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Vaginal fisting - the intimate, potent sexual act of gradually inserting the entire hand into the vagina - is an increasingly popular form of sexplay among lesbians, bisexuals and heterosexuals alike. Now, for the first time, an experienced fister and fistee explains in detail how to fist with the greatest possible safety and pleasure. Extensively illustrated, this groundbreaking guide by Deborah Addington has been approved by three fisting-positive physicians and by many experienced practitioners. Also includes an eye-opening section of anecdotes and poetry by fisting-lovers, plus an extensive resource guide. A must-have "handbook" for the sexually explorative!
A foreign policy expert “presents a thoughtful, comprehensive case” for the War on Terror—a “historically powerful support of Mr. Bush and his doctrine” (Washington Times). The terrorist attacks of September 11, 2001, shattered the tranquil and prosperous optimism that had blossomed in the United States during the 1990s. President George W. Bush responded with a preemptive Global War on Terror. This controversial strategy led the nation into protracted conflicts in Iraq and Afghanistan and ignited passionate debate about America’s role in the world. In Defense of the Bush Doctrine offers a vigorous argument for the principles of moral democratic realism that inspired the Bush administration's policy. Conservative columnist Robert G. Kaufman argues that the purpose of American foreign policy is to ensure the integrity and vitality of a free society and that America’s grand strategy must be guided by the cardinal virtue of prudence. Kaufman provides a broad historical context for America’s post-9/11 foreign policy, connecting the Bush Doctrine and other issues, such as how the United States should deal with China, to the deeper tradition of American diplomacy. Drawing from positive lessons as well as cautionary tales from the past, Kaufman concludes that moral democratic realism offers the most prudent framework for expanding the democratic zone of peace and minimizing threats to the United States.
A book of Australian birds commonly found in the bush. Each page contains a riddle to engage the reader with the illustration and try and guess the name of the bird. This book aims to both familiarise readers with the twelve birds included within the pages but also teach them what to look for when trying to identify birds in real life.
Selected and arranged by the author, and with a new introduction by novelist David Mitchell, How To Be Invisible presents the lyrics of Kate Bush published together for the first time. 'For millions around the world, Kate is way more than another singer-songwriter: she is a creator of musical companions that travel with you through life. One paradox about Kate is that while her lyrics are proudly idiosyncratic, those same lyrics evoke emotions and sensations that feel universal. Literature works in similar mysterious ways. Kate's the opposite of a confessional singer-songwriter ... You don't learn much about Kate from her songs. She's fond of masks and costumes - lyrically and literally - and of yarns, fabulations and atypical narrative viewpoints. Yet, these fiercely singular songs, which nobody else could have authored, are also maps of the heart, the psyche, the imagination. In other words, art.' David Mitchell
The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.
Most Australians live in cities and cling to the coastal fringe, yet our sense of what an Australian is – or should be – is drawn from the vast and varied inland called the bush. But what do we mean by 'the bush', and how has it shaped us? Starting with his forebears' battle to drive back nature and eke a living from the land, Don Watson explores the bush as it was and as it now is: the triumphs and the ruination, the commonplace and the bizarre, the stories we like to tell about ourselves and the national character, and those we don't. Via mountain ash and mallee, the birds and the beasts, slaughter, fire, flood and drought, swagmen, sheep and their shepherds, the strange and the familiar, the tragedies and the follies, the crimes and the myths and the hope – here is a journey that only our leading writer of non-fiction could take us on. At once magisterial in scope and alive with telling, wry detail, The Bush lets us see our landscape and its inhabitants afresh, examining what we have made, what we have destroyed, and what we have become in the process. No one who reads it will look at this country the same way again. 