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I had no idea what was going on. Or very little. No more than most people. So you can't make me feel guilty. Brunhilde Pomsel's life spanned the twentieth century. She struggled to make ends meet as a secretary in Berlin during the 1930s, her many employers including a Jewish insurance broker, the German Broadcasting Corporation and, eventually, Joseph Goebbels. Christopher Hampton's play is based on the testimony she gave when she finally broke her silence to a group of Austrian filmmakers, shortly before she died in 2016. Maggie Smith, alone on stage, plays Brunhilde Pomsel. Christopher Hampton's play is drawn from the testimony Pomsel gave when she finally broke her silence shortly before she died to a group of Austrian filmmakers, and from their documentary A German Life (Christian Krönes, Olaf Müller, Roland Schrotthofer and Florian Weigensamer, produced by Blackbox Film & Media Productions).
Claus von Rosen was born into one of the Baltic Ritterschaften, the German-speaking landed nobility of the Baltic countries, then part of the Russian Empire. He prospered as an executive in family-owned businesses, and adapted to the new order of independent Estonia, learning the language and doing national service in the Estonian army. With the arrival of the Second World War, and the invasion of Estonia by Soviet forces, all German Balts were declared enemy aliens, and Claus's family moved west and he himself was drafted into the German army, seeing service on the Eastern front. There, together with thousands of other German soldiers, he was taken captive by the Soviets and imprisoned in Siberia. He was to remain in the Gulag until 1955, when all German prisoners-of-war in the USSR were released, following negotiations between Moscow and Bonn. Claus returned to the Federal Republic (West Germany), for him a new country born from the ruins of the old. This volume is his memoir, offering the modern reader a glimpse of an almost-forgotten, indeed almost-unknown, world.
In his popular book The Germans (1982), Stanford historian Gordon Craig remarked: "When German intellectuals at the end of the eighteenth century talked of living in a Frederican age, they were sometimes referring not to the monarch in Sans Souci, but to his namesake, the Berlin bookseller Friedrich Nicolai." Such was the importance attributed to Nicolai’s role in the intellectual life of his age by his own contemporaries. While long neglected by students of the period, who tended to accept the caricature of him as a philistine who failed to recognize Goethe’s genius, Nicolai has experienced a resurgence of interest among scholars reexploring the German Enlightenment and the literary marketplace of the eighteenth century. This book, drawing upon Nicolai’s large unpublished correspondence, rounds out the picture we have of Nicolai already as author and critic by focusing on his roles as bookseller and publisher and as an Aufkärer in the book trade.
* Winner of the National Book Critics Circle Award * Silver Medal Society of Illustrators * * Named a Best Book of the Year by The New York Times, The Boston Globe, San Francisco Chronicle, NPR, Comics Beat, The Milwaukee Journal-Sentinel, Kirkus Reviews, and Library Journal This “ingenious reckoning with the past” (The New York Times), by award-winning artist Nora Krug investigates the hidden truths of her family’s wartime history in Nazi Germany. Nora Krug was born decades after the fall of the Nazi regime, but the Second World War cast a long shadow over her childhood and youth in the city of Karlsruhe, Germany. Yet she knew little about her own family’s involvement; though all four grandparents lived through the war, they never spoke of it. After twelve years in the US, Krug realizes that living abroad has only intensified her need to ask the questions she didn’t dare to as a child. Returning to Germany, she visits archives, conducts research, and interviews family members, uncovering in the process the stories of her maternal grandfather, a driving teacher in Karlsruhe during the war, and her father’s brother Franz-Karl, who died as a teenage SS soldier. In this extraordinary quest, “Krug erases the boundaries between comics, scrapbooking, and collage as she endeavors to make sense of 20th-century history, the Holocaust, her German heritage, and her family's place in it all” (The Boston Globe). A highly inventive, “thoughtful, engrossing” (Minneapolis Star-Tribune) graphic memoir, Belonging “packs the power of Alison Bechdel’s Fun Home and David Small’s Stitches” (NPR.org).
