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This autobiographical travelogue, written from time to time over the last fifty years, describes the continuous and ever changing journey of life. The different installments of this travelogue, directly or indirectly, reflect the evolutionary development of the authors state of mind at the time of their writing.
Why The Law of Attraction Hasn't Given You the Life of Your Dreams Yet ...And What To FINALLY Do About it Once and For All To Easily Manifest Your Desires Faster Than You Ever Thought Possible. There's a reason you keep buying all the books. There's a reason you keep trying all the programs. And after all you've learned and all you've done, there's a reason you still haven't put the pieces together and used the Law of Attraction to manifest the life you've always wanted. And it's not because it doesn't work. Let's be clear. The Law of Attraction WORKS. It's been working this whole time, with absolute precision, right underneath your nose. So why hasn't it been working for YOU? What are you missing? The answers to these questions will not only explain everything in a way you never would have expected, but they're going to demonstrate with crystal clarity everything you've been missing until now. You're about to learn firsthand why every other Law of Attraction book never actually worked for you (it's not what you think -- they actually gave you 100% accurate info). You're going to understand how to make the Law of Attraction "do" what you always wanted (it's easier than you realize -- it only takes ONE small adjustment). And you're going to stop wasting years of your life wishing for a better way ...and finally attract and manifest the money, relationships, health, and success you've always dreamed of. Everything you want has been waiting for you. And it wants you just as much. The time to claim it all has finally arrived. This is The Last Law of Attraction Book You'll Ever Need To Read. Includes nearly 60 pages of top-tier powerhouse techniques for finally getting out of your own way and manifesting your life's desires. Original concepts for understanding the Law of Attraction that aren't available anywhere else (you'll relate to it in a way you never would have thought of). A clear game plan for using manifestation methods with a level of enthusiasm and consistency that guarantees results. A new way of tapping into the Universe to easily attract happiness and success.
Today, we are so accustomed to consuming the amplified lives of film stars that the origins of the phenomenon may seem inevitable in retrospect. But the conjunction of the terms "movie" and "star" was inconceivable prior to the 1910s. Flickers of Desire explores the emergence of this mass cultural phenomenon, asking how and why a cinema that did not even run screen credits developed so quickly into a venue in which performers became the American film industry's most lucrative mode of product individuation. Contributors chart the rise of American cinema's first galaxy of stars through a variety of archival sources--newspaper columns, popular journals, fan magazines, cartoons, dolls, postcards, scrapbooks, personal letters, limericks, and dances. The iconic status of Charlie Chaplin's little tramp, Mary Pickford's golden curls, Pearl White's daring stunts, or Sessue Hayakawa's expressionless mask reflect the wild diversity of a public's desired ideals, while Theda Bara's seductive turn as the embodiment of feminine evil, George Beban's performance as a sympathetic Italian immigrant, or G. M. Anderson's creation of the heroic cowboy/outlaw character transformed the fantasies that shaped American filmmaking and its vital role in society.
'A desire is a piece of love but it's beautiful than actually being in love' Mahin Roy, an aspiring artist, had a desire, desire to make a flawless portrait of her with an aid of those obscure feelings he'd indulged in that murmuring rain. Nandini Sikdar, an aspiring khattak dancer, had an ideology, ideology that if you feel someone as pure as you then thoughtlessly grasp in the person in your life. WHILE their lives took them where, not their destinies, but their individual desires had pre devised.
The book provides some of the information everyone is unconsciously looking for. It mentions subjects only a philosopher would know about and more. It provides an idea to change the age old belief that there is not enough to go around, and therefore we war about the most fundamental resources we can find on Earth. The book explains (to the best of my knowledge) that the universe is a giving entity, and all we have to do is learn how this is possible. This giving entity is fundamentally two particles in union, which is a self-contained unit at every scale. This union is a dynamic entity which looks like a Torus that generates everything. Ancient arts like sacred geometry and others are testimony that there is a fundamental geometric structure in all things, and the book highlights this sacred structure (known as the Metatrons Cube) which is governed by a conscious mind that generates all physical things we are so familiar with. It also mentions motion which relates to the golden ratio and how algorithmic functions can explain some of the infinite possibilities we are confronted with.
"Of the many composers in the Western classical tradition who celebrated the marriage between psyche and sound, those explored in this book followed the lines diverging from Wagner in philosophizing the nature of desire in music. This books offers two new theories of tonal functionality in the music of the first half of the twentieth century that seek to explain its psychological complexities. First, the book further develops Riemann's three diatonic chord functions, extending them to account from chromatic chord progression and substitution. The three functions (Tonic, Subdominant, Dominant) are compared to Jacques Lacan's twin-concepts of metaphor and metonymy which drive the human desiring apparatus. Second, the book develops a technique for analysing the "drives" that pull chromatic music in multiple directions simultaneously, creating a libidinal surface that mirrors the tensions of the psyche found in Schopenhauer, Freud and post-Freudians-Lacan, Lyotard, and Deleuze.The harmonic models are tested in psychologically challenging pieces of music by post-Wagnerian composers. From the obsession with death and mourning in Josef Suk's Asrael Symphony to an exploration of "perversion" in Richard Strauss's Elektra; from the post-Kantian transcendentalism of Charles Ives' Concord Sonata to the "Accelerationism" of Skryabin's late piano works; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Aaron Copland's The Tender Land, the book cuts a path through the dense forests of chromatic complexity, and digs deep into the psychological make-up of post-Wagnerian psychodynamic music"--
There are over 7 billion people on this planet earth, of which there are no two that are exactly alike, from positive to negative, from good to bad, from a perfect ten down to a one, in every way and every degree in between and yet in spite of all of their differences in thought, they all want to be satisfied. It started with the desires of Adam and Eve, it continues today, and there always will be, for all of us, Desire to be Satisfied.
The ancient cultivators of great powers, once they thought of becoming demons, and once they thought of becoming buddhas, there were also experts of the martial way that broke through the void. They were the only ones who had the right to do so. In chaotic times, geniuses would rise to prominence. The imperial government, sects, aristocratic families, and foreign races would battle with each other for karmic luck. Who could emerge from the masses and become a true dragon, reaching the peak of perfection? Like this book... 
Through spaceships, aliens, ray guns and other familiar trappings, science fiction uses the future (and sometimes the past) to comment on current social, cultural and political ideologies; the same is true of science fiction in children's film and television. This collection of essays analyzes the confluences of science fiction and children's visual media, covering such cultural icons as Flash Gordon, the Jetsons and Star Wars, as well as more contemporary fare like the films Wall-E, Monsters vs. Aliens and Toy Story. Collectively, the essays discover, applaud and critique the hidden--and not-so-hidden--messages presented on our children's film and TV screens.