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The fading advertisements on the walls of Birmingham's buildings paint an illuminating picture of the men and women who built an industrial boomtown in the first half of the twentieth century. Advertising expert, artist and writer Charles Buchanan unravels the mysteries behind Birmingham's ghost signs to reveal glimpses of the past now hidden in plain sight. Featuring stunning color photography by Birmingham native Jonathan Purvis.
Named one of the Best Books of the Year by the Washington Post and Kirkus Reviews A New York Times Book Review Editors’ Choice Selection A Southern Independent Booksellers Association “Spring Pick” This harrowing portrait of the Jim Crow South “proves how much we do not yet know about our history” (New York Times Book Review). Caliph Washington didn’t pull the trigger but, as Officer James "Cowboy" Clark lay dying, he had no choice but to turn on his heel and run. The year was 1957; Cowboy Clark was white, Caliph Washington was black, and this was the Jim Crow South. Widely lauded for its searing “insight into a history of America that can no longer be left unknown” (Washington Post), He Calls Me by Lightning is an “absorbing chronicle” (Ira Katznelson) of the forgotten life of Caliph Washington that becomes an historic portrait of racial injustice in the civil rights era. Washington, a black teenager from the vice-ridden city of Bessemer, Alabama, was wrongfully convicted of killing a white Alabama policeman in 1957 and sentenced to death. Through “meticulous research and vivid prose” (Patrick Phillips), S. Jonathan Bass reveals Washington’s Kafkaesque legal odyssey: he came within minutes of the electric chair nearly a dozen times and had his conviction overturned three times before finally being released in 1972. Devastating and essential, He Calls Me by Lightning demands that we take into account the thousands of lives cast away by the systemic racism of a “social order apparently unchanged even today” (David Levering Lewis).
From Muscle Shoals to Mobile, Alabamians enjoy fabulous barbecue at home, at club meetings and at countless eateries. In the 1820s, however, a group of reformers wanted to eliminate the southern staple because politicians used it to entice voters. As the state and nation changed through wars and the civil rights movement, so did Alabama barbecue. Alabama restaurants like Big Bob Gibson's, Dreamland and Jim 'n Nick's have earned fans across the country. Mark A. Johnson traces the development of the state's famous food from the earliest settlement of the state to the rise of barbecue restaurants.
This volume gathers together recent research from leading scholars specializing in the history of collecting. American Southern art collections, both public and private, contain rich and representative holdings of Renaissance and Baroque art which remain understudied, compared to the collections bracketing the east and west coasts of the United States. This anthology considers how these works of art were acquired for both prominent public and private collections, how they have been curated and displayed in exhibitions, and how they have also been preserved historically. Individual essays address a variety of art media representative of the early modern period in Europe and the Americas. Case studies of specific works of art, collections, and collectors address the broad geographic scope of Southern collections, inclusive of Washington, DC, the Carolinas, Georgia, Alabama, Louisiana, Arkansas, and Texas.