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Edward Bulwer-Lytton was an English novelist, poet, playwright and politician. He wrote in a variety of genres, including historical fiction, mystery, romance, the occult, and science fiction. Bulwer-Lytton's literary works were highly popular and bestselling novels at the time. Novels & Novellas: The Last Days of Pompeii The Pilgrims of the Rhine Rienzi, the last of the Roman tribunes Falkland Pelham The Disowned Devereux Paul Clifford Eugene Aram Godolphin Asmodeus at Large Ernest Maltravers Alice, or The Mysteries (A sequel to Ernest Maltravers) Calderon, the Courtier Leila, or The Siege of Granada Zicci: A Tale (A prequel to Zanoni) Zanoni Night and Morning The Last of the Barons Lucretia Harold, the Last of the Saxons The Caxtons: A Family Picture A Strange Story My Novel, or Varieties in English Life The Haunted and the Haunters, or The House and the Brain What Will He Do With It? The Coming Race, or Vril: The Power of the Coming Race Kenelm Chillingly The Parisians Pausanias, the Spartan Short Stories: The Incantation The Brothers Historical Works: Athens: Its Rise and Fall Plays: The Lady of Lyons, or Love and Pride Poetry
Embark on a delightfully eccentric journey through the whimsical world of "The Life and Opinions of Tristram Shandy, Gentleman" by Laurence Sterne, with a preface by Christopher Ricks, as you explore the quirks and follies of the titular protagonist and his colorful cast of characters. Prepare to be transported to a world of wit, humor, and literary innovation as Sterne's unconventional narrative style takes center stage. Follow along as Tristram Shandy regales readers with his meandering tales, digressions, and philosophical musings, inviting you into his labyrinthine mind. Delve into the themes of identity, fate, and the absurdity of human existence as Sterne explores the intricacies of life and society through his uniquely satirical lens. Through Tristram's misadventures and observations, Sterne offers profound insights into the human condition that are as thought-provoking as they are entertaining. Character analysis offers a glimpse into the eccentricities and quirks of the novel's protagonists, from the hapless Tristram to the eccentric members of his dysfunctional family. Each character is brought to life with vivid detail and irreverent humor, adding depth and complexity to Sterne's irrepressible narrative. The overall tone of "The Life and Opinions of Tristram Shandy, Gentleman" is one of irreverent humor and playful experimentation, as Sterne challenges literary conventions and defies reader expectations at every turn. With its blend of satire, philosophy, and farce, this novel promises an exhilarating reading experience unlike any other. Critically acclaimed for its groundbreaking narrative style and incisive wit, "The Life and Opinions of Tristram Shandy, Gentleman" has earned praise from readers and critics alike for its enduring relevance and enduring appeal. Sterne's innovative approach to storytelling continues to captivate audiences with its timeless humor and keen observations. Targeted towards readers with a love for literary experimentation and irreverent humor, "The Life and Opinions of Tristram Shandy, Gentleman" appeals to a diverse audience seeking a fresh and unconventional reading experience. Whether you're a fan of classic literature or a newcomer to Sterne's work, this novel promises an unforgettable journey into the absurdity of human existence. As you immerse yourself in the pages of "The Life and Opinions of Tristram Shandy, Gentleman," prepare to be enchanted by Sterne's playful wit and boundless imagination. Let his irrepressible protagonist lead you on a rollicking adventure through the twists and turns of life, love, and literature. Don't miss your chance to experience the literary genius of "The Life and Opinions of Tristram Shandy, Gentleman." Grab your copy today and prepare to be dazzled by Sterne's timeless tale of wit, wisdom, and the wonderfully absurd.
Algernon Wright, the Earl of Draconhawthshire, takes great care to avoid bad luck. Over the years, he’s learned to sway good luck in his favor, and because of that, he’s managed to avoid many unlucky incidents. The only thing he can’t change, however, is the curse that hovers over his life. On his twenty-fifth birthday, Algernon is doomed to die. That leaves him only one year to get married so he can pass on his title to an heir. Ideally, the lady he marries will be a spinster who isn’t all that interested in marriage but will be happy to be a mother. Then, when he dies early, neither one of them will miss each other. Instead of the old spinster he hopes to find, however, he comes across Miss Reina Livingstone. She is vibrant and full of life. She gives him the one thing he lost over the years: hope. Reina knows Algernon believes he’s cursed, but she doesn’t. The poor gentleman has lived under the heaviness of sorrow for so long that he hasn’t really learned to enjoy life. He deserves a love match. And she’s going to make it her mission to marry him, regardless of whether it brings good or bad luck.
This is a book about curses. It is not about curses as insults or offensive language but curses as petitions to the divine world to render judgment and execute harm on identified, hostile forces. In the ancient world, curses functioned in a way markedly different from our own, and it is into the world of the ancient Near East that we must go in order to appreciate the scope of their influence. For the ancient Near Easterners, curses had authentic meaning. Curses were part of their life and religion. They were not inherently magic or features of superstitions, nor were they mere curiosities or trifling antidotes. They were real and effective. They were employed proactively and reactively to manage life’s many vicissitudes and maintain social harmony. They were principally protective, but they were also the cause of misfortune, illness, depression, and anything else that undermined a comfortable, well-balanced life. Every member of society used them, from slave to king, from young to old, from men and women to the deities themselves. They crossed cultural lines and required little or no explanation, for curses were the source of great evil. In other words, curses were universal. Because curses were woven into the very fabric of every known ancient Near Eastern society, they emerge frequently and in a wide variety of venues. They appear on public and private display objects, on tomb stelae, tomb lintels, and sarcophagi, on ancient kudurrus and narûs. They are used in political, administrative, social, religious, and familial contexts. They are the subject of incantations. They are tools that exorcise demons and dispel disease; they ban, protect, and heal. This is the phenomenology of cursing in the ancient Near East, and this is what the present work explores.