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The Beckets More than a decade ago, the Beckets, an insular family of accumulated orphans and their patriarch, Ainsley, established themselves in an enormous, nearly fortress-like mansion they constructed on the wild and beautiful coast of Romney Marsh. Nobody bothered them, and they invited no one into their orbit. A Man With A Mission The oldest orphan is Chance Becket, once a pickpocket and wharf rat on an island near Jamaica, now transported to the wilds of Romney Marsh. Determined to forget who he was in favor of the man he is determined to become, he departs Romney Marsh for the society of London and a convenient position in the War Office. Now widowed, with a young daughter, he’s ordered to return to his home to ferret out the smugglers who may be aiding Napoleon Bonaparte. The Curious Miss Carruthers Newly hired governess Julia Carruthers is eager to escape the confines of London. Yet the excitement of the journey to Chance’s strange home is nothing compared to her attraction to this complicated man. But when Julia sees something she should not, she wonders if Chance's romantic intentions are prompted by ungentlemanly desire or his need to protect his family's secrets...
Few men of the Civil War era were as complicated or infamous as William Clarke Quantrill. Most who know him recognize him as the architect of the Confederate raid on Lawrence, Kansas, in August 1863 that led to the murder of 180 mostly unarmed men and boys. Before that, though, Quantrill led a transient life, shifting from one masculine form to another. He played the role of fastidious schoolmaster, rough frontiersman, and even confidence man, developing certain notions and skills on his way to becoming a proslavery bushwhacker. Quantrill remains impossible to categorize, a man whose motivations have been difficult to pin down. Using new documents and old documents examined in new ways, A Man by Any Other Name paints the most authentic portrait of Quantrill yet rendered. The detailed study of this man not only explores a one-of-a-kind enigmatic figure but also allows us entry into many representative experiences of the Civil War generation. This picture brings to life a unique vision of antebellum life in the territories and a fresh view of guerrilla warfare on the border. Of even greater consequence, seeing Quantrill in this way allows us to examine the perceived essence of American manhood in the mid-nineteenth century.
Lady Philippa Casemore caused quite a scene at her very first ball of her very first season. She even landed herself, somehow, on the pages of the infamous betting book at White's gentleman's club. Unfortunately, she doesn't remember one moment of the night in question. Not the music. Not the notorious rake she'd dragged into the middle of the dance floor. Not the flask of opium-laced brandy she'd downed without realizing it's contents... ​ Jason York, the wicked Earl of St. Austell, can't quite forget the lady who stole his breath away the previous night. Of course, his broken nose, courtesy of the girl's brother, did have a way of making an impression. When he stumbles into Lady Philippa the next day, his ego is more than bruised when she doesn't seem to recall him at all and a scheme to make certain she never forgets him again quickly forms in Jason's mind. * Previously found in THE BETTING SEASON
"Marlowe shines with a delightful and delicious comedy of errors... Regency fans will love this page turner."—RT Book Reviews The only way to save his family estate: marry an heiress. But Miss Sophie Goodnight will do anything to sabatoge all his attempts to charm her. When Richard Barrett, Lord Hartley, is abruptly called home to take the reins of the estate, he discovers the extent of the family's financial straits. The remedy: marry the heiress their families have picked out for him. Unfortunately, he's already planned to marry someone else. Miss Sophie Goodnight isn't too keen on becoming his purse with feet...and she sabotages all attempts to woo her. But when Lord Hartley discovers the shenanigans in his father's past, he realizes that deciding between two beautiful women is the least of his problems. "Absolutely terrific! Adventure and heat and everything I want in a great story." —Victoria Alexander, #1 New York Times bestseller, on Touch of a Thief "This sizzling tale of seduction, suspense, and adventure is what readers expect from Marlowe." —RT Book Reviews on Touch of a Scoundrel
#1 NEW YORK TIMES BESTSELLER • From the co-author of Mad Honey comes an “inspiring” (Elle) novel about two women, centuries apart—one of whom is the real author of Shakespeare’s plays—who are both forced to hide behind another name. “You’ll fall in love with Emilia Bassano, the unforgettable heroine based on a real woman that Picoult brings vividly to life in her brilliantly researched new novel.”—Kristin Hannah, author of The Women Young playwright Melina Green has just written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano. But seeing it performed is unlikely, in a theater world where the playing field isn’t level for women. As Melina wonders if she dares risk failure again, her best friend takes the decision out of her hands and submits the play to a festival under a male pseudonym. In 1581, young Emilia Bassano is a ward of English aristocrats. Her lessons on languages, history, and writing have endowed her with a sharp wit and a gift for storytelling, but like most women of her day, she is allowed no voice of her own. Forced to become a mistress to the Lord Chamberlain, who oversees all theatre productions in England, Emilia sees firsthand how the words of playwrights can move an audience. She begins to form a plan to secretly bring a play of her own to the stage—by paying an actor named William Shakespeare to front her work. Told in intertwining timelines, By Any Other Name, a sweeping tale of ambition, courage, and desire centers two women who are determined to create something beautiful despite the prejudices they face. Should a writer do whatever it takes to see her story live on . . . no matter the cost? This remarkable novel, rooted in primary historical sources, ensures the name Emilia Bassano will no longer be forgotten.
