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In today's digital age, thousands and thousands of independent filmmakers are challenging Hollywood's elite, best-of-the-best film producers. A Gaffer's Perspective on Independent Filmmaking examines why so many first-time independent film productions are doomed to failure before the first day of principal photography ever begins. Learning what dooms a production is only half of the process; teaching successful practices and techniques, while revealing many of the tricks of the trade used by the big productions, is the other half. With examples of actual productions gone awry, combined with "should haves," this book is a "must have" for a successful filmmaking experience.
Original publication and copyright date: 1982.
We can't shoot good pictures without good lighting, no matter how good the newest cameras are. Shooting under available light gives exposure, but lacks depth, contrast, contour, atmosphere and often separation. The story could be the greatest in the world, but if the lighting is poor viewers will assume it's amateurish and not take it seriously. Feature films and TV shows, commercials and industrial videos, reality TV and documentaries, even event and wedding videos tell stories. Good lighting can make them look real, while real lighting often makes them look fake. Lighting for Cinematography, the first volume in the new CineTech Guides to the Film Crafts series, is the indispensable guide for film and video lighting. Written by veteran gaffer and cinematographer David Landau, the book helps the reader create lighting that supports the emotional moment of the scene, contributes to the atmosphere of the story and augments an artistic style. Structured to mimic a 14 week semester, the chapters cover such things as lighting for movement, working with windows, night lighting, lighting the three plains of action and non-fiction lighting. Every chapter includes stills, lighting diagrams and key advice from professionals in the field, as well as lighting exercises to help the reader put into practice what was covered. www.lightingforcinematography.com
Filmmakers need more than heart, talent and desire to realize their dreams: they need production capital. Finding willing investors can be the most difficult step in an aspiring filmmaker's pursuit of higher-budget, entertaining motion pictures. This practical guide provides detailed instructions on preparing the most important tool for recruiting investors, a persuasive business plan. Included in this new edition are suggested ways to approach potential investors; lists of various financial sources available to Hollywood productions, and tips on spotting unscrupulous financiers. Interviews with key Hollywood producers offer real-world insight.
You ought to be making pictures. Designed for people who want to tell a story their way, The Complete Idiot’s Guide® to Independent Filmmaking explains everything a budding auteur needs to know—from literary development and financial and organizational pre-production to principal photography production, post-production assembly, exhibition and distribution, and more. • The advent of desktop editing and a wide range of consumer cameras enable the average person to create a “film studio” at home. • A great “textbook” for novice filmmakers, whether film students or on-their-own auteurs. • The proliferation of film festivals around the world, many of which encourage submissions from “amateur” filmmakers, shows there are countless filmmakers who aren’t learning the ropes in school. • Author has terrific credentials and has a feature-length script in development in Hollywood.
In this comprehensive guidebook, three experienced entertainment lawyers tell you everything you need to know to produce and market an independent film from the development process to deal making, financing, setting up the production, hiring directors and actors, securing location rights, acquiring music, calculating profits, digital moving making, distribution, and marketing your movie.
In this fully updated second edition, award-winning film director and Slamdance Film Festival co-founder Dan Mirvish gives you soup-to-nuts, cradle-to-grave advice on every aspect of the filmmaking lifestyle and craft. He drops advice on playing the Hollywood game, and shows you how to finance, cast, shoot and show your indie feature, documentary, episodic series, short film, student film, web video or big-budget blockbuster. Once labeled a "cheerful subversive" by The New York Times, Mirvish shares lessons he's learned personally from film luminaries Robert Altman, Christopher Nolan, Emma Thomas, Steven Soderbergh, Rian Johnson, Whit Stillman, Harold Ramis, Lynn Shelton, John Carpenter, Ava DuVernay, the Russo Brothers, Bong Joon-ho, Sean Baker and more. This revised edition includes brand new chapters on filming during a global pandemic finding investors and crowdfunding backers whether and where to go to film school how to get a big Hollywood agent self-distributing your film, even to airlines casting an Oscar®-winner as your lead actor and turning your garage into a 1980s New York subway Visit the extensive companion website at www.DanMirvish.com for in-depth supplemental videos, behind-the-scenes footage from Dan's films and bonus materials.
An instructional guide to making a movie with a relatively small budget, this entertaining and informative book dispels the myth that says millions of dollars are needed to make a film. (Performing Arts)
Voice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film in order to achieve their artistic vision. This book includes essential and detailed information on relevant film and digital video tools, a thorough overview of the filmmaking stages, and the aesthetic considerations for telling a visual story. The ultimate goal of this book is to help you develop your creative voice while acquiring the solid practical skills and confidence to use it. Unlike many books that privilege raw technical information or the line-producing aspects of production, Voice & Vision places creativity, visual expression, and cinematic ideas front and center. After all, every practical decision a filmmaker makes, like choosing a location, an actor, a film stock, a focal length, a lighting set-up, an edit point, or a sound effect is also an expressive one and should serve the filmmaker's vision. Every decision, from the largest conceptual choices to the smallest practical solutions, has a profound impact on what appears on the screen and how it moves an audience. "In Practice sidebars throughout Voice & Vision connect conceptual, aesthetic and technical issues to their application in the real world. Some provide a brief analysis of a scene or technique from easily rentable films which illustrate how a specific technology or process is used to support a conceptual, narrative, or aesthetic choice. Others recount common production challenges encountered on real student and professional shoots which will inspire you to be innovative and resourceful when you are solving your own filmmaking challenges.
These in-depth profiles illuminate the careers of ten motion picture crew members who worked during Hollywood's Independent Age of film and television production--basically from 1945 to 1980. A celebratory insiders' look at the Tinseltown machine, the book utilizes individual interviews and rare crew photographs to provide the back story of production challenges and solutions for some of the world's most recognized movies, including such classics as The Searchers, Chinatown, The Hustler, and Bullitt among many others. It provides not only an educational treatment of the jobs and techniques of filmmaking but also a dose of humorous and memorable experiences from the trenches.