'Nothing he has written quite matches the wonders of The Bush . . . There is no dull page or even lifeless sentence between its covers and my urge is that if anyone wants a full blast of what Australia is, was, or might be, thrust The Bush into their hands. Watson seems to have been preparing to write it all his life, from when he was a small boy (born 1949) open to wonders on his family's Gippsland dairy farm . . . It's the unalloyed wonder of that small boy . . . that guides the reader most of all . . . a fountaining freshness of spirit that gives everything he sees and does the vivacity of being sighted for the first time.' Roger McDonald, The Age 'Flawlessly elegant writing . . . But this is excellent, hard-headed history, too . . . Utterly mesmerising and entrancing . . . A challenge to contemplate what it really is about this country that makes us who we think we are . . . A literary-historical odyssey.' Paul Daley, The Guardian (Australia) 'A loving rumination on Australia, the landmass, and those who live on it and from it . . . Watson refuses to be captured by easy categorisations or received opinion . . . The writing is crisp, witty and sardonic . . . Watson is an original, with an authentic, prophetic voice.' John Hirst, The Monthly 'An overwhelmingly affectionate portrait, one that's never sentimental or indulgently nostalgic, and one that defiantly resists lamentation . . . There is no doubt that The Bush stands with Bill Gammage's The Biggest Estate on Earth as one of the most important books published on the history of this country in recent years . . . The Bush is the crown in Watson's oeuvre, a magnificent, sprawling ode to the best in Australia, a challenge to us all to find new ways of loving the country.' The Saturday Paper 'Don Watson's magnificent, celebratory, contradictory study of the Australian bush will challenge the national imagination . . . An amiable, learned, playful and engrossing book . . . [A] great, succulent magic pudding of a book . . . Most of what we read is nothing like we would have expected . . . There is a sense that an amiable and eloquent uncle is telling us everything piquant he knows about theology and culture and land use and the beasts and flora and families of the bush.' Thomas Keneally, Weekend Australian 'The power of this book does come from the way Watson positions himself as both an insider and outsider to the Australian bush . . . A meditation on Australia itself through a reflection on the bush.' Frank Bongiorno, Australian Book Review 'A sprawling, fascinating book . . . Watson has pulled off a marvel, a book that educates and fascinates at the same time as it calls for action to preserve some things before they're lost. The best part, though, is his prose: bare and dry, with a dark sense of humour. A bit like the country he's describing.' Margot Lloyd, The Advertiser (Adelaide) 'Every now and again a book comes out that is so groundbreaking it causes you to think about a particular subject in a radically different light. Don Watson's The Bush: Travels in The Heart of Australia is one such work; a masterpiece of research, inquiry and poetry that challenges our basic assumptions of the Outback. Watson . . . has pulled off a dazzling achievement with The Bush, blending philosophy with science and storytelling . . . A beautifully written and thoughtful book.' Johanna Leggatt, Weekly Times 'Elegant, intricate, sprawling and sometimes harsh . . . [Watson] explores the bush with a mix of academic insight and campfire yarn . . . In a word: hypnotic.' Jeff Maynard, Herald Sun 'His romantic prose moves seamlessly through autobiographical tales to discuss the landscapes and histories that have shaped Australia.' National Geographic 'One of my favourite reads this year. What a writer he is . . . You find yourself sneaking off from others to be with it.' Kathleen Noonan, Courier-Mail 'Vast in scope, richly sourced, soaring and poetic, this journey to the heart of Australia has been rightly compared in significance to Bill Gammage's The Biggest Estate on Earth.' Barbara Farrelly, South Coast Register 'The Bush is his homage to Australia's mythic hinterland. Watson travels through the Mallee and the Murray-Darling, to WA's wheat belt and beyond, meeting people, talking, listening. Good writing that engages with Australia's past is a rare beast, too often bound up in the need for ''balance''. Watson has the freedom to ignore the rules; he allows himself to opine and he yarns at will. A delightful read.' Mark MacLean, Newcastle Herald
Sir Joshua Stiles wants nothing more than to fill the hole in his heart left by his wife's death, but it seems that women are more interested in his fortune than in himself. Cynical and ready to renounce all females, he is none too pleased when his sister invites her dear friend to visit for the Season.Having survived a joyless marriage, Genevieve Breckinridge has no romantic expectations. In coming to London, she hopes only to cure her daughter's Gothic fantasies. But Sir Joshua seems always to be at hand, either to witness Genevieve's most mortifying moments, or to make himself so agreeable that she wishes she had not given up romance. When her daughter develops a decided tendre for Sir Joshua, however, Genevieve suddenly realizes where her own heart lies, and must make a painful choice. For what loving mother could-or would-play rival to her own daughter?