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Although scholars employ pictorial material in biblical exegesis, the question of how images from the Ancient Near East can contribute to a better understanding of the Bible has been left unanswered. This is the first monograph to outline a historical method for iconographic exegesis. The methodological study includes both responses to important theoretical questions such as What is an image? and What is culture? and an interdisciplinary exploration of issues of history, art history, archaeology and cultural anthropology. The three-stage method proposed is embedded in hermeneutical and exegetical reflections. The application of iconographical exegesis to the interpretation of metaphors is also considered. In demonstrating the method and its application, Izaak J. de Hulster focuses on Third Isaiah and develops three iconographical exegetical studies on yad in Isaiah 56:5, light in Isaiah 60 and grape processing in Isaiah 63.
Since 1974 the University of California at Berkeley has been sponsoring extensive excavations at the Panhellenic athletic festival center of ancient Nemea in the modern Greek province of Korinthia. With its well-documented excavation and clear historical context, the site offers an excellent opportunity for investigation and analysis. This volume, the third in a series of publications on Nemea, is a detailed presentation of the more than three thousand legible coins from all over the ancient world that have been unearthed there. The coins, which are mostly bronze but show an unusually high proportion of silver, reflect the periods of greatest activity at the site—the late Archaic and Early Classical, the Early Hellenistic, the Early Christian, and the Byzantine. More than a compendium of data, the study breaks new ground with its analysis and contextualization of numismatic evidence in an archaeological setting.
Annotation The authors describe Nemea, one of the five Greek sites of ancient athletic games, and examine in great detail the coins discovered there, from the classical period to the Early Christian period and after.
Alexandria, Real and Imagined offers a complex portrait of an extraordinary city, from its foundation in the fourth century BC up to the present day: a city notable for its history of ethnic diversity, for the legacies of its past imperial grandeur - Ottoman and Arab, Byzantine, Roman and Greek - and, not least, for the memorable images of 'Alexandria' constructed both by outsiders and by inhabitants of the city. In this volume of new essays, Alexandria and its many images - the real and the imagined - are illuminated from a rich variety of perspectives. These range from art history to epidemiology, from social and cultural analysis to re-readings of Cavafy and Callimachus, from the impressions of foreign visitors to the evidence of police records, from the constructions of Alexandria in Durrell and Forster to those in the twentieth-century Arabic novel.