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Examines the tradition of lawlessness in the American West from the time of Quantrill's Raiders to Pretty Boy Floyd
A saga of infamous gunmen from Quantrill's Raiders to Pretty Boy Floyd - terrorizing the West for over a century.
This book explores in depth the origins, development, and prospects of outlawry and of the relationship of outlaws to the social conditions of changing times. Throughout American history you will find larger-than-life brigands in every period and every region. Often, because we hunger for simple justice, we romanticize them to the point of being unable to separate fact from fiction. Frank Richard Prassel brings this home in a thorough and fascinating examination of the concept of outlawry from Robin Hood, Dick Turpin, and Blackbeard through Jean Lafitte, Pancho Villa, and Billy the Kid to more modern personalities such as John Dillinger, Claude Dallas, and D. B. Cooper. A separate chapter on molls, plus equal treatment in the histories of gangs, traces women's involvement in outlaw activities. Prassel covers the folklore as well as the facts, even including an appendix of ballads by and about outlaws. He makes clear how this motley group of bandits, pirates, highwaymen, desperadoes, rebels, hoodlums, renegades, gangsters, and fugitives—who stand tall in myth—wither in the light of truth, but flourish in the movies. As he tells the stories, there is little to confirm that Jesse and Frank James, Butch Cassidy and the Sundance Kid, the Daltons, Pretty Boy Floyd, Ma Barker, Clyde Barrow and Bonnie Parker, Belle Starr, the Apache Kid, or any of the so-called good badmen, did anything that did not enrich or otherwise benefit themselves. But there is plenty of evidence, in the form of slain victims and ruined lives, to show how many ways they caused harm. The Great American Outlaw is as much an excellent survey on the phenomenon as it is a brilliant exposition of the larger than-life figures who created it. Above all, it is a tribute to that aspect of humanity that Americans admire most and that Prassel describes as a willingness "to fight, however hopelessly, against exhibitions of privilege."
Massacres, mayhem, and mischief fill the pages of Outlaw Tales of Oklahoma 2, with compelling legends of the Sooner State's most despicable desperadoes. Ride with horse thieves and cattle rustlers, duck the bullets of murderers, plot strategies with con artists, and hiss at lawmen turned outlaws.
Sifting factual information from among the lies, legends, and tall tales, the lives and battles of gunfighters on both sides of the law are presented in a who's who of the violent West
Massacres, mayhem, and mischief fill the pages of Outlaw Tales of Oklahoma 2, with compelling legends of the Sooner State's most despicable desperadoes. Ride with horse thieves and cattle rustlers, duck the bullets of murderers, plot strategies with con artists, and hiss at lawmen turned outlaws.
Over 90 outlaw adventures with a modern twist combining historic experiences and outdoor activities. Enjoy Wild West trips across Utah, Wyoming, Colorado, Arizona, and South Dakota, plus spurs of the trail in Idaho, New Mexico, Kansas, and Arkansas From scenic campgrounds to wilderness tent sites to historic hotels—you’ll find all the resources you need to plan an epic outing Enjoy colorful tales about Butch Cassidy, Queen Ann Bassett, the Sundance Kid, and other infamous outlaws. True stories from the same real-life places that you can explore! Welcome to the outlaw trail! During the days of the Wild West, this network of rugged routes linked remote hideouts across the desert Southwest and Rocky Mountains. Today, that same impenetrable terrain—where bandits fled and lawmen feared to tread—offers some of the greatest outdoor adventures in the country. With this story-packed guide, you can hike, bike, paddle, and drive along the paths of rustlers and robbers to alpine ghost towns, dizzying slot canyons, winding rivers, scenic roadways, fascinating museums, and hidden hideouts.
In this volume, Drake focuses on the famous pastoral explorers, drovers and trail drivers; the poddydodgers, horse-thieves and rustlers; the wars of the land grabbers with Australian Aborigines and the American Indians; the clashes of lawless western entrepreneurs with the laws of the bit cities in the east; the colourful females who ventured our into a man¿s world and made thier names, the transport by puffing billies and famous stage coach lines and buckjumpers, roughriders and rodeos.
The power of the American press to influence and even set the political agenda is commonly associated with the rise of such press barons as Joseph Pulitzer and William Randolph Hearst at the turn of the century. The latter even took credit for instigating the Spanish-American War. Their power, however, had deeper roots in the journalistic culture of the nineteenth century, particularly in the social and political conflicts that climaxed with the Civil War. Until now historians have paid little attention to the role of the press in defining and disseminating the conflicting views of the North and the South in the decades leading up to the Civil War. In The Civil War and the Press historians, political scientists, and scholars of journalism measure the influence of the press, explore its diversity, and profile the prominent editors and publishers of the day. The book is divided into three sections covering the role of the press in the prewar years, throughout the conflict itself, and during the Reconstruction period. Part 1, "Setting the Agenda for Secession and War," considers the rise of the consumer society and the journalistic readership, the changing nature of editorial standards and practice, the issues of abolitionism, secession, and armed resistence as reflected in Northern and Southern newspapers, the reporting on John Brown's Harper's Ferry raid, and the influence of journalism on the 1860 election results. Part 2, "In Time of War," includes discussions of journalistic images and ideas of womanhood in the context of war, the political orientation of the Jewish press, the rise of illustrated periodicals, and issues of censorship and opposition journalism. The chapters in Part 3, "Reconstructing a Nation," detail the infiltration of the former Confederacy by hundreds of federally subsidized Republican newspapers, editorial reactions to the developing issue of voting rights for freed slaves, and the journalistic mythologization of Jesse James as a resister of Reconstruction laws and conquering Unionists. In tracing the confluence of journalism and politics from its source, this groundbreaking volume opens a wide variety of perspectives on a crucial period in American history while raising questions that remain pertainent to contemporary tensions between press power and government power. The Civil War and the Press will be essential reading for historians, media studies specialists, political scientists, and readers interested in the Civil War period.
This collection of scholarly essays presents new work from an emerging line of inquiry: modern outlaw narratives and the textual and cultural relevance of food and feasting. Food, its preparation and its consumption, is presented in outlaw narratives as central points of human interaction, community, conflict, and fellowship. Feast scenes perform a wide variety of functions, serving as cultural repositories of manners and behaviors, catalysts for adventure, or moments of regrouping and redirecting narratives. The book argues that modern outlaw narratives illuminate a potent cross-cultural need for freedom, solidarity, and justice, and it examines ways in which food and feasting are often used to legitimate difference, create discord, and manipulate power dynamics.