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A catalogue to accompany an exhibit held at the museum from March to July 1997. Color reproductions of 83 paintings are presented chronologically rather than in the usual separate sections on Mughal, Deccani, Rijput, and Pahari traditions. Kossak, associate curator of Asian art at the museum, offers an introductory essay. Distributed in the US by Harry N. Abrams. Annotation copyrighted by Book News, Inc., Portland, OR
The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.
With many illustrations and diagrams, Images of Thought provides easy to follow ways in which to read Indian, Persian and European paintings in terms of composition, proportion, colour symbolism and references to myth. Yet it also provides the intellectual contexts of Islamic cultures which inform our perceptions of how this visual language works. The author uses salient aspects of critical theory, anthropology and theology to sensitise viewers to the diversity and difference of cultural readings but never loses sight of the primacy of the visual and formal characteristics, gestures, geometrical structures and their cooperation with myths and theologemes. The book provides access to one of the world’s major visual traditions whose characteristics continue to inform and elucidate Indian and Islamic contemporary thought today. Images of Thought is a major, scholarly and provocative contribution not only to our understanding of cultural individuality but it offers important examples of how to engage in transcultural understanding and ways of seeing.
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.
Takes us to the Nayika in the Indian tradition, one who is paradigm of mankind's perennial quest for a divine and transcendental love.
A selection of 333 works of art representing masterpieces of the sacred and court traditions as well as their urban, folk, and tribal heritage.
Prof. Dr. Anand Krishna needs no introduction to the world ofIndian Art and Culture. With his experience of study, research andpublication in this field, on his father Rai Krishnadasa s richfoundation, his creativity goes back to 1944; his tradition continueseven to the next generation.This unique volume is a compilation of articles contributed byhis colleagues, friends and students all Indian art specialists fromthe whole world. Covering almost 2,000 years, this book embracesalmost every facet of the Indian arts, such as architecture, sculpture,textiles, decorative arts, folk and modern art, sociology and culture.Enriched with over 400 spectacular colour and b&w relevantillustrations, this unprecedented scholarly book will be a source ofinformation for the academics as well as of great interest to everyperson fascinated with Indian art.