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The true story behind the Martin Scorsese film: A “riveting . . . account of how organized crime looted the casinos they controlled” (Kirkus Reviews). Focusing on Chicago bookie Frank “Lefty” Rosenthal and his partner, Anthony Spilotro, and drawing on extensive, in-depth interviews, the #1 New York Times–bestselling author of the Mafia classic Wiseguy—basis for the film Goodfellas—Nicholas Pileggi reveals how the pair worked together to oversee Las Vegas casino operations for the mob. He unearths how Teamster pension funds were used to take control of the Stardust and Tropicana and how Spilotro simultaneously ran a crew of jewel thieves nicknamed the “Hole in the Wall Gang.” For years, these gangsters kept a stranglehold on Sin City’s brightly lit nightspots, skimming millions in cash for their bosses. But the elaborate scheme began to crumble when Rosenthal’s disproportionate ambitions drove him to make mistakes. Spilotro made an error of his own, falling for his partner’s wife, a troubled showgirl named Geri. It would all lead to betrayal, a wide-ranging FBI investigation, multiple convictions, and the end of the Mafia’s longstanding grip on the multibillion-dollar gaming oasis in the midst of the Nevada desert. Casino is a journey into 1970s Las Vegas and a riveting nonfiction account of the world portrayed in the Martin Scorsese film of the same name, starring Robert DeNiro, Joe Pesci, and Sharon Stone. A story of adultery, murder, infighting, and revenge, this “fascinating true-crime Mob history” is a high-stakes page-turner (Booklist).
machines stems from the consumer, the product, or the interplay between the two. --
Roll the Bones tells the story of gambling: where it came from, how it has changed, and where it is now. This is the new Casino Edition. which updates and expands the global history of gambling to include a greater focus on casinos, from their development in European spas to their growth in Reno and Las Vegas. New material chronicles in greater depth the development of casino resorts on the Las Vegas Strip and their spread throughout the United States. A new chapter better places Atlantic City's casinos into their correct context, and new material accounts for the rise of casinos in Asia and online gaming. From the first modern casino in Venice (1638), casinos have grown incredibly. During the 18th and 19th century, a series of European spa towns, culminating in Monte Carlo, hosted casinos. In the United States, during those same years, gambling developed both in illegal urban gambling halls and in the wide-open saloons of the western frontier. Those two strands of American gambling came together in Nevada's legal casinos, whose current regime dates from 1931. Developing with a healthy assist from elements affiliated with organized crime, these casinos eventually outgrew their rough-hewn routes, becoming sun-drenched pleasure palaces along the Las Vegas Strip. With Nevada casinos proving successful, other states, beginning with New Jersey in 1976, rolled the dice. From there, casinos have come to America's tribal lands, rivers, and urban centers. In the last decade, gambling has moved online, while Asia--with multi-billion dollar projects in Macau and Singapore--has become a new casino frontier. Reading Roll the Bones, you'll get a better appreciation for how long casinos and gambling have been with us--and what they mean to us today.
A tale of good and evil, of corruption and deceit, of prejudice, politics, and power, this compelling account scrutinizes the immensely lucrative Nevada gambling industry’s struggle to maintain legitimacy—or at least the appearance of it. Ronald A. Farrell and Carole Case tell how state regulators created the “Black Book” in the 1960s, a list of “notorious and unsavory” persons banned forever from owning, managing, or even entering casinos in the state. The regulators dramatically pursued and publicly denounced former lieutenants of Al Capone, alleged overlords of the American Mafia, nationally known professional gamblers, and major casino owners, as well as small-time bookies and hoods, reputed sports fixers, and gambling cheats. To date, thirty-eight names have been entered in the Black Book, including Sam Giancana, Anthony Spilotro, and Frank “Lefty” Rosenthal. Farrell and Case contend, however, that the denunciations were a melodrama, meant to show that the government was cleansing the city of corruption. Through the Black Book, the regulators focus public attention on “the Mob,” rather than on a multitude of competing criminal interests already in the gaming industry. The authors uncover evidence of ethnic discrimination by the regulators, including selective prosecution of Italian Americans whose notoriety fit popular Mafia stereotypes. The Black Book and the Mob records hearings of the regulatory commission and the voices of lawyers, government officials, casino owners, and the people named in the Black Book itself. This Las Vegas story is a rebuke to the gaming industry and a cautionary tale for many states and communities now weighing the legalization of casino gambling.
