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A pattern has been given to the history of the events between 1914 and 1918 which is called the 'Great War'. To Henri Desagneaux and to thousands of others, there was no pattern to be seen from the trenches where he executed orders which ensured that dozens of men had to die attempting to achieve impossible objectives worked out at a headquarters in the rear. His diary, one of the classic French accounts of the conflict, gives a vivid insight into what it was like to execute those orders, and to live in the trenches with increasingly demoralized, unruly and mutinous men. In terse unflinching prose he records their experiences as they confronted the acute dangers of the front line. The appalling conditions in which they fought and the sheer intensity of the shellfire and the close-quarter combat have rarely been conveyed with such immediacy.
This volume presents the war diary of Major D. Barlone of the Free French Forces.
“A CAMPAIGN DIARY, do you say, Reader? If the original were before you, you would not find it, like these printed pages, clean and whole. On it are the marks of war - bloodstains and smears of mud, and, from cover to cover, a hole made by a tiny piece of steel. These you may not see, but for the rest no change has been made. The author is presenting to you his notes just as he set them down at the front. The facts are true, though the form is brief, almost impersonal, and entirely without the literary flourishes that it would have been so easy to add après coup. “He is very young, this French officer. When the war broke out he was still at the university, a member of that inner circle of the École Normale Supérieure, where he was completing his studies in literature. After the mobilization, he qualified rapidly for an officer’s commission and started for the front. His first months there were spent in the mud and desolation of that barren plain known as la Champagne Pouilleuse. They were months made difficult by frequent skirmishes with the Boches, and by a constant struggle with that other and more relentless enemy - the mud of Champagne. In April, 1915, his regiment left the trenches, and crossed on foot, by daily stages, the great Forest of Argonne, all fragrant with the spring. We meet him again early in May before Arras, on the eve of the Artois offensive. Only the beginning of this offensive is described in the Diary. On May 9th, he fell, seriously wounded, between the French and German lines, ten yards from the enemy’s trench. He himself will describe to you that terrible day and his agonizing return to the French positions. ...If, among these pages, there are some that for a moment make you feel the horror and the thrill of war, then say to yourself, Reader, it is not one man alone who has thought these thoughts and endured these sufferings. It is the history of the youth of a whole nation.”-L. PLANTEFOL, Paris, 1917
How do you convince men to charge across heavily mined beaches into deadly machine-gun fire? Do you appeal to their bonds with their fellow soldiers, their patriotism, their desire to end tyranny and mass murder? Certainly—but if you’re the US Army in 1944, you also try another tack: you dangle the lure of beautiful French women, waiting just on the other side of the wire, ready to reward their liberators in oh so many ways. That’s not the picture of the Greatest Generation that we’ve been given, but it’s the one Mary Louise Roberts paints to devastating effect in What Soldiers Do. Drawing on an incredible range of sources, including news reports, propaganda and training materials, official planning documents, wartime diaries, and memoirs, Roberts tells the fascinating and troubling story of how the US military command systematically spread—and then exploited—the myth of French women as sexually experienced and available. The resulting chaos—ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease—horrified the war-weary and demoralized French population. The sexual predation, and the blithe response of the American military leadership, also caused serious friction between the two nations just as they were attempting to settle questions of long-term control over the liberated territories and the restoration of French sovereignty. While never denying the achievement of D-Day, or the bravery of the soldiers who took part, What Soldiers Do reminds us that history is always more useful—and more interesting—when it is most honest, and when it goes beyond the burnished beauty of nostalgia to grapple with the real lives and real mistakes of the people who lived it.
A grunt’s-eye report from the battlefield in the spirit of The Red Badge of Courage and All Quiet on the Western Front—the only known account by a common soldier of the campaigns of Napoleon’s Grand Army between 1806 and 1813. When eighteen-year-old German stonemason Jakob Walter was conscripted into the Grand Army of Napoleon, he had no idea of the trials that lay ahead. The long, grueling marches in Prussia and Poland sacrificed countless men to Bonaparte’s grand designs. And the disastrous Russian campaign tested human endurance on an epic scale. Demoralized by defeat in a war few supported or understood, deprived of ammunition and leadership, driven past reason by starvation and bitter cold, men often turned on one another, killing fellow soldiers for bread or an able horse. Though there are numerous surviving accounts of the Napoleonic Wars written by officers, Walter’s is the only known memoir by a draftee, and as such is a unique and fascinating document—a compelling chronicle of a young soldier’s loss of innocence as well as an eloquent and moving portrait of the profound effects of war on the men who fight it. Professor Marc Raeff has added an Introduction to the memoirs as well as six letters home from the Russian front, previously unpublished in English, from German conscripts who served concurrently with Walter. The volume is illustrated with engravings and maps, contemporary with the manuscript, from the Russian/Soviet and East European collections of the New York Public Library. Honest, heartfelt, deeply personal yet objective, The Diary of a Napoleonic Foot Soldier is more than an informative and absorbing historical document—it is a timeless and unforgettable account of the horrors of war.
Written from September 1939 to January 1941, Simone de Beauvoir’s Wartime Diary gives English readers unabridged access to one of the scandalous texts that threaten to overturn traditional views of Beauvoir’s life and work. Beauvoir’s account of her clandestine affair with Jacques Bost and sexual relationships with various young women challenges the conventional picture of Beauvoir as the devoted companion of Jean-Paul Sartre, just as her account of completing her novel She Came to Stay at a time when Sartre’s philosophy in Being and Nothingness was barely begun calls into question the traditional view of Beauvoir’s novel as merely illustrating Sartre’s philosophy. Most important, the Wartime Diary provides an exciting account of Beauvoir’s philosophical transformation from the prewar solipsism of She Came to Stay to the postwar political engagement of The Second Sex. This edition also features previously unpublished material, including her musings about consciousness and order, recommended reading lists, and notes on labor unions. In providing new insights into Beauvoir’s philosophical development, the Wartime Diary promises to rewrite a crucial chapter of Western philosophy and intellectual history.
“An officer’s diary hidden away for 40 years reveals the horrors of World War One in harrowing detail.” —The Sun Some Desperate Glory charts the progress of an enthusiastic and patriotic young officer who marched into battle with Palgrave’s Golden Treasury—a collection of English poems—in his pack. Intensely honest and revealing, his diary evokes the day-to-day minutiae of trench warfare: its constant dangers and mind-numbing routine interspersed with lyrical and sometimes comic interludes. Vividly capturing the spirit of the officers and men at the front, the diary grows in horror and disillusionment as Vaughan’s company is drawn into the carnage of Passchendaele from which, of his original happy little band of 90 men, only 15 survived. “This diary of a few months in the life of a young officer on the Western Front in 1917 deserves to rank close behind Graves, Owen, Sassoon, among the most brilliant and harrowing documents of that devastating period.” —Max Hastings, author of Vietnam: An Epic Tragedy, 1945-1975 “This stark WW I diary by a 19-year-old subaltern in the British army begins with an account of his eager departure for the western front, and ends eight months later with an awesome description of the battle of Ypres in which most of his company died.” —Publishers Weekly
A love letter to Paris and a meditation on how it has changed in two decades, evolving from the twentieth century into the twenty-first, from analog to digital. Your telephone is precious. It may be envied. We recommend vigilance when using it in public. --Paris bus public notice In fall 2014 Lauren Elkin began keeping a diary of her bus commutes in the Notes app on her iPhone 5c, writing down the interesting things and people she saw in a Perecquian homage to Bus Lines 91 and 92, which she took from her apartment in the 5th Arrondissement to her teaching job in the 7th. Reading the notice, she decided to be vigilant when using her phone: she would carry out a public transport vigil, using it to take in the world around her and notice all the things she would miss if she continued using it the way she had been, the way everyone does--to surf the web, check social media, maintain her daily sense of self through digital interaction. Her goal became to observe the world through the screen of her phone, rather than using her phone to distract from the world. During the course of that academic year, the Charlie Hebdo attacks occurred and Elkin had an ectopic pregnancy, requiring emergency surgery. At that point, her diary of dailiness became a study of the counterpoint between the everyday and the Event, mediated through early twenty-first century technology, and observed from the height of a bus seat. No. 91/92 is a love letter to Paris, and a meditation on how it has changed in the two decades the author has lived there, evolving from the twentieth century into the twenty-first, from analog to digital.
Includes over 30 maps and Illustrations The Staff Ride Handbook for the Vicksburg Campaign, December 1862-July 1863, provides a systematic approach to the analysis of this key Civil War campaign. Part I describes the organization of the Union and Confederate Armies, detailing their weapons, tactics, and logistical, engineer, communications, and medical support. It also includes a description of the U.S. Navy elements that featured so prominently in the campaign. Part II consists of a campaign overview that establishes the context for the individual actions to be studied in the field. Part III consists of a suggested itinerary of sites to visit in order to obtain a concrete view of the campaign in its several phases. For each site, or “stand,” there is a set of travel directions, a discussion of the action that occurred there, and vignettes by participants in the campaign that further explain the action and which also allow the student to sense the human “face of battle.” Part IV provides practical information on conducting a Staff Ride in the Vicksburg area, including sources of assistance and logistical considerations. Appendix A outlines the order of battle for the significant actions in the campaign. Appendix B provides biographical sketches of key participants. Appendix C provides an overview of Medal of Honor conferral in the campaign. An annotated bibliography suggests sources for preliminary study.