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The works on the following pages were selected as a sample of Leanita McClain's work at its best. We categorized her writings into her most often expressed areas of interest and arranged her columns chronologically to make it easier to observe changes in her development as a young columnist and to follow such historical events as the continuing factional fights in Chicago's city council. Their value is more than historical. McClain was concerned with more than the maneuverings of a few local political players. Her accounts focus on the nature of power and how prejudice can be used in the fight to get it or keep it.
After the untimely death of his son, a pastor learns he must find a balance between grief and Christian hope, ultimately discovering that embracing one does not diminish the other. He learns grief is not an illness one must recover from, but a journey one must walk. A Foot in Two Worlds examines the intense grief that accompanies tragic loss and demonstrates how it interacts with our perception of goodness, innocence, and God. Each chapter explores the conflicting life experiences that tragedy or loss often forces onto people who trust in a good God. Grief is a nondiscriminatory offender, striking the hearts and homes of its victims. This story welcomes the grief-stricken to a place of middle ground, where faith, doubt, hope, and loss coexiststarting the move from innocence to a hopeful reality. Of the many books on grief, few offer permission to the bereaved to develop a new normalcy by embracing both grief and hope. A Foot in Two Worlds targets several significant needs. It compassionately reaches out to the entire community of the bereaved with special grace offered to brokenhearted parents. It gives a deeper look into the heart of grief and mourning. Finally, through stories and scripture, the book offers direction and understanding to those who provide care to family members and friends who suffer tragic loss.
Twelve inches by twelve inches by twelve inches, the cubic foot is a relatively tiny unit of measure compared to the whole world. With every step, we disturb and move through cubic foot after cubic foot. But behold the cubic foot in nature—from coral reefs to cloud forests to tidal pools—even in that finite space you can see the multitude of creatures that make up a vibrant ecosystem. For A World in One Cubic Foot, esteemed nature photographer David Liittschwager took a bright green metal cube—measuring precisely one cubic foot—and set it in various ecosystems around the world, from Costa Rica to Central Park. Working with local scientists, he measured what moved through that small space in a period of twenty-four hours. He then photographed the cube’s setting and the plant, animal, and insect life inside it—anything visible to the naked eye. The result is a stunning portrait of the amazing diversity that can be found in ecosystems around the globe. Many organisms captured in Liittschwager’s photographs have rarely, if ever, been presented in their full splendor to the general reader, and the singular beauty of these images evocatively conveys the richness of life around us and the essential need for its conservation. The breathtaking images are accompanied by equally engaging essays that speak to both the landscapes and the worlds contained within them, from distinguished contributors such as Elizabeth Kolbert and Alan Huffman, in addition to an introduction by E. O. Wilson. After encountering this book, you will never look at the tiniest sliver of your own backyard or neighborhood park the same way; instead, you will be stunned by the unexpected variety of species found in an area so small. A World in One Cubic Foot puts the world accessibly in our hands and allows us to behold the magic of an ecosystem in miniature. Liittschwager’s awe-inspiring photographs take us to places both familiar and exotic and instill new awareness of the life that abounds all around.
"A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard"--
The major purpose of this book is to illustrate and explain the fundamental similarities and correspondences between humankind's oldest and newest thought-technologies: oral tradition and the Internet. Despite superficial differences, both technologies are radically alike in depending not on static products but rather on continuous processes, not on "What?" but on "How do I get there?" In contrast to the fixed spatial organization of the page and book, the technologies of oral tradition and the Internet mime the way we think by processing along pathways within a network. In both media it's pathways--not things--that matter. To illustrate these ideas, this volume is designed as a "morphing book," a collection of linked nodes that can be read in innumerable different ways. Doing nothing less fundamental than challenging the default medium of the linear book and page and all that they entail, Oral Tradition and the Internet shows readers that there are large, complex, wholly viable, alternative worlds of media-technology out there--if only they are willing to explore, to think outside the usual, culturally constructed categories. This "brick-and-mortar" book exists as an extension of The Pathways Project (http://pathwaysproject.org), an open-access online suite of chapter-nodes, linked websites, and multimedia all dedicated to exploring and demonstrating the dynamic relationship between oral tradition and Internet technology
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
This provocative work offers an anthropological analysis of the phenomenon of political correctness, both as a general phenomenon of communication, in which associations in space and time take precedence over the content of what is communicated, and at specific critical historical conjunctures at which new elites attempt to redefine social reality. Focusing on the crises over the last thirty years of immigration and multiculturalist politics in Sweden, the book examines cases, some in which the author was himself involved, but also comparative material from other countries.
The Voice from the Back Row: Off the Bandwagon began as a simple blog. As the number of postings grew, the impulse to put them in book form increased as well. This book is a compilation of the first 130 posts, and covers the time period from September of 1915 to April of 2021, including both the times of the comparative normalcy in which the energy for change was building and the definitive trigger of the present, the emergence of the Coronavirus Covid 19, which threw that apparent normalcy into utter chaos. The book contains both the author’s personal experiences and her commentary on political and social issues of the times. The posts encourage the reader to look beyond the rhetoric of the media, political figures and popular thought and think for themselves about where events are leading us and the nature of progress itself. When something changes, something is gained, and something is lost. Too often, people do not think about the exchange before the change is set. This book encourages us to take a deeper look at where we are headed, and to be a participant in creating the truly functional world we all desire, in which life is respected, all peoples thrive, and in which compassion, gentleness and stewardship replace conflict, death, greed and dominance. Such change begins with our own inner work and extends into that which we see as outside of us. It includes the Earth, our magnificent and nurturing home in the cosmos. The book is a work to be savored as it is read.
PULITZER PRIZE FINALIST • "A stunning exposé of why Black people in our society 'live sicker and die quicker'—an eye-opening game changer."—Oprah Daily From an award-winning writer at the New York Times Magazine and a contributor to the 1619 Project comes a landmark book that tells the full story of racial health disparities in America, revealing the toll racism takes on individuals and the health of our nation. In 2018, Linda Villarosa's New York Times Magazine article on maternal and infant mortality among black mothers and babies in America caused an awakening. Hundreds of studies had previously established a link between racial discrimination and the health of Black Americans, with little progress toward solutions. But Villarosa's article exposing that a Black woman with a college education is as likely to die or nearly die in childbirth as a white woman with an eighth grade education made racial disparities in health care impossible to ignore. Now, in Under the Skin, Linda Villarosa lays bare the forces in the American health-care system and in American society that cause Black people to “live sicker and die quicker” compared to their white counterparts. Today's medical texts and instruments still carry fallacious slavery-era assumptions that Black bodies are fundamentally different from white bodies. Study after study of medical settings show worse treatment and outcomes for Black patients. Black people live in dirtier, more polluted communities due to environmental racism and neglect from all levels of government. And, most powerfully, Villarosa describes the new understanding that coping with the daily scourge of racism ages Black people prematurely. Anchored by unforgettable human stories and offering incontrovertible proof, Under the Skin is dramatic, tragic, and necessary reading.