This one-volume reference provides a comprehensive overview of gambling in the Americas, examining the history, morality, market growth, and economics of the gaming industry. This is the most complete encyclopedia of gambling, covering the industry in great detail including the players, the games, the venues, and the surrounding social issues. Updates in this second edition reveal the impact of technological advances on the games, the growing legislation regulating the industry, and the expanding global footprint of gambling across the world—from Manitoba to Montana. Author William N. Thompson postulates on the impact of gambling on local communities and shows how the U.S. gaming industry is tied to the global market, most notably gaming expansion in Macau and Singapore. The book addresses the various forms of gaming, such as casino-based and online gambling, sports betting, and lotteries. Additional content examines the social issue of problem and pathological gambling and addresses the rehabilitation programs available for the mitigation and treatment of gambling problems.
Steve Wynn is the former owner of the Bellagio — Las Vegas's latest monument to conspicuous consumption whose hotel and casino contain over $300 million in fine art and $1.5 billion in Wall Street money. He's a mogul whose empire at one point included the Mirage, the Golden Nugget, and Treasure Island. But how did he gain and wield his tremendous power in Nevada? And why did a confidential Scotland Yard report prevent him from opening a casino in London? When this biography, written by a local reporter, was first released in 1995, Steve Wynn brought suit against its original publisher and forced him into bankruptcy. Now available in paperback, the inside story of the biggest phenomenon to roil Las Vegas since Hoover Dam gives readers an intimate glimpse at the real business that's conducted beyond the gaming tables.
In 1978 the Reverend Billy Graham himself consecrated Las Vegas's place in the American cultural mainstream by taking his "crusade for Christ" there. He found the resort "a nice place to visit," and pointed out that, while he did not gamble himself, the Bible said nothing definitive against the practice. This book is a social history of American gambling in a series of frontier settings ranging from seventeenth-century Jamestown to twentieth-century Nevada. The book points out the affinity between gambling and frontiers, showing how both thrived on high expectations, risk-taking, opportunism and movement, and both helped to shape a distinctive culture. The first half of the book paints a vivid picture of gambling in the colonial and early national frontiers, on the Missiissippi River, and in the California Gold Rush. Findlay describes how in the ninteenth century progessional gamblers, operating in towns and riverboats along the Mississippi, popularized casino games, and then tells how these gaming practices were transported to the mining frontiers of the Far West. The second half of the book traces Las Vegas' rise as America's ultimate resort. The culmination of almost four centuries of westward migration and chance-taking by Americans, Las Vegas represents a link between America's frontier past and the contemporary values of the Sunbelt culture. About the Author: John J. Findlay is Assistant Professor of United States History at the Pennsylvania State University.
The transformations of the Strip—from the fake Wild West to neon signs twenty stories high to “starchitecture”—and how they mirror America itself. The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the “implosion capital of the world” as developers, driven by competition, got rid of the old to make way for the new—offering a non-metaphorical definition of “creative destruction.” In The Strip, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror transformations in America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change. Al tells two parallel stories. He describes the feverish competition of Las Vegas developers to build the snazziest, most tourist-grabbing casinos and resorts—with a cast of characters including the mobster Bugsy Siegel, the eccentric billionaire Howard Hughes, and the would-be political kingmaker Sheldon Adelson. And he views the Strip in a larger social context, showing that it has not only reflected trends but also magnified them and sometimes even initiated them. Generously illustrated with stunning color images throughout, The Strip traces the many metamorphoses of a city that offers a vivid projection of the American dream.