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A Dashing Artist Playing Detective to Solve His Uncle's Brutal Murder – the 1930s Were to Die For! A Rowland Sinclair Mystery Short-listed for Commonwealth Writers' Prize for Best First Book Sulari Gentill – Winner of Davitt Award for Best Adult Crime Fiction 2012 In 1930s Australia, the Sinclair name is respectable and influential, yet the youngest son Rowland – an artist – has a talent for scandal. Even with the unemployed lining the streets, Rowland lives in a sheltered world... of wealth, culture and impeccable tailoring with the family fortune indulging his artistic passions and friends... a poet, a painter and a brazen sculptress. Mounting political tensions fuelled by the Great Depression take Australia to the brink of revolution. While Rowland is an uncommon man, his name is not. He shares it with an uncle, an aging playboy. When the elder man is murdered, Rowland is stricken with grief and plagued by question. Foremost: why would anyone want to kill the old man? The stakes are high, as Rowland and his friends go undercover in the New Guard, a dangerous political group intent on wrestling control of the country from its current leadership. As danger looms and Rowland and his friends become targets of the fascist legion, will they be able to solve the mystery of his uncle's murder? Will they be able to protect the country from political upheaval? Gentill skilfully weaves her narratives around real historical events and figures with razor-sharp humour and incredible imagination. Her debut novel delights the reader and excites them with richly drawn characters and impeccable timing. A Dashing Artist Playing Detective to Solve His Uncle's Brutal Murder – the 1930s Were to Die For!
A MURDER SWEPT UNDER THE VERY EXPENSIVE CARPET The Sixth Book of the Acclaimed Rowland Sinclair Mysteries The black sheep of a wealthy 1930s grazier dynasty, gentleman artist Rowland Sinclair often takes matters into his own hands. When the matter is murder, there are consequences. For nearly fourteen years, Rowland has tried to forget, but now the past has returned. A newly-discovered gun casts light on a family secret long kept... a murder the Sinclairs would prefer stayed unsolved. As old wounds tear open, the dogged loyalty of Rowland's inappropriate companions is all that stands between him and the consequences of a brutal murder... one he simply failed to mention. SOCIAL UNREST, POWERFUL BETRAYAL AND AN OLD FAMILY SECRET
Wealthy Bohemian artist Rowland Sinclair and his lively companions are sailing homewards to Australia on the RMS Aquitania. The ship embodies luxury and civilised respite from the tensions of the Depression-era; until the murders start... A passenger manifest containing suffragettes, men of God and mystics ought to provide stimulation and safety; instead, a cocktail of flawed people results in danger, death and a cloud of suspicion which envelops Rowland and his entourage - a poet, a fellow painter and a brazen sculptress. Finding himself unwittingly at the centre of a murder investigation, can Rowland put a stop to the heinous crimes before he and his friends become victims themselves? Sulari Gentill expertly weaves real events and personalities into her tension-fuelled murder mysteries which are sure to enthral lovers of deep intrigue and history.
Hurt people hurt people. Say there was a novel in which Holden Caulfield was an alcoholic and Lolita was a photographer’s assistant and, somehow, they met in Bright Lights, Big City. He’s blinded by love. She by ambition. Diary of an Oxygen Thief is an honest, hilarious, and heartrending novel, but above all, a very realistic account of what we do to each other and what we allow to have done to us.
In fear for his life, American millionaire Daniel Cartwright changes his will, appointing his old friend Rowland Sinclair as his executor. Soon murder proves that fear well founded. When Rowland receives word of Cartwright's death, he sets out immediately for Boston, Massachusetts, to bury his friend and honour his last wishes. He is met with the outrage and anguish of Cartwright's family, who have been spurned in favour of a man they claim does not exist. Artists and gangsters, movie stars and tycoons all gather to the fray as elite society closes in to protect its own, and family secrets haunt the living. Rowland Sinclair must confront a world in which insanity is relative, greed is understood, and love is dictated; where the only people he can truly trust are an artist, a poet and a passionate sculptress.
NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.
Steve Harvey, the host of the nationally syndicated Steve Harvey Morning Show, can't count the number of impressive women he's met over the years, whether it's through the "Strawberry Letters" segment of his program or while on tour for his comedy shows. Yet when it comes to relationships, they can't figure out what makes men tick. Why? According to Steve it's because they're asking other women for advice when no one but another man can tell them how to find and keep a man. In Act Like a Lady, Think Like a Man, Steve lets women inside the mindset of a man and sheds light on concepts and questions such as: The Ninety Day Rule: Ford requires it of its employees. Should you require it of your man? The five questions every woman should ask a man to determine how serious he is. And much more . . . Sometimes funny, sometimes direct, but always truthful, Act Like a Lady, Think Like a Man is a book you must read if you want to understand how men think when it comes to relationships.
Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.
2018 Winner of the Ned Kelly Awards for Best Crime Fiction "As one for whom certain story lines and characters have become as real as life itself, Crossing the Lines was a pure delight, a swift yet psychologically complex read, cleverly conceived and brilliantly executed." -Dean Koontz, New York Times bestselling author Sulari Gentill, author of the 1930s Rowland Sinclair Mysteries, jumps to the post-modern in Crossing the Lines. A successful writer, Madeleine, creates a character, Edward, and begins to imagine his life. He, too, is an author. Edward is in love with a woman, Willow, who's married to a man Edward loathes, and who loathes him, but he and Willow stay close friends. She's an artist. As Madeleine develops the plot, Edward attends a gallery show where a scummy critic is flung down a flight of fire stairs...murdered. Madeleine, still stressed from her miscarriages and grieving her inability to have a child, grows more and more enamored of Edward, spending more and more time with him and the progress of the investigation and less with her physician husband, Hugh, who in turn may be developing secrets of his own. As Madeline engages more with Edward, he begins to engage back. A crisis comes when Madeleine chooses the killer in Edward's story and Hugh begins to question her immersion in her novel. Yet Crossing the Lines is not about collecting clues and solving crimes. Rather it's about the process of creation, a gradual undermining of the authority of the author as the act of writing spirals away and merges with the story being told, a self-referring narrative crossing over boundaries leaving in question who to trust, and who and what is true. For fans of Paul Auster, Jesse Kellerman, Vera Caspary's Laura, Martin Amis, Haruki Murakami, Marisha Pessl