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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Mildred Aldrich (November 16, 1853 - February 19, 1928) was an American journalist and writer. She was born in 1853 in Providence, Rhode Island. She grew up in Boston, taught at elementary school there and went on into journalism. She wrote for the Boston Home Journal, the Boston Journal and the Boston Herald. She started the short-lived The Mahogany Tree in 1892 In 1898, she moved to France, and, while there, became a friend of Gertrude Stein and Alice B. Toklas.She worked as a foreign correspondent and translator. Aldrich moved to Huiry, near Paris, in 1914, only months before the outbreak of the First World War.[2] Her house there overlooked the Marne river valley, and her experiences during the First Battle of the Marne, as detailed in her letters to friends in the U.S., constitute her first book, A Hilltop on the Marne (1915). Following the success of that work, Aldrich produced three more collections of her wartime letters. On the Edge of the War Zone (1917) contains letters dating from the aftermath of the Marne battle until the entry of the U.S. into the war, The Peak of the Load (1918) details most of the final year of the war, and When Johnny Comes Marching Home (1919) describes her experiences in the months immediately following the war's end. Aldrich also produced one novel, Told in a French Garden, August 1914 (1916), and in 1926 completed an autobiography entitled Confessions of a Breadwinner, which resides in the collections of the Schlesinger Library at Harvard University, but has never been published (although digital images of the typed manuscripts are displayed on the Harvard University
This Is A New Release Of The Original 1915 Edition.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.