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Beckett's first 'literary landmark' ( St Petersburg Times) is a wonderfully savoury introduction to the Nobel Prize-winning author. Written in 1932, when the twenty-six-year-old Beckett was struggling to make ends meet, the novel offers a rare and revealing portrait of the artist as a young man. When submitted to several publishers, all of them found it too literary, too scandalous or too risky; it was only published posthumously in 1992. As the story begins, Belacqua - a young version of Molloy, whose love is divided between two women, Smeraldina-Rima and the little Alba - 'wrestles with his lusts and learning across vocabularies and continents, before a final "relapse into Dublin"' ( New Yorker). Youthfully exuberant and Joycean in tone, Dream is a work of extraordinary virtuosity.
A nameless woman arrives in L.A., only to fall into a coma and be positively identified as three completely different people, in this twist-filled thriller. She arrived at Peggy Cuneen’s Los Angeles boarding house with no ID. She asked for a room, fell asleep silently, and has yet to wake up. Even doctors are baffled. The only thing they know for sure is there are no signs of physical illness and no evidence of bodily trauma. In fact, she’s so flawlessly perfect it’s as if she’s been wrapped in cellophane her entire life. When her picture hits the newspapers, she’s positively identified—by three claimants who all have different stories. One swears she’s his niece, a runaway heiress. Another, that she’s a renowned mystic popular in religious circles. And the third, a frantic mother insisting the Jane Doe’s her daughter, who came to Hollywood looking for fame and subsequently disappeared. Are they lying? Mistaken? In denial? Or is it something more insidious? As a protective infatuation turns to obsession, Peggy’s son, Matt, is desperate to find out, but his investigation only yields a stunning new piece of the puzzle. From the Edgar Award–winning novelist who “registers the cold blue shadow cast by Southern California’s sunny promise,” Dream of Fair Woman is a brilliant and chilling suspense novel (L.A. Weekly).
"A critical edition of A Warning for Fair Women introduces new audiences to an important but neglected work of Elizabethan drama"--
Hong Kong in the nineteenth century: a heady, overwhelming mixture of worldly commercialism, moral corruption and Eastern tradition. Into this strange and exciting world, on board the S.S. Mongolia comes Milly Smith, daughter of a Hong Kong tycoon, destined for a marriage of convenience to a greedy financier. But during the course of her journey Milly has attracted the attentions of fellow passanger, the wild and dashing pirate, Eli boggs. Set against a turbulent historical backdrop of Hong Kong's piracy, the slave trade and the infamous Opium War, The Dreams of Fair Women is a classic historical adventure from the author of The Rape of the Fair Country.
Themes play a central role in our everyday communication: we have to know what a text is about in order to understand it. Intended meaning cannot be understood without some knowledge of the underlying theme. This book helps to define the concept of 'themes' in texts and how they are structured in language use.Much of the literature on Thematics is scattered over different disciplines (literature, psychology, linguistics, cognitive science), which this detailed collection pulls together in one coherent overview. The result is a new landmark for the study and understanding of themes in their everyday manifestation.
In Fair Sex, Savage Dreams Jean Walton examines the work of early feminist psychoanalytic writing to decipher in it the unacknowledged yet foundational role of race. Focusing on the 1920s and 1930s, a time when white women were actively refashioning Freud’s problematic accounts of sexual subjectivity, Walton rereads in particular the writing of British analysts Joan Riviere and Melanie Klein, modernist poet H.D., the eccentric French analyst Marie Bonaparte, and anthropologist Margaret Mead. Charting the fantasies of racial difference in these women’s writings, Walton establishes that race—particularly during this period—was inseparable from accounts of gender and sexuality. While arguing that these women remained notably oblivious to the racial meanings embedded in their own attempts to rearticulate feminine sexuality, Walton uses these very blindspots to understand how race and sex are deeply imbricated in the constitution of subjectivity. Challenging the notion that subjects acquire gender identities in isolation from racial ones, she thus demonstrates how white-centered psychoanalytic theories have formed the basis for more contemporary feminist and queer explorations of fantasy, desire, power, and subjectivity. Fair Sex, Savage Dreams will appeal to scholars of psychoanalysis, literary and cinematic modernism, race studies, queer theory, feminist theory, and anthropology.