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Excerpt from A Dissertation on the Nature and Character of the Chinese System of Writing, in a Letter to John Vaughan, Esq. IT is a just and true remark of the Rev. M. Gutzlafl', that nothing has so much puzzled the learned world in Europe as the Chinese We need not go very far to find out the cause of this embarrassment. It is produced, like many other difficulties that occur in almost every science, by the abuse of words, by the use of metaphors instead of plain intelligible language, and by looking beyond nature for the explanation of her most simple operations. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A Dissertation on the Nature and Character of the Chinese System of Writing, by Peter S. Du Ponceau. to which are Subjoined a Vocabulary of the Cochinchinese Language, by Father Joseph Morrone, with References to Plates, Containing the Characters Belonging to Each Word, and with Notes, Showing the Degree of Affinity Existing Between the Chinese and Cochinchinese Languages, and the Use They Respectively Make of Their Common System of Writing by M. de la Palun and a Cochinchinese and Latin Dictionary

Peter Stephen Du_Ponceau

Published: 1838

Total Pages: 438


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This book begins with a reflection on dichotomies in comparative studies of Chinese and Western literature and aesthetics. Critiquing an oppositional paradigm, Ming Dong Gu argues that despite linguistic and cultural differences, the two traditions share much common ground in critical theory, aesthetic thought, metaphysical conception, and reasoning. Focusing on issues of language, writing, and linguistics; metaphor, metonymy, and poetics; mimesis and representation; and lyricism, expressionism, creativity, and aesthetics, Gu demonstrates that though ways of conception and modes of expression may differ, the two traditions have cultivated similar aesthetic feelings and critical ideas capable of fusing critical and aesthetic horizons. With a two-way dialogue, this book covers a broad spectrum of critical discourses and uncovers fascinating connections among a wide range of thinkers, theorists, scholars, and aestheticians, thereby making a significant contribution to bridging the aesthetic divide and envisioning world theory and global aesthetics.
Addresses the customs of land and sea warfare. A notably humane work, it condemns actions against civilians and advocates the fair treatment of prisoners of war. Du Ponceau's able translation includes a biography of the author, a table of cases and an annotated bibliography. With a new introduction by William E. Butler.
This book is a study of knowledge production about China and the Chinese civilization and as such it is a critique of the ways in which knowledge about the Chinese civilization is produced. It is not primarily intended as one that sets out to expose biases and prejudices against China, correct errors and misrepresentations of Chinese civilization, and dispute misperceptions and misinterpretations of Chinese materials, although all these issues do occur in the book. The overall objective is to get behind and beneath all these problems in order to uncover the motivations, mental frameworks, attitudes, and reasons for the abovementioned phenomena, which the author terms "Sinologism".