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The collected poems of David J de Young, most previously unpublished. 70 poems touching on topics from Elvis, to Hostess Twinkies, to late-life fatherhood. This is David de Young's first anthology of poetry, assembled from poems written over thirty-three years, from 1984 to 2017.
Engages in a critical reanalysis of historical Ibero-American experimental poetry in order to demonstrate how the contemporary digital vanguard owes much to this tradition. With a broad geographic and linguistic sweep covering more than one hundred years of poetry, this book investigates the relationships between and among technology, aesthetics, and politics in Ibero-American experimental poetry. Eduardo Ledesma analyzes visual, concrete, kinetic, and digital poetry that questions what the “literary” means, what constitutes poetry, and how, if at all, visual and verbal arts should be differentiated. Radical Poetry examines how poets use the latest technologies (cinematography, radio, television, and software) to create poetry that self-consciously interrogates its own form, through close alliances with conceptual and abstract art, performance, photography, film, and new media. To do so, Ledesma draws on pertinent theories of metaphor, affect, time, space, iconicity, and cybernetics. Ledesma shows how José Juan Tablada (Mexico), Joan Salvat-Papasseit (Catalonia), Clemente Padín (Uruguay), Fernando Millán (Spain), Décio Pignatari (Brazil), Ana María Uribe (Argentina), and others turn words, machines, and, more recently, the digital into flesh, making word-objects “come alive” by assembling text to act and seem human, whether on the page, on walls, or on screens. “This book is extraordinary. It is truly original in its conception and deeply grounded in its knowledge, and it communicates a passion for its topics, especially the digital age. This is a major contribution that surely will be a new model for literary critique in these languages.” — Gwen Kirkpatrick, Georgetown University
A constellation of essays that reanimates the work of this pivotal twentieth-century American poet for a new century. This volume is the first to reconsider Roethke’s work in terms of the expanded critical approaches to literature that have emerged since his death in 1963. Editor William Barillas and over forty contributors, including highly respected literary scholars, critics, and writers such as Peter Balakian, Camille Paglia, Jay Parini, and David Wojahn, collectively make a case for Roethke’s poetry as a complete, unified, and evolving body of work. The accessible essays employ a number of approaches, including formalism, ecocriticism, reader-response, and feminist critique to explicate the poetics, themes, and the biographical, historical, cultural, and literary contexts of Roethke’s work.
The first edition of this widely used anthology offered a needed introduction to a new analytic aesthetics which has in the intervening years become even more influential. This new, revised and expanded edition has been designed by one of the leaders of the field to help define the structure of current aesthetics. Of the 24 articles included more than half are new to this edition. The new edition emphasizes opposing currents in aesthetics with contributions from the most active and influential writers in the field. It is a basic book for any library and is designed to provide both undergraduate and graduate students with a professional orientation in aesthetics. Author note: Joseph Margolis is Professor of Philosophy at Temple University. He is the author or editor of twelve other books as well as numerous articles.
Suzanne Churchill's well-researched and superbly crafted study is the first book-length treatment of Others, an important and neglected little magazine that served as a laboratory for modernist poetic experimentation. In discussions of influential poets such as Mina Loy, Marianne Moore, and William Carlos Williams, whose careers Others helped launch, Churchill counters the notion of Modernism as aesthetically self-isolating and socially disengaged. Rather, she traces a correspondence between formal innovation and social change in American modernist poetry and argues that this dimension of modernist formalism is lost when poems are studied in isolation. Others provides a framework for reassessing the scope and significance of modernist formalism. The little magazine not only anchors modernist poetry in a social context but also leads to new insight into major modernist texts. Churchill's commitment to her subject's broad cultural contexts makes her book important for students and teachers of Modernism as well as for those working in the fields of American poetry and poetics, gender studies, queer theory, periodical studies, and cultural studies.
"Children's Stories in American Literature: 1660-1860," is a book on famous pieces of American literature, from novels to poems. It offers a description of the lives and works of such great authors as Edgar Allan Poe, William Bryant, Ralph Waldo Emerson, Henry Wadsworth Longfellow, James Russell Lowell, and Oliver Wendell Holmes. First published in 1861, this book was a part of the everyday schooling of young pre-teens in America.
The first study to offer an integral theory of love poetry, examining why it is that poetry, even more than other arts, is so consistently associated with romantic love.
BOOK DESCRIPTION: Mark Chandos is a modern American poet and philosopher, also known by name Mark Staber Kobo with his bestselling poetry book Greatest Living Poet, that has worn Best Critics choice prize in 2010. Chandos Ring : Death Star Earth is the first book of a trilogy titled Exodus from Sapiens. This is a sensational masterwork of modern American epic poetry and philosophy of a space. It tells a story of Aaron, the last living member of a ruthless political dynasty responsible for the extinction of many non-Western nations of a dying Earth. His intent is to create a race of men able to live without a carbon and oxygen base. The Aarons companion to Jupiter is Talon, the greatest scientific mind of his age The result would be creating a genetically new human magus creature called Homo faustus Ultimately, Aaron discovers the alien source of human life Recognized for its idiomatic perfection and elegance of style, the epic poem Chandos Ring is a strange new reconstruction of human life that crosses modern science fiction, religion, physics, and philosophy Previous to the poem, in his philosophical introduction Unfinished Consciousness, Mark Chandos revolutionizes previous Western philosophy and reveals the hidden truth of our civilization. I have crossed my meridian voyage, where human becomes visible idiom, and so their fears. I dig the tar cave of fossil rune, where ghosts of space, time, and men coil in somatic prescience. I will rise deep in winter with no alarm, not once to follow substance of moth-winged men glazed with light. I lay down structure embedded with my selection, joy and fear reduced to equal fonts. Since if by sentience I am cognizant, then by sentience equally I annul a slur of cognizance. We make nothing that we do not spend, exhaust, and pasteurize. So I will make this sprint. If I cry counter idiom, who will survive to prevent me? Those that accept death? I drain time and element of insolvent fear, reducing bleached bones of shrill alarm to light totem on my eye.
A collaboration between leading poets and scientists, this title shows through its form, and through practice, as well as reflection, that poetry and science can meet with productive results. It also shows how modes of scientific knowledge and of poetic making continue to be intertwined.
The Modernist Response to Chinese Art is a work of both erudition and sympathy that reveals the root of modernist poets' otherwise baffling interest in and use of Chinese art. Most impressive, perhaps, is the depth of their embrace of it, as Qian has so convincingly documented. --Patricia C. Williams.