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In Vanishing Ireland II, the follow up to the bestselling Vanishing Ireland I, we take another journey down memory lane and, through a unique collection of portrait interviews, we look at the dying ways and traditions of Irish life. Illustrated with over a hundred evocative and stunning photographs, we meet the people and the customs that are fast becoming a distant memory. Through their own words and memories, men and women from every corner of Ireland transport us back to a simpler time when people lived off the land and the sea, and when music and storytelling were essential parts of life. Vanishing Ireland brings together the stories of those who lived through Ireland's formative years. These poignant interviews and photographs will make you laugh and cry but, above all, will provide a valuable chronicle that connects twenty-first century Ireland to a rapidly disappearing world.
Capture the spirit of an industrial, social and cultural revolution through this invigorating collection of historical portraits from the dawn of the industrialised world!Though it feels like an era marooned almost irretrievably in the distant past, the 1840s &ndash a decade of blistering social and cultural change – is only two lifetimes removed from the present day. There are, in other words, people alive today who knew and associated with people for whom the Gold Rush and the Great Famine were living memories.Having grown up in an Irish country house built that year, 1847 has long proven the source of inspiration and fascination for historian Turtle Bunbury. And in a bid to once more grasp the spirit of the age, he has over the years assembled an archive of the most remarkable stories from those twelve momentous months.Bristling with all manner of human life and endeavour, from American pioneers and German entrepreneurs to circus charlatans and down-and-out songwriters, 1847 is a collection of his most remarkable discoveries to date and a stirring portrait of a chaotic world surging towards the modern. By turns poignant, outlandish, curious and provocative, this is history at its most invigorating – as panorama, as epic.Praise for The Glorious Madness:'An absolutely brilliant book.'Patrick Geoghegan, Associate Professor in History at Trinity College, Dublin'Turtle Bunbury's open-handed, clear-sighted and finely written book comes fresh and, I might almost say, redeemed out of the moil and storm of controversy that surrounded the topic of the war, in a thousand different guises in the decades since its end. Turtle holds out his hand in the present, seeking the lost hands of the past, in darkness, in darkness, but also suddenly in the clear light of kindness – in the upshot acknowledging their imperilled existence with a brilliant flourish, a veritable banner, of wonderful stories.'Sebastian Barry, author of The Secret Scripture'Turtle continues the wonderful listening and yarn-spinning he has honed in the Vanishing Ireland series, applying it to veterans of the First World War. The stories he recreates are poignant, whimsical and bleakly funny, bringing back into the light the lives of people who found themselves on the wrong side of history after the struggle for Irish independence. This is my kind of micro-history.'John Grenham, The Irish TimesPraise for Vanishing Ireland:'A perfect symbiosis between text and images – both similarity affectionate, respectful, humorous, slightly melancholic but never sentimental or nostalgic. This is invaluable social history.'Cara Magazine'This is a beautiful and remarkably simple book that will melt the hardest of hearts. Bunbury has a light writing style that lets his interviewees, elderly folk from around the country, tell their stories without interference. It's neither patronising nor overly romantic about the past; just narrating moving tales – The portraits by Fennell are striking, warm and dignified, with a feeling of being invited into people's lives.'The Sunday Times
Margaret Anna Cusack (1832-1899), who also wrote as MFC, Sister, Mary Frances Cusack, and Vigilant, was a Catholic nun and the founder of the Sisters of St. Joseph of Peace. She was a strong advocate for the poor and oppressed, especially women. At the age of 29 she was received into the Catholic Church and immediatey joined the Poor Clares in Newry, County Down. During her stay at Kenmare she dedicated herself to her writings, which ranged from biographies of saints to pamphlets on social issues. She wrote 35 books, including many popular, pious and sentimental texts on private devotions, poems, Irish history and biography and founded Kenmare Publications, through which 200,000 volumes of her works were issued in under ten years. Chief amongst her works are: A Student's History of Ireland (1870), Woman's Work in Modern Society (1872), The Liberator (1872), The Pilgrim's Way to Heaven (1873), The Book of the Blessed Ones (1874), A Nun's Advice to Her Girls (1877) and St. Patrick, St. Columba, and St. Bridget (1877). Two autobiographies are The Nun of Kenmare (1888) and The Story of My Life (1893).
The Irish parliament was both the scene of frequent political battles and an important administrative and legal element of the state machinery of early modern Ireland. This institutional study looks at how parliament dispatched its business on a day-to-day basis. It takes in major areas of responsibility such as creating law, delivering justice, conversing with the executive and administering parliamentary privilege. Its ultimate aim is to present the Irish parliament as one of many such representative assemblies emerging from the feudal state and into the modern world, with a changing set of responsibilities that would inevitably transform the institution and how it saw both itself and the other political assemblies of the day.