A descendant of Confederate General Robert E. Lee chronicles his story of growing up with the South's most honored name, and the moments that forced him to confront the privilege, racism, and subversion of human dignity that came with it. With a foreword by Rev. Dr. Bernice A. King. The Reverend Robert W. Lee was a little-known pastor at a small church in North Carolina until the Charlottesville protests, when he went public with his denunciation of white supremacy in a captivating speech at the MTV Video Music Awards. Support poured in from around the country, but so did threats of violence from people who opposed the Reverend's message. In this riveting memoir, he narrates what it was like growing up as a Lee in the South, an experience that was colored by the world of the white Christian majority. He describes the widespread nostalgia for the Lost Cause and his gradual awakening to the unspoken assumptions of white supremacy which had, almost without him knowing it, distorted his values and even his Christian faith. In particular, Lee examines how many white Christians continue to be complicit in a culture of racism and injustice, and how after leaving his pulpit, he was welcomed into a growing movement of activists all across the South who are charting a new course for the region. A Sin by Any Other Name is a love letter to the South, from the South, by a Lee—and an unforgettable call for change and renewal.
Winner, 2019 Saul Viener Book Prize, given by the American Jewish Historical Society A groundbreaking history of the practice of Jewish name changing in the 20th century, showcasing just how much is in a name Our thinking about Jewish name changing tends to focus on clichés: ambitious movie stars who adopted glamorous new names or insensitive Ellis Island officials who changed immigrants’ names for them. But as Kirsten Fermaglich elegantly reveals, the real story is much more profound. Scratching below the surface, Fermaglich examines previously unexplored name change petitions to upend the clichés, revealing that in twentieth-century New York City, Jewish name changing was actually a broad-based and voluntary behavior: thousands of ordinary Jewish men, women, and children legally changed their names in order to respond to an upsurge of antisemitism. Rather than trying to escape their heritage or “pass” as non-Jewish, most name-changers remained active members of the Jewish community. While name changing allowed Jewish families to avoid antisemitism and achieve white middle-class status, the practice also created pain within families and became a stigmatized, forgotten aspect of American Jewish culture. This first history of name changing in the United States offers a previously unexplored window into American Jewish life throughout the twentieth century. A Rosenberg by Any Other Name demonstrates how historical debates about immigration, antisemitism and race, class mobility, gender and family, the boundaries of the Jewish community, and the power of government are reshaped when name changing becomes part of the conversation. Mining court documents, oral histories, archival records, and contemporary literature, Fermaglich argues convincingly that name changing had a lasting impact on American Jewish culture. Ordinary Jews were forced to consider changing their names as they saw their friends, family, classmates, co-workers, and neighbors do so. Jewish communal leaders and civil rights activists needed to consider name changers as part of the Jewish community, making name changing a pivotal part of early civil rights legislation. And Jewish artists created critical portraits of name changers that lasted for decades in American Jewish culture. This book ends with the disturbing realization that the prosperity Jews found by changing their names is not as accessible for the Chinese, Latino, and Muslim immigrants who wish to exercise that right today.
In London, 1593, sixteen-year-old Will Hughes makes his living on Shakespeare's stage, but after the famous playwright Christopher Marlowe is murdered, he teams up with young Lord James Bloomsbury, and together the two hunt the elusive assassin as their forbidden feelings for each other ignite.
A most proper earl. A not-so-proper heiress. A match fit for a fairytale. Leopold Graham never expected to inherit his earldom so soon—or the massive debt his father saddled the title with. Forced to leave behind his pursuit of hedonistic pleasure and instead pursue a suitable, wealthy heiress, Leo sees nothing but a long, dull future ahead of him. Ivy Leighton may be a wealthy heiress, but she’s definitely not suitable. Her exotic Romani roots are cause for scorn amongst most of high society. Not that Ivy minds overmuch. She’s too independent and free spirited to worry about things like that. Then she meets Leo . . . and her mind conjures all sorts of delicious trouble they could indulge in together. She just needs to convince him that sometimes a little scandal can lead to a lifetime of happiness.
A curious gentleman in hot pursuit of an intriguing lady in disguise may find love under the Christmas tree this season as New York Times bestselling author Candace Camp sets Regency Edinburgh aglitter for the holidays! Rylla Campbell is determined to rescue her brother from a life of dissipation, whether he wants to be rescued or not. But how to find him amid the gambling hells of Regency Edinburgh? By disguising herself as a young man, of course! Her scheme seems to be working, until Lord Gregory Rose sees through her rather fetching disguise—and steals a kiss that thrills Rylla to the tips of her toes. Maybe Lord Rose is just what she needs to continue her quest to bring her brother home by Christmas. He knows his way around the darker side of the city…and if Rylla finds herself facing him under the mistletoe now and then, who could blame her?