What was it like to grow up German during Hitler’s Third Reich? In this extraordinary book, Frederic C. Tubach returns to the country of his roots to interview average Germans who, like him, came of age between 1933 and 1945. Tubach sets their recollections and his own memories into a broad historical overview of Nazism—a regime that shaped minds through persuasion (meetings, Nazi Party rallies, the 1936 Olympics, the new mass media of radio and film) and coercion (violence and political suppression). The voices of this long-overlooked population—ordinary people who were neither victims nor perpetrators—reveal the rich complexity of their attitudes and emotions. The book also presents selections from approximately 80,000 unpublished letters (now archived in Berlin) written during the war by civilians and German soldiers. Tubach powerfully provides new insights into Germany’s most tragic years, offering a nuanced response to the abiding question of how a nation made the quantum leap from anti-Semitism to systematic genocide.
Focusing on terminally ill people in a German hospice, this study addresses the question, how meaningful experience is constructed for these patients in an attempt to preserve their dignity as persons. It is based on material from diary texts and active participation of the author in the role of a nurse.
For Germans in the late 1920s and early 1930s, the allure of Adolf Hitler and the Nazi Party's promises for a better, brighter future promised so much. The reality was vastly different... Germany was a deeply divided nation when Adolf Hitler and the Nazi Party came to power in 1933. As the shadow of the swastika lengthened, its citizens quickly came to realize that the Nazis' brutal programme was not optional. Everyone was expected to play their part in "national revival", especially those chosen as sacrificial victims. Much has been written about daily life during World War II from the perspective of the Allied nations, but little about life in Germany during the Third Reich. With the benefit of hindsight, questions have been raised as to why a civilized, cultured nation stood by and let the Nazi Party impose their rule in such inhumane fashion, and why so few individuals made any attempt to rebel. Life in the Third Reich draws on the recollections of those who actually experienced the rise and fall of this brutal and vicious regime: from the indoctrination of children to the disappearance of family, friends and neighbours and the effect of Kinder, Küche und Kirche [Children, Kitchen and Church] on the female population, to the defiance of the 'swing kids' and the resulting deprivation of the Nazi policy of 'Guns, not butter'. These are the stories of ordinary Germans caught up in an extraordinary time.
This is the first English translation of an important document in the history of the black presence in Germany and Europe: the autobiography of Theodor Michael. Theodor Michael is among the few surviving members of the first generation of 'Afro-Germans': Born in Germany in 1925 to a Cameroonian father and a German mother, he grew up in Berlin in the last days of the Weimar Republic. As a child and teenager he worked in circuses and films and experienced the tightening knot of racial discrimination under the Nazis in the years before the Second World War. He survived the war as a forced labourer, founding a family and making a career as a journalist and actor in post-war West Germany. Since the 1980s he has become an important spokesman for the black German consciousness movement, acting as a human link between the first black German community of the inter-war period, the pan-Africanism of the 1950s and 1960s, and new generations of Germans of African descent. Theodor Michael's life story is a classic account of coming to consciousness of a man who understands himself as both black and German; accordingly, it illuminates key aspects of modern German social history as well as of the post-war history of the African diaspora. The text has been translated by Eve Rosenhaft, Professor of German Historical Studies at the University of Liverpool and an internationally acknowledged expert in Black German studies. It is accompanied by a translator's preface, explanatory notes, a chronology of historical events and a guide to further reading, so that the book will be accessible and useful both for general readers and for undergraduate students.
Symbolized by a three-hundred-year-old Seder plate, the religious life of Fred Behrend's family had centered largely around Passover and the tale of the Jewish people's exodus from tyranny. When the Nazis came to power, the wide-eyed boy and his family found themselves living a twentieth-century version of that exodus, escaping oppression and persecution in Germany for Cuba and ultimately a life of freedom and happiness in the United States. Behrend's childhood came to a crashing end with Kristallnacht (the Night of Broken Glass) and his father's harrowing internment at the Sachsenhausen concentration camp. But he would not be defined by these harrowing circumstances. Behrend would go on to experience brushes with history involving the defeated Germans. By the age of twenty, he had run a POW camp full of Nazis, been an instructor in a program aimed at denazifying specially selected prisoners, and been assigned by the U.S. Army to watch over Wernher von Braun, the designer of the V-2 rocket that terrorized Europe and later chief architect of the Saturn V rocket that sent Americans to the moon. Behrend went from a sheltered life of wealth in a long-gone, old-world Germany, dwelling in the gilded compound once belonging to the manufacturer of the zeppelin airships, to a poor Jewish immigrant in New York City learning English from Humphrey Bogart films. Upon returning from service in the U.S. Army, he rose out of poverty, built a successful business in Manhattan, and returned to visit Germany a dozen times, giving him unique perspective into Germany's attempts to surmount its Nazi past.