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This book traces the origins of the Postmodern eclectic grammar of linguistic collision back in the Surrealist poetics of ruins. Keeping in mind the images of lost direction in the big city as a central figure in the discussion of both the Modern and Postmodern aesthetics of displacement, Daniele starts comparing the epiphanic encounters of the Baudelairian flâneur in metropolitan Paris - in constant search for the traces of a lost symbolic order - with Breton's enigmatic pursuit of Nadja, the elusive sphinx in the crowd who moves in a mental territory of puzzling condensations and of ineffable objets trouvé. In his visual and written work, Marcel Duchamp was probably the first artist to envision the space of the crowd as a trans-urban, multiple dimension: a cool arena of disjunctive encounters contributing to transform the Surrealist erotic space of desire in a cooler, open field of performance. Deeply influenced by Duchamp's hybrid aesthetics, American Postmodern writers such as Donald Barthelme and Thomas Pynchon, and the performance artist Laurie Anderson, represent metropolis as a “geographical incest”, as a plural, entropic semiosphere which transcends the notion of urban community to become the tolerant receptacle of an ethnic and discoursive multiplicity, an electronic area of linguistic collisions translatable in new fragmented and unfinished narratives. Evoking the assemblages of Abstract Expressionists, the debris of Simon Rodia “junk art”, and the hybrid language of Postmodern architecture, this neo-Surrealist narrative discourse transforms the epiphanic traces envisioned by the Baudelairian and Bretonian heroes in partial parodies, in enigmatic fragments whose ultimate source transcends the narrator's knowledge. The conceptual strategy which is constitutive of these texts implicitly asks the puzzled reader to disentangle the entropic plots, immerging him in the midst of a “linguistic wilderness,” where all opposites - fact and fiction, man and machine, man and female - enigmatically and humorously coexist.
"Multitude and Solitude" by John Masefield. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Memoirs of Extraordinary Popular Delusions and the Madness of Crowds: Insights into Historical Hysteria Memoirs of Extraordinary Popular Delusions and the Madness of Crowds by Charles Mackay: Delve into the fascinating exploration of human psychology and financial folly with Memoirs of Extraordinary Popular Delusions and the Madness of Crowds by Charles Mackay. Unravel the historical tales of irrational exuberance, speculative bubbles, and collective madness that have shaped the course of financial history. Mackay's keen observations provide timeless insights into the peculiar behaviors that grip societies in the throes of fervor and folly. Why This Book? Memoirs of Extraordinary Popular Delusions and the Madness of Crowds serves as a compelling mirror to human nature, reflecting the patterns of mass hysteria and irrational behavior that transcend time. It's a riveting journey through the annals of financial history, offering valuable lessons for contemporary readers. Charles Mackay, a Scottish journalist and author, remains a guiding voice in the exploration of collective delusions. Memoirs of Extraordinary Popular Delusions and the Madness of Crowds stands as a testament to Mackay's insightful scrutiny of human behavior.
'Another World: Fragments from the Star City of Montalluyah' is a book that attempts to conceptualize what other Earths would be like in other solar systems. In this book, Benjamin Lumley, the author, imagines the existence of Montalluyah, and explores what a world with a vastly different political system and even plant life would be like.
The Catholic Comparative New Testament features eight complete Catholic New Testaments, translated by dedicated scholars and gathered into a single convenient volume. This edition includes both "word-for-word" translations of the scripture as well as "thought-for-thought" translations. Readers can compare verses at a glance with facing-page translations (four translations per page) in a clear, easy-to-read typeface. The CCNT features four "word-for-word" translations - Douay-Rheims, Revised Standard Version Catholic Bible, New Revised Standard Version Catholic Bible, and the New American Bible. These translations follow as closely as possible the New Testament's original wording, making them perfect for close readings of the text. The Jerusalem Bible, the Good News Bible, the New Jerusalem Bible, and the Christian Community Bible represent the "thought-for-thought" school of Bible translation. These translations emphasize the intended meaning of the original vocabulary, adapting it to English syntax and grammar, making it easier to understand for the lay reader. The Catholic Comparative New Testament offers the most unique and informed way of reading scripture with its eight different translations. Beautifully printed on the highest quality material, the CCNT is an excellent study guide for the value.
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