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Didier Maleuvre argues that works of art in Western societies from Ancient Greece to the interconnected worlds of the Digital Age have served to rationalize and normalize an engagement with bourgeois civilization and the city. Maleuvre details that the history of art itself is the history civilization, giving rise to the particular aesthetics and critical attitudes of respective moments and movements in changing civilizations in a dialogical mode. Building a visual cultural account of shifting forms of culture, power, and subjectivity, Maleuvre illustrates how art gave a pattern and a language to the model of social authority rather than simply functioning as a reflective one. Through a broad cultural study of the relationship between humanity, art, and the culture of civilization, Maleuvre introduces a new set of paradigms that critique and affirm the relationship between humanity and art, arguing for it as an engine of social reproduction that transforms how culture is inhabited.
Discusses prehistoric civilization as represented by art and artifacts of the period, including weapons and tools, architecture, cave paintings, engravings, and statues.
This collection of essays provides a timely reassessment of nineteenth-century Islamic art and architecture. The essays demonstrate that the arts of that era were vibrant and diverse, making ingenious use of native traditions and materials or adopting imported conventions and new technologies. However, traditionalists, revivalists and modernists all referred in one way or another to an Islamic heritage, whether to reinvent, revive or reject it. Beginning with an historical introduction and an assessment of changing attitudes towards the visual arts the following essays provide case studies of architecture and art in Ottoman Turkey, Egypt, Morocco, sub-Saharan Africa, Iran, Central Asia, India and the Caribbean. They examine such issues as patronage, sources of artistic inspiration and responses to European art. The essays have a relevance and importance for our understanding of the societies and attitudes of that time, and have a direct bearing on the more general debate concerning cultural identity and the integration of modern ideas in the Muslim world. The book is richly illustrated with very many illustrations in black-and-white and in full colour.
"From the Congress of Vienna to the Austria World Summit, the city of Vienna has hosted key meetings on peace to climate action. This is a first-class book about Vienna as the crossroads of civilization and as the international capital." —Arnold Schwarzenegger A rich and illuminating history of the world capital that has transformed art, culture, and politics. Vienna is unique amongst world capitals in its consistent international importance over the centuries. From the ascent of the Habsburgs as Europe's leading dynasty to the Congress of Vienna, which reordered Europe in the wake of Napoleon's downfall, to bridge-building summits during the Cold War, Vienna has been the scene of key moments in world history. Scores of pivotal figures were influenced by their time in Vienna, including: Empress Maria Theresa, Count Metternich, Bertha von Suttner, Theodore Herzl, Gustav Mahler, Adolf Hitler, Josef Stalin, John F. Kennedy, and many others. In a city of great composers, artists, and thinkers, it is here that both the most positive and destructive ideas of recent history have developed. From its time as the capital of an imperial superpower, through war, dissolution, dictatorship to democracy Vienna has reinvented itself and its relevance to the rest of the world.
**SELECTED AS A BEST ART BOOK OF THE YEAR BY THE SUNDAY TIMES** 'Stonard traverses the sweep of human history, moving between cultures and hemispheres ... His book consists of myriad flashes of brilliance and inventiveness' LITERARY REVIEW 'A worthy and richly illustrated successor to Ernst Gombrich's fabled The Story of Art' SUNDAY TIMES 'This bountifully illustrated book is a history of connections ... Lucid and thoughtful' COUNTRY LIFE _____________________________________ A fully illustrated, panoramic world history of art from ancient civilisation to the present day, exploring the remarkable endurance of humankind's creative impulse. Fifty thousand years ago on an island in Indonesia, an early human used red ochre pigment to capture the likeness of a pig on a limestone cave wall. Around the same time in Europe, another human retrieved a lump of charcoal from a fire and sketched four galloping horses. It was like a light turning on in the human mind. Our instinct to produce images in response to nature allowed the earliest Homo sapiens to understand the world around them, and to thrive. Now, art historian John-Paul Stonard has travelled across continents to take us on a panoramic journey through the history of art – from ancient Anatolian standing stones to a Qing Dynasty ink handscroll, from a drawing by a Kiowa artist on America's Great Plains to a post-independence Congolese painting and on to Rachel Whiteread's House. Brilliantly illustrated throughout, with a mixture of black and white and full colour images, Stonard's Creation is an ambitious, thrilling and landmark work that leads us from Benin to Belgium, China to Constantinople, Mexico to Mesopotamia. Journeying from pre-history to the present day, it explores the remarkable endurance of humankind's creative impulse, and asks how – and why – we create.
“A lively popular history of an oft-overlooked element in the development of human society” (Library Journal)—walls—and a haunting and eye-opening saga that reveals a startling link between what we build and how we live. With esteemed historian David Frye as our raconteur-guide in Walls, which Publishers Weekly praises as “informative, relevant, and thought-provoking,” we journey back to a time before barriers of brick and stone even existed—to an era in which nomadic tribes vied for scarce resources, and each man was bred to a life of struggle. Ultimately, those same men would create edifices of mud, brick, and stone, and with them effectively divide humanity: on one side were those the walls protected; on the other, those the walls kept out. The stars of this narrative are the walls themselves—rising up in places as ancient and exotic as Mesopotamia, Babylon, Greece, China, Rome, Mongolia, Afghanistan, the lower Mississippi, and even Central America. As we journey across time and place, we discover a hidden, thousand-mile-long wall in Asia's steppes; learn of bizarre Spartan rituals; watch Mongol chieftains lead their miles-long hordes; witness the epic siege of Constantinople; chill at the fate of French explorers; marvel at the folly of the Maginot Line; tense at the gathering crisis in Cold War Berlin; gape at Hollywood’s gated royalty; and contemplate the wall mania of our own era. Hailed by Kirkus Reviews as “provocative, well-written, and—with walls rising everywhere on the planet—timely,” Walls gradually reveals the startling ways that barriers have affected our psyches. The questions this book summons are both intriguing and profound: Did walls make civilization possible? And can we live without them? Find out in this masterpiece of historical recovery and preeminent storytelling.