tokens and large-scale installations. Richly illustrated, Barbara Heath: Jeweller to the Lost explores the artist's distinctive lexicon of icons, jewellery inspired by architectural devices and forms imbued with personal narratives. It features images of Heath's life and work, incorporates excerpts from her journals and provides a unique insight into her approach to creating contemporary jewellery.