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When Miss Lydia Garrett's guardian is murdered, and the authorities refuse to investigate the odd circumstances, she vows to catch the culprit. The same night the Earl of Danbury is murdered in his bed. Against all odds it appears that the murders are related - and Anthony Douglas, the new Lord Danbury, is bent on revenge. The clues point to the former Earl's first naval command. In 1758 the Earl spirited away and hid the magnificent Peacock Throne at the behest of the Indian royal family. To draw out the murderer, Anthony and Lydia agree that they must locate the throne. However, they are not the only ones interested in the Peacock Throne. Marcus Wiltshire, agent of His Majesty's intelligence services, has received hints that Bonaparte intends to return the throne to India and leverage its mystical significance to foment rebellion and cut England off from her most important trading partner. When the amateur sleuths join forces with the professional agent, the quest for the throne leads them around the globe on an adventure steeped in danger, treachery, and romance.
The peacock displayed himself and paraded the lawn, sometimes pausing to look up at the sky. Waiting? Listening? Guiding. No. Signalling. Controversial when first published in the early days of World War II, due to its treatment of a loathsome upper-crust family dodging wartime responsibility, A Footman for the Peacock can now be enjoyed as a scathing satire of class abuses, a comic masterpiece falling somewhere between Barbara Pym and Monty Python. Sir Edmund and Lady Evelyn Roundelay live surrounded by a menagerie of relations and retainers. The Roundelays' history of callous cruelty is literally etched on a window of the servants' quarters with the words "Heryn I dye, Thomas Picocke. 1792." Sir Edmund reflects cheerfully on the running footmen who have 'died off like flies' in the family's service. But now--amidst digressions on everything from family history and servant woes to the villagers' linguistic peculiarities and a song immortalizing the footman's plight--war threatens the Roundelays' smug superiority. What's more, it appears that the estate's peacock is a reincarnation of Thomas Picocke, and may be aiding the Nazi cause ... By turns giddy and incisive, hilarious and heartbreaking, A Footman for the Peacock is Rachel Ferguson at her very best. This new edition features an introduction by Elizabeth Crawford. 'The Roundelays are people to live with and laugh at and love' Punch
Lady May is back. And so is the scandal that sent her tumbling from her position as the toast of London, when her husband, the Earl of Maybury, was killed in a duel. Even a year of mourning hasn't quieted the rumors of her infidelity. Georgia Maybury is determined to regain her position in the beau monde, but a scarred ex-naval officer threatens her plans...
Although the importance of domestic servants in eighteenth-century England has long been recognized, The Domestic Servant in Eighteenth-Century England (first published in 1956, reviving the 1980 edition here) is the first attempt to investigate comprehensively what was the largest occupational group at that time. A wide variety of source material has been used—the diaries, memoirs, letters, magazines, newspapers and literary works, as well as pamphlets and treatises on social and economic problems of the day. A wealth of data has also been drawn from contemporary works on service, servants, and household management. The study is thus able to reconstruct the principal lineaments of the servant ‘class’ and to demonstrate the significance of the group in relation to the society of which it formed a part. Such aspects of the group as its composition, size and structure, the means by which it was recruited, the hopes and ambitions of its members, the nature of their social status, and the conditions under which they lived and laboured are all fully treated. The result of this thorough examination is a cogent work of sociological history.
Frederick Snow, first footman, is the perfect servant: efficient, hardworking, and completely bereft of emotion. Unbeknownst to his employers, he's the lost Duke of Snowmont, on the run from a suspicious stepfather and a powerful magic he can only control by burying his passions beneath his frosty demeanor. He's managed to hide behind his carefully ordered life until an impertinent miss arrives and challenges everything he thought he wanted. If Charlotte Erlwood wants to land a wealthy, titled husband at her great aunt's house party, she has to stop losing her temper – especially with inordinately handsome footmen. Perhaps if she recruits Frederick for her matrimonial schemes, she'll be able to direct her attention toward suitable single noblemen and away from inappropriate dalliances. But Frederick's frigid control is no match for Charlotte's irrepressible spirit, and her passionate kiss could summon the darker side of his magic...or wake his heart from its frozen sleep.
A translation of Jean Denis's Treatise on Harpsichord Tuning (1643/50), with notes and an introduction.
"The first of a new series"--Page 4 of cover.
In Political and Social Issues in British Women's Fiction, 1928-1968 , Elizabeth Maslen reassesses fiction written by women between the granting of universal franchise and the advent of new-wave feminism. Through close readings of a wide range of novels, Maslen analyses how writers chose to represent such issues as pacifism and the threat of fascism, war, race and class, and gender, exploring in the process how the writers' priorities affect their decisions on